Natalia Brizuela
Biographic Data
| ID | 155875 |
|---|---|
| NAME | Natalia Brizuela |
| GIVEN NAMES | Natalia |
| FAMILY NAME | Brizuela |
| SIGNATURE | BRIZUELA N |
| ORCID | 0000-0002-5862-3644 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Life Lines
Relations beyond Colonial Borders
This section presents selected contributions to the workshop “Relations beyond Colonial Borders: Indigeneity, Racialization, Hospitality,” convened by the International Consortium of Critical Theory Programs at the Three Sisters Kitchen in Albuquerque, New Mexico, in April 2023. Natalia Brizuela, Samera Esmeir, Alyosha Goldstein, and Rebecca Schreiber brought together scholars, activists, poets, and artists whose work critically engages the moder…
Speaking of Lotty Rosenfeld
This dialogue centers on the artwork and legacy of Chilean artist Lotty Rosenfeld, including such solo projects as One Mile of Crosses on the Pavement and her collaborations with CADA (Colectivo Acciones de Arte). It argues for a queer feminist reading of Rosenfeld as it considers her anti-dictatorship spatial practices, her intimacies with the writer Diamela Eltit, and her political and aesthetic commitments
Pluriversal Brazil
This conversation with directors Patricia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Rolon, and Julia Katharine took place over email exchanges and recorded phone conversations in the weeks between late June and early late August of 2020. In lieu of a real conversation, in person or online, all of the interviewees were sent the same set of questions, upon which they were invited to reflect. The directors were chosen b…
Una milla de cruces sobre el pavimento and NO
Reflections on Durational Art
These short reflections, from UC Berkeley faculty in a variety of disciplines, respond to the following question: "What does the phrase 'time-based art' mean to you? What are the central stakes, conventions, challenges, and opportunities of durational art in the contexts in which you work?" Collectively, they probe a wide range of practices and contexts, including, for example, Mexican festivals and midwestern American carnivals, Syrian documenta…
Special Issue on Modern Argentine Photography
Over the last decade modern and contemporary Latin American art has gained an increased visibility in major museums and universities in the USA and Europe. This has been partly generated as a resul
Grete Stern, Horacio Coppola and the Question of Modern Photography in Argentina
This article questions the meaning of the category of ‘modern photography’ in Argentina from the 1930s through the 1960s, looking specifically at how it was used to refer to Grete Stern and Horacio Coppola's work from that period. The article shows that ‘modern’ referred to different and at times contradictory aesthetic and political dimensions of the photographic medium, and not to a single type of practice. By doing this, the article offers a h…
Entries
Mirror, A Hollow 1 In The Wall. Your Portrait, A Hollow In The Wall . Ana Cristina Cesar
Curiosity! Wonder!! Horror!!! Misery!!!!” The Campanha de Canudos , or the Photography of History
Research Article| December 01 2005 “Curiosity! Wonder!! Horror!!! Misery!!!!” The Campanha de Canudos, or the Photography of History Natalia Brizuela Natalia Brizuela Search for other works by this author on: This Site Google Qui Parle (2005) 15 (2): 139–169. https://doi.org/10.1215/quiparle.15.2.139 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Natalia Brizuela; “Curiosity! Wonder!! Horror!!! Misery!!!!” The Campanha d…
No prominent works on this page.
Curiosity! Wonder!! Horror!!! Misery!!!!” The Campanha de Canudos , or the Photography of History
Research Article| December 01 2005 “Curiosity! Wonder!! Horror!!! Misery!!!!” The Campanha de Canudos, or the Photography of History Natalia Brizuela Natalia Brizuela Search for other works by this author on: This Site Google Qui Parle (2005) 15 (2): 139–169. https://doi.org/10.1215/quiparle.15.2.139 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Natalia Brizuela; “Curiosity! Wonder!! Horror!!! Misery!!!!” The Campanha d…
Mirror, A Hollow 1 In The Wall. Your Portrait, A Hollow In The Wall . Ana Cristina Cesar
Entries
Special Issue on Modern Argentine Photography
Over the last decade modern and contemporary Latin American art has gained an increased visibility in major museums and universities in the USA and Europe. This has been partly generated as a resul
Grete Stern, Horacio Coppola and the Question of Modern Photography in Argentina
This article questions the meaning of the category of ‘modern photography’ in Argentina from the 1930s through the 1960s, looking specifically at how it was used to refer to Grete Stern and Horacio Coppola's work from that period. The article shows that ‘modern’ referred to different and at times contradictory aesthetic and political dimensions of the photographic medium, and not to a single type of practice. By doing this, the article offers a h…
Reflections on Durational Art
These short reflections, from UC Berkeley faculty in a variety of disciplines, respond to the following question: "What does the phrase 'time-based art' mean to you? What are the central stakes, conventions, challenges, and opportunities of durational art in the contexts in which you work?" Collectively, they probe a wide range of practices and contexts, including, for example, Mexican festivals and midwestern American carnivals, Syrian documenta…
Pluriversal Brazil
This conversation with directors Patricia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Rolon, and Julia Katharine took place over email exchanges and recorded phone conversations in the weeks between late June and early late August of 2020. In lieu of a real conversation, in person or online, all of the interviewees were sent the same set of questions, upon which they were invited to reflect. The directors were chosen b…
Una milla de cruces sobre el pavimento and NO
Speaking of Lotty Rosenfeld
This dialogue centers on the artwork and legacy of Chilean artist Lotty Rosenfeld, including such solo projects as One Mile of Crosses on the Pavement and her collaborations with CADA (Colectivo Acciones de Arte). It argues for a queer feminist reading of Rosenfeld as it considers her anti-dictatorship spatial practices, her intimacies with the writer Diamela Eltit, and her political and aesthetic commitments
Relations beyond Colonial Borders
This section presents selected contributions to the workshop “Relations beyond Colonial Borders: Indigeneity, Racialization, Hospitality,” convened by the International Consortium of Critical Theory Programs at the Three Sisters Kitchen in Albuquerque, New Mexico, in April 2023. Natalia Brizuela, Samera Esmeir, Alyosha Goldstein, and Rebecca Schreiber brought together scholars, activists, poets, and artists whose work critically engages the moder…
Life Lines
Art (7 works) · Art history (7 works) · Visual arts (6 works) · Art, Politics, and Modernism (4 works) · History (4 works) · Geography (3 works) · History (3 works) · Humanities (3 works) · Linguistics (3 works) · Philosophy (3 works)