Sheila Whiteley
Biographic Data
| ID | 157133 |
|---|---|
| NAME | Sheila Whiteley |
| GIVEN NAMES | Sheila |
| FAMILY NAME | Whiteley |
| SIGNATURE | WHITELEY S |
| AFFILIATIONS | University of Salford |
| VERIFIED | No |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 9 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
The Oxford Handbook of Music and Queerness
In the 1990s, academic study of LGBTQ issues in relation to music centered on classical music, and the research topics and researchers were mostly white. The scope of the field has expanded greatly since then, with ongoing research on classical music, extensive work on white popular music, a growing literature on Black music, and recent initiatives in ethnomusicology. The term “queer” has risen as a welcome intention of inclusiveness, along with …
Oxford Handbook of Music and Queerness
Queering Brighton
Every place has its local history of queerness, as shown in this chronicle of queerness in Brighton, England. The author sketches an account of Brighton’s non-normative sexual practices and sexually dissident residents and visitors, especially from the late nineteenth century on. The discussion identifies many gay clubs and other sites of queer community. Two examples illustrate aspects of mid-twentieth-century queer culture: the 1960s radio come…
The Oxford Handbook of Music and Virtuality
“Seventeenth Heaven”
Avatar Rockstars
Alternative Virtuality
Hatsune Miku, 2.0Pac, and Beyond
Hatsune Miku and Japanese Virtual Idols
Counterculture
Sexing the Groove
Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of …
Queering the Popular Pitch
Sexing the Groove
Dusty Springfield
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Christmas, ideology and popular culture
Beatlestudies 1
Beatlestudies 1: Songwriting, Recording, and Style Change. Edited by Yrjo Heinonen, Tuomas Eerola, Jouni Koskimaki, Terhi Nurmesjarvi and John Richardson. University of Jyvaskyla Department of Music, 1998. Research Reports, 19. Beatlestudies 2: History, Identity, Authenticity. Edited by Yrjo Heinonen, Jouni Koskimaki, Seppo Niemi and Terhi Nurmesjarvi. University of Jyvaskyla Department of Music, 2000. Research Reports, 23. - Volume 20 Issue 1
Sexing the Groove
Popular Music and Technology Conference
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Sound of Silence
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Progressive rock and psychedelic coding in the work of Jimi Hendrix
Discussion of the 1960s generally identifies progressive rock as the prime organ of communication within the counter-culture. At the same time, musical analysis of the genre is an underdeveloped field of study, including only an identification of musical characteristics (Willis 1978), Mellers' analysis of the Beatles (1973) and Middleton and Muncie's analysis of five representative songs in the Open University's course, Popular Culture (1981). As…
Progressive rock and psychedelic coding in the work of Jimi Hendrix
Discussion of the 1960s generally identifies progressive rock as the prime organ of communication within the counter-culture. At the same time, musical analysis of the genre is an underdeveloped field of study, including only an identification of musical characteristics (Willis 1978), Mellers' analysis of the Beatles (1973) and Middleton and Muncie's analysis of five representative songs in the Open University's course, Popular Culture (1981). As…
The Sound of Silence
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Progressive rock and psychedelic coding in the work of Jimi Hendrix
Discussion of the 1960s generally identifies progressive rock as the prime organ of communication within the counter-culture. At the same time, musical analysis of the genre is an underdeveloped field of study, including only an identification of musical characteristics (Willis 1978), Mellers' analysis of the Beatles (1973) and Middleton and Muncie's analysis of five representative songs in the Open University's course, Popular Culture (1981). As…
The Sound of Silence
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Popular Music and Technology Conference
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Sexing the Groove
Beatlestudies 1
Beatlestudies 1: Songwriting, Recording, and Style Change. Edited by Yrjo Heinonen, Tuomas Eerola, Jouni Koskimaki, Terhi Nurmesjarvi and John Richardson. University of Jyvaskyla Department of Music, 1998. Research Reports, 19. Beatlestudies 2: History, Identity, Authenticity. Edited by Yrjo Heinonen, Jouni Koskimaki, Seppo Niemi and Terhi Nurmesjarvi. University of Jyvaskyla Department of Music, 2000. Research Reports, 23. - Volume 20 Issue 1
Christmas, ideology and popular culture
Dusty Springfield
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Sexing the Groove
Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of …
Queering the Popular Pitch
Sexing the Groove
Counterculture
The Oxford Handbook of Music and Virtuality
“Seventeenth Heaven”
Avatar Rockstars
Alternative Virtuality
Hatsune Miku, 2.0Pac, and Beyond
Hatsune Miku and Japanese Virtual Idols
Queering Brighton
Every place has its local history of queerness, as shown in this chronicle of queerness in Brighton, England. The author sketches an account of Brighton’s non-normative sexual practices and sexually dissident residents and visitors, especially from the late nineteenth century on. The discussion identifies many gay clubs and other sites of queer community. Two examples illustrate aspects of mid-twentieth-century queer culture: the 1960s radio come…
The Oxford Handbook of Music and Queerness
In the 1990s, academic study of LGBTQ issues in relation to music centered on classical music, and the research topics and researchers were mostly white. The scope of the field has expanded greatly since then, with ongoing research on classical music, extensive work on white popular music, a growing literature on Black music, and recent initiatives in ethnomusicology. The term “queer” has risen as a welcome intention of inclusiveness, along with …
Oxford Handbook of Music and Queerness
Art (12 works) · History (8 works) · Computer Science (7 works) · Music History and Culture (6 works) · Visual arts (6 works) · Sociology (5 works) · Mathematics (4 works) · Popular music (4 works) · Biology (3 works) · Gender Studies (3 works)