Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Anna Szemere

Biographic Data

ID1554925
NAMEAnna Szemere
GIVEN NAMESAnna
FAMILY NAMESzemere
SIGNATURESZEMERE A
AFFILIATIONSCentral European University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS9
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Zene és ember

    Open Access•Ádám Ignácz, Anna Szemere•ARTICLE•Replika•2024

    Háromrészesre tervezett munkánkban Maróthy János zenetörténész, zeneesztéta (1925–2001) tudományos pályafutását és utópizmusának alakváltozásait vizsgáljuk. Maróthy a 20. század második felének egyik legjelentősebb magyar zenekutatója volt, akinek műve és szellemi profilja a kelet-közép-európai szocializmussal fonódott össze, így elválaszthatatlan annak súlyos ellentmondásokkal terhelt történetétől, képzelt vagy valóságos társadalompolitikai lehe…

  • Utopianism, activism and networks

    Open Access•Anna Szemere, Ádám Ignácz•ARTICLE•Popular Music•2024•References: 9

    This article explores the relationships between utopianism, activism and networks in the early career of the Hungarian musicologist János Maróthy (1925-2001). A prolific author of pioneering work on the social history of European peasant and urban folk songs from the antiquity to the modern era, Maróthy is noteworthy for establishing academic research of popular music in Hungary, both preceding and contributing to the emergence of new musicology …

  • Post-communist Nostalgia

    Open Access•Daphne Berdahl, Marija Nikolaeva Todorova et al.•BOOK•Post-Communist Nostalgia•2022

    Although the end of the Cold War was greeted with great enthusiasm by people in the East and the West, the ensuing social and especially economic changes did not always result in the hoped-for improvements in people’s lives. This led to widespread disillusionment that can be observed today all across Eastern Europe. Not simply a longing for security, stability, and prosperity, this nostalgia is also a sense of loss regarding a specific form of so…

  • Richard Elliott. 2015. The Late Voice

    Anna Szemere•ARTICLE•Perfect Beat•2020

    Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. New York and London: Bloomsbury Academic. ISBN 978-1-6289-2118-2 (hbk); 978-1-6289-2064-2 (ePUB); 978-1-6289-2083-3 (ePDF). 289 pp

  • But he has nothing on at all!' Underground videos targeting Viktor Orbán, Hungary's celebrity politician

    Anna Szemere•ARTICLE•Celebrity Studies•2020•Cited by: 1•References: 13

    This article argues that Hungarian Prime Minister Viktor Orbán has established a monarch-like celebrity status and exploited it to systematically dismantle the checks and balances of democratic polity. Drawing on nationalist mythology, local traditions of personality cult, and media techniques to personalise the politics, Orbán has fashioned himself as Hungary’s crownless king. In the absence of effective political contestation, a significant poc…

  • Let's Turn Hegel from His Head onto His Feet

    Open Access•Anna Szemere•ARTICLE•Slavic Review•2018•References: 2

    This paper focuses on some salient features of the Hungarian "long sixties" through the rear-view mirror of a highly-acclaimed popular musical album by Tamas Cseh and Geza Beremenyi entitled "A Letter to My Sister" (1977). The article argues that the "Letter" owes its enduring success to its unique chronological and narrative arch: the years of childhood set in the sombrest Stalinist 1950s, while the opening up of the country's political and cult…

  • Subcultural politics and social change

    Anna Szemere•ARTICLE•Popular Music & Society•1996•Cited by: 2•References: 7

  • The recording industry

    Anna Szemere•ARTICLE•Critical Studies in Mass…•1986

  • Some institutional aspects of pop and rock in Hungary

    Open Access•Anna Szemere•ARTICLE•Popular Music•1983•Cited by: 6

    I think that no one really wants pop music to become art because it is enough as entertainment, and if it were just a bit better, one could not look at it with an indulgent smile...' In this bitter way János Bródy, a member of the once legendary beat group, Illés, formulated his opinion about the institutions responsible for the production, function, reception and, last but not least, the quality of pop (rock, beat) music, that is to say, the mus…

  • Some institutional aspects of pop and rock in Hungary

    Open Access•Anna Szemere•ARTICLE•Popular Music•1983•Cited by: 6

    I think that no one really wants pop music to become art because it is enough as entertainment, and if it were just a bit better, one could not look at it with an indulgent smile...' In this bitter way János Bródy, a member of the once legendary beat group, Illés, formulated his opinion about the institutions responsible for the production, function, reception and, last but not least, the quality of pop (rock, beat) music, that is to say, the mus…

  • Subcultural politics and social change

    Anna Szemere•ARTICLE•Popular Music & Society•1996•Cited by: 2•References: 7

  • But he has nothing on at all!' Underground videos targeting Viktor Orbán, Hungary's celebrity politician

    Anna Szemere•ARTICLE•Celebrity Studies•2020•Cited by: 1•References: 13

    This article argues that Hungarian Prime Minister Viktor Orbán has established a monarch-like celebrity status and exploited it to systematically dismantle the checks and balances of democratic polity. Drawing on nationalist mythology, local traditions of personality cult, and media techniques to personalise the politics, Orbán has fashioned himself as Hungary’s crownless king. In the absence of effective political contestation, a significant poc…

  • Some institutional aspects of pop and rock in Hungary

    Open Access•Anna Szemere•ARTICLE•Popular Music•1983•Cited by: 6

    I think that no one really wants pop music to become art because it is enough as entertainment, and if it were just a bit better, one could not look at it with an indulgent smile...' In this bitter way János Bródy, a member of the once legendary beat group, Illés, formulated his opinion about the institutions responsible for the production, function, reception and, last but not least, the quality of pop (rock, beat) music, that is to say, the mus…

  • The recording industry

    Anna Szemere•ARTICLE•Critical Studies in Mass…•1986

  • Subcultural politics and social change

    Anna Szemere•ARTICLE•Popular Music & Society•1996•Cited by: 2•References: 7

  • Let's Turn Hegel from His Head onto His Feet

    Open Access•Anna Szemere•ARTICLE•Slavic Review•2018•References: 2

    This paper focuses on some salient features of the Hungarian "long sixties" through the rear-view mirror of a highly-acclaimed popular musical album by Tamas Cseh and Geza Beremenyi entitled "A Letter to My Sister" (1977). The article argues that the "Letter" owes its enduring success to its unique chronological and narrative arch: the years of childhood set in the sombrest Stalinist 1950s, while the opening up of the country's political and cult…

  • Richard Elliott. 2015. The Late Voice

    Anna Szemere•ARTICLE•Perfect Beat•2020

    Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. New York and London: Bloomsbury Academic. ISBN 978-1-6289-2118-2 (hbk); 978-1-6289-2064-2 (ePUB); 978-1-6289-2083-3 (ePDF). 289 pp

  • But he has nothing on at all!' Underground videos targeting Viktor Orbán, Hungary's celebrity politician

    Anna Szemere•ARTICLE•Celebrity Studies•2020•Cited by: 1•References: 13

    This article argues that Hungarian Prime Minister Viktor Orbán has established a monarch-like celebrity status and exploited it to systematically dismantle the checks and balances of democratic polity. Drawing on nationalist mythology, local traditions of personality cult, and media techniques to personalise the politics, Orbán has fashioned himself as Hungary’s crownless king. In the absence of effective political contestation, a significant poc…

  • Post-communist Nostalgia

    Open Access•Daphne Berdahl, Marija Nikolaeva Todorova et al.•BOOK•Post-Communist Nostalgia•2022

    Although the end of the Cold War was greeted with great enthusiasm by people in the East and the West, the ensuing social and especially economic changes did not always result in the hoped-for improvements in people’s lives. This led to widespread disillusionment that can be observed today all across Eastern Europe. Not simply a longing for security, stability, and prosperity, this nostalgia is also a sense of loss regarding a specific form of so…

  • Zene és ember

    Open Access•Ádám Ignácz, Anna Szemere•ARTICLE•Replika•2024

    Háromrészesre tervezett munkánkban Maróthy János zenetörténész, zeneesztéta (1925–2001) tudományos pályafutását és utópizmusának alakváltozásait vizsgáljuk. Maróthy a 20. század második felének egyik legjelentősebb magyar zenekutatója volt, akinek műve és szellemi profilja a kelet-közép-európai szocializmussal fonódott össze, így elválaszthatatlan annak súlyos ellentmondásokkal terhelt történetétől, képzelt vagy valóságos társadalompolitikai lehe…

  • Utopianism, activism and networks

    Open Access•Anna Szemere, Ádám Ignácz•ARTICLE•Popular Music•2024•References: 9

    This article explores the relationships between utopianism, activism and networks in the early career of the Hungarian musicologist János Maróthy (1925-2001). A prolific author of pioneering work on the social history of European peasant and urban folk songs from the antiquity to the modern era, Maróthy is noteworthy for establishing academic research of popular music in Hungary, both preceding and contributing to the emergence of new musicology …

Art (6 works) · Political science (6 works) · Law (5 works) · Politics (5 works) · Sociology (5 works) · Aesthetics (4 works) · Diverse Musicological Studies (3 works) · History (3 works) · Law (3 works) · Literature (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae