Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

David Ake

Biographic Data

ID156281
NAMEDavid Ake
GIVEN NAMESDavid
FAMILY NAMEAke
SIGNATUREAKE D
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2007
H-INDEX0
  • The Emergence of the Rural American Ideal in Jazz

    David Ake•ARTICLE•Jazz Perspectives•2007

    Jazz has long been identified as an urban genre. Certainly, the standard historical narratives of the music trace a metropolitan lineage: New Orleans to Chicago to Kansas City to New York, with other cities, inside and outside the U.S., playing somewhat lesser roles. In many ways, experts and laypeople alike have understood the music as not only presented predominantly in urban areas, but also as among the foremost aural representations of city l…

  • Jazz Cultures

    G Solis, David Ake•ARTICLE•Ethnomusicology•2003

  • Swingin' the Dream

    David Ake, Lewis A Erenberg•ARTICLE•American Music•2000

  • Re-Masculating Jazz

    David Ake•ARTICLE•American Music•1998

    This article focuses on how the principal codes of masculinity in jazz were represented by musicians and their music in a particular place and time, and the various means by which these established notions were challenged and refigured by an alternative model. More specifically, I will look to 1959 as a moment of contestation between established codes of jazz masculinity and a new approach stage by Ornette Coleman. For reasons that will be made c…

  • Music 120

    Open Access•David Ake•ARTICLE•Journal of Popular Music Studies•1997

  • Music Grooves

    David Ake, Charles Keil et al.•ARTICLE•American Music•1997

No prominent works on this page.

  • Music 120

    Open Access•David Ake•ARTICLE•Journal of Popular Music Studies•1997

  • Music Grooves

    David Ake, Charles Keil et al.•ARTICLE•American Music•1997

  • Re-Masculating Jazz

    David Ake•ARTICLE•American Music•1998

    This article focuses on how the principal codes of masculinity in jazz were represented by musicians and their music in a particular place and time, and the various means by which these established notions were challenged and refigured by an alternative model. More specifically, I will look to 1959 as a moment of contestation between established codes of jazz masculinity and a new approach stage by Ornette Coleman. For reasons that will be made c…

  • Swingin' the Dream

    David Ake, Lewis A Erenberg•ARTICLE•American Music•2000

  • Jazz Cultures

    G Solis, David Ake•ARTICLE•Ethnomusicology•2003

  • The Emergence of the Rural American Ideal in Jazz

    David Ake•ARTICLE•Jazz Perspectives•2007

    Jazz has long been identified as an urban genre. Certainly, the standard historical narratives of the music trace a metropolitan lineage: New Orleans to Chicago to Kansas City to New York, with other cities, inside and outside the U.S., playing somewhat lesser roles. In many ways, experts and laypeople alike have understood the music as not only presented predominantly in urban areas, but also as among the foremost aural representations of city l…

Art (6 works) · Music History and Culture (6 works) · Jazz (5 works) · Musicology and Musical Analysis (5 works) · Art history (4 works) · Theater, Performance, and Music History (4 works) · Visual arts (4 works) · History (3 works) · Aesthetics (2 works) · Literature (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae