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E M Baker

Biographic Data

ID158033
NAMEE M Baker
GIVEN NAMESE M
FAMILY NAMEBaker
SIGNATUREBAKER E M
AFFILIATIONSUniversity of Cambridge
ORCID0000-0002-8620-3356
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1930
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Straight Time and Queer Utopia

    Open Access•E M Baker•ARTICLE•Journal of Popular Film and…•2026•References: 8

  • Biopsychosocial impacts of mother loss on daughters in Australia

    Open Access•Jessica Bowring, Elesha Parigi et al.•ARTICLE•Death Studies•2025

    We aimed to describe the biopsychosocial impacts of a mother's death at any stage in life on adult daughters in Australia. A total of 2735 mother-bereaved daughters completed an online survey about their experiences of mother loss and its impacts. We assessed several biopsychosocial outcomes, including symptoms of depression, anxiety, stress, post-traumatic stress disorder (PTSD), prolonged grief disorder (PGD), quality of life (QoL), sleep distu…

  • Writing as 'Compearance' in Diário da Queda by Michel Laub

    Open Access•E M Baker•ARTICLE•Bulletin of Latin American Research•2020•References: 11

    Diário da Queda (2011) by Michel Laub has been described as autoficção (autofiction), the Brazilian translation of the concept coined by Serge Doubrovsky to describe the narrative working-through of trauma through fictional autobiography. This article re-examines the definition of 'autofiction' and argues that Laub's narrative process more closely resembles Jean-Luc Nancy's notion of a singular voice 'compearing' experiences in a process of 'shar…

  • Art-Mimesis and Political Reality in Juan Carlos Tabío's El elefante y la bicicleta and Fernando Pérez's Suite Habana

    E M Baker•ARTICLE•Journal of Iberian and Latin…•2018

    This article uses the concept of art-mimesis to examine the reflections of two films, Juan Carlos Tabío’s El elefante y la bicicleta and Fernando Pérez’s Suite Habana, on the capacity of film to impact upon social reality in the context of the economic and political crises of the 1990s and early 2000s in Cuba. With reference to debates regarding the function of mimesis in the Cuban critical text The Viewer’s Dialectic by Tomás Gutiérrez Alea, I a…

  • Water Requirements of Men as Related to Salt Intake

    Open Access•E M Baker, Dongho Kim et al.•ARTICLE•1963•References: 3

  • Costs of Social Service

    Harold A Phelps, E M Baker•ARTICLE•Social Forces•1930

    Journal Article Costs of Social Service Get access Harold A. Phelps, Harold A. Phelps Search for other works by this author on: Oxford Academic Google Scholar Edith M. Baker Edith M. Baker Search for other works by this author on: Oxford Academic Google Scholar Social Forces, Volume 9, Issue 1, October 1930, Pages 63–71, https://doi.org/10.2307/2570084 Published: 01 October 1930

No prominent works on this page.

  • Costs of Social Service

    Harold A Phelps, E M Baker•ARTICLE•Social Forces•1930

    Journal Article Costs of Social Service Get access Harold A. Phelps, Harold A. Phelps Search for other works by this author on: Oxford Academic Google Scholar Edith M. Baker Edith M. Baker Search for other works by this author on: Oxford Academic Google Scholar Social Forces, Volume 9, Issue 1, October 1930, Pages 63–71, https://doi.org/10.2307/2570084 Published: 01 October 1930

  • Water Requirements of Men as Related to Salt Intake

    Open Access•E M Baker, Dongho Kim et al.•ARTICLE•1963•References: 3

  • Art-Mimesis and Political Reality in Juan Carlos Tabío's El elefante y la bicicleta and Fernando Pérez's Suite Habana

    E M Baker•ARTICLE•Journal of Iberian and Latin…•2018

    This article uses the concept of art-mimesis to examine the reflections of two films, Juan Carlos Tabío’s El elefante y la bicicleta and Fernando Pérez’s Suite Habana, on the capacity of film to impact upon social reality in the context of the economic and political crises of the 1990s and early 2000s in Cuba. With reference to debates regarding the function of mimesis in the Cuban critical text The Viewer’s Dialectic by Tomás Gutiérrez Alea, I a…

  • Writing as 'Compearance' in Diário da Queda by Michel Laub

    Open Access•E M Baker•ARTICLE•Bulletin of Latin American Research•2020•References: 11

    Diário da Queda (2011) by Michel Laub has been described as autoficção (autofiction), the Brazilian translation of the concept coined by Serge Doubrovsky to describe the narrative working-through of trauma through fictional autobiography. This article re-examines the definition of 'autofiction' and argues that Laub's narrative process more closely resembles Jean-Luc Nancy's notion of a singular voice 'compearing' experiences in a process of 'shar…

  • Biopsychosocial impacts of mother loss on daughters in Australia

    Open Access•Jessica Bowring, Elesha Parigi et al.•ARTICLE•Death Studies•2025

    We aimed to describe the biopsychosocial impacts of a mother's death at any stage in life on adult daughters in Australia. A total of 2735 mother-bereaved daughters completed an online survey about their experiences of mother loss and its impacts. We assessed several biopsychosocial outcomes, including symptoms of depression, anxiety, stress, post-traumatic stress disorder (PTSD), prolonged grief disorder (PGD), quality of life (QoL), sleep distu…

  • Straight Time and Queer Utopia

    Open Access•E M Baker•ARTICLE•Journal of Popular Film and…•2026•References: 8

Law (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Business (2 works) · Computer Science (2 works) · History (2 works) · Humanities (2 works) · Politics (2 works) · Psychology (2 works)

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