Elena Prokhorova
Biographic Data
| ID | 1555314 |
|---|---|
| NAME | Elena Prokhorova |
| GIVEN NAMES | Elena |
| FAMILY NAME | Prokhorova |
| SIGNATURE | PROKHOROVA E |
| AFFILIATIONS | c Member of the Caucasus Task Force of the Centre for European Policy Studies (CEPS) , 1 Place du Congres, Brussels , B‐1000 Phone: Fax: E-mail |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Putin ~ Culture
Film and Television Genres of the Late Soviet Era
Flushing Out the Soviet
The widespread use of Soviet-era tropes and iconography remains a constant feature of new Russian television series, both locally produced and remade from globally circulating narratives. Combined with Putin-era television’s propensity for nostalgia this pattern raises justified concerns over “re-sovietization” of the Russian media. This article argues that despite new serial shows’ frequent reliance on Soviet mythologies, both their narrative fu…
Can the Meeting Place Be Changed? Crime and Identity Discourse in Russian Television Series of the 1990s
Since the mid-1990s, crime drama has been the leading genre of post-Soviet television. In this article, Elena Prokhorova discusses various genres of recent crime series, both within the historical context and as coherent discourse (specifically, identity discourse). Her analysis draws narrative and ideological parallels between recent Russian productions and Brezhnev-era television mini-series, especially as an attempt to reconceptualize national…
A stability pact for the Caucasus in theory and practice — A supplementary note
In response to appeals from the leaders of the south Caucasus for a stability pact for the region, CEPS published in May 2000 a consultative document with a comprehensive proposal (available on www.ceps.be). Subsequently, the authors have held extensive consultations with the leaders in all three states of the south Caucasus, and in four of the key autonomies (Nagorno‐Karabakh, Abkhazia, Adjaria, Ossetia). The present paper draws together the inf…
Can the Meeting Place Be Changed? Crime and Identity Discourse in Russian Television Series of the 1990s
Since the mid-1990s, crime drama has been the leading genre of post-Soviet television. In this article, Elena Prokhorova discusses various genres of recent crime series, both within the historical context and as coherent discourse (specifically, identity discourse). Her analysis draws narrative and ideological parallels between recent Russian productions and Brezhnev-era television mini-series, especially as an attempt to reconceptualize national…
A stability pact for the Caucasus in theory and practice — A supplementary note
In response to appeals from the leaders of the south Caucasus for a stability pact for the region, CEPS published in May 2000 a consultative document with a comprehensive proposal (available on www.ceps.be). Subsequently, the authors have held extensive consultations with the leaders in all three states of the south Caucasus, and in four of the key autonomies (Nagorno‐Karabakh, Abkhazia, Adjaria, Ossetia). The present paper draws together the inf…
Can the Meeting Place Be Changed? Crime and Identity Discourse in Russian Television Series of the 1990s
Since the mid-1990s, crime drama has been the leading genre of post-Soviet television. In this article, Elena Prokhorova discusses various genres of recent crime series, both within the historical context and as coherent discourse (specifically, identity discourse). Her analysis draws narrative and ideological parallels between recent Russian productions and Brezhnev-era television mini-series, especially as an attempt to reconceptualize national…
Flushing Out the Soviet
The widespread use of Soviet-era tropes and iconography remains a constant feature of new Russian television series, both locally produced and remade from globally circulating narratives. Combined with Putin-era television’s propensity for nostalgia this pattern raises justified concerns over “re-sovietization” of the Russian media. This article argues that despite new serial shows’ frequent reliance on Soviet mythologies, both their narrative fu…
Film and Television Genres of the Late Soviet Era
Putin ~ Culture
Political science (4 works) · Art (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Eastern European Communism and Reforms (2 works) · History (2 works)