Lawrence Gushee
Biographic Data
| ID | 158208 |
|---|---|
| NAME | Lawrence Gushee |
| GIVEN NAMES | Lawrence |
| FAMILY NAME | Gushee |
| SIGNATURE | GUSHEE L |
| VERIFIED | No |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 2 |
New Orleans jazz (jazz)
Oliver, King (jazz)
The Nineteenth-Century Origins of Jazz
The question of the origins of jazz has, one might well imagine, received many answers in the seventy-five years since the music burst like a rocket over the American musical landscape. The least palatable perhaps is that offered by reactionary champions of the musical originality of the Original Dixieland Jazz Band (ODJB), for example, Horst Lange. Much of his evidence is easy to dismiss, but one point at least makes us pause and think. He write…
New Orleans: Area Musicians on the West Coast, 1908-1925
Although the basic pattern of development of jazz up to 1940 is articulated in terms of regions (the Midwest, the Southwest) and cities (New York, Chicago, New Orleans, Kansas City), only one of those locales has been studied in any detail. Many amateur, semiprofessional, and professional researchers have investigated and written about the music of New Orleans. There is but one book-length study on New York, now over twenty years old (Charters an…
Gottschalk of Aachen
Hermannus Contractus
Wilhelm of Hirsau
Minstrel
The Nineteenth-Century Origins of Jazz
Lawrence Gushee, The Nineteenth-Century Origins of Jazz, Black Music Research Journal, Vol. 14, No. 1, Selected Papers from the 1993 National Conference on Black Music Research (Spring, 1994), pp. 1-24
The Reception of Jazz in America
New Orleans-Area Musicians on the West Coast, 1908-1925
The Reception of Jazz in America: A New View
Celebrating Bird: The Triumph of Charlie Parker
How the Creole Band Came to Be
In the two years between the spring of 1914 and the spring of 1916, three ragtime bands consisting of New Orleans musicians began to disseminate the popular-music performing style of their native city to the country at large. The first of these was the Creole Band, which was organized in Los Angeles and toured in vaudeville and musical comedy for nearly four years. It has been referred to briefly by practically all comprehensive histories of jazz…
Miles Davis
A Preliminary Chronology of the Early Career of Ferd "Jelly Roll" Morton
Beale Black & Blue: Life and Music on Black America's Main Street
Dance Music: Ragtime, Jazz, & More
Ars cantus mensurabilis
The Nineteenth-Century Origins of Jazz
The question of the origins of jazz has, one might well imagine, received many answers in the seventy-five years since the music burst like a rocket over the American musical landscape. The least palatable perhaps is that offered by reactionary champions of the musical originality of the Original Dixieland Jazz Band (ODJB), for example, Horst Lange. Much of his evidence is easy to dismiss, but one point at least makes us pause and think. He write…
The Nineteenth-Century Origins of Jazz
Lawrence Gushee, The Nineteenth-Century Origins of Jazz, Black Music Research Journal, Vol. 14, No. 1, Selected Papers from the 1993 National Conference on Black Music Research (Spring, 1994), pp. 1-24
New Orleans: Area Musicians on the West Coast, 1908-1925
Although the basic pattern of development of jazz up to 1940 is articulated in terms of regions (the Midwest, the Southwest) and cities (New York, Chicago, New Orleans, Kansas City), only one of those locales has been studied in any detail. Many amateur, semiprofessional, and professional researchers have investigated and written about the music of New Orleans. There is but one book-length study on New York, now over twenty years old (Charters an…
How the Creole Band Came to Be
In the two years between the spring of 1914 and the spring of 1916, three ragtime bands consisting of New Orleans musicians began to disseminate the popular-music performing style of their native city to the country at large. The first of these was the Creole Band, which was organized in Los Angeles and toured in vaudeville and musical comedy for nearly four years. It has been referred to briefly by practically all comprehensive histories of jazz…
Ars cantus mensurabilis
Dance Music: Ragtime, Jazz, & More
Beale Black & Blue: Life and Music on Black America's Main Street
A Preliminary Chronology of the Early Career of Ferd "Jelly Roll" Morton
Miles Davis
Celebrating Bird: The Triumph of Charlie Parker
How the Creole Band Came to Be
In the two years between the spring of 1914 and the spring of 1916, three ragtime bands consisting of New Orleans musicians began to disseminate the popular-music performing style of their native city to the country at large. The first of these was the Creole Band, which was organized in Los Angeles and toured in vaudeville and musical comedy for nearly four years. It has been referred to briefly by practically all comprehensive histories of jazz…
New Orleans-Area Musicians on the West Coast, 1908-1925
The Reception of Jazz in America: A New View
The Reception of Jazz in America
The Nineteenth-Century Origins of Jazz
Lawrence Gushee, The Nineteenth-Century Origins of Jazz, Black Music Research Journal, Vol. 14, No. 1, Selected Papers from the 1993 National Conference on Black Music Research (Spring, 1994), pp. 1-24
Gottschalk of Aachen
Hermannus Contractus
Wilhelm of Hirsau
Minstrel
The Nineteenth-Century Origins of Jazz
The question of the origins of jazz has, one might well imagine, received many answers in the seventy-five years since the music burst like a rocket over the American musical landscape. The least palatable perhaps is that offered by reactionary champions of the musical originality of the Original Dixieland Jazz Band (ODJB), for example, Horst Lange. Much of his evidence is easy to dismiss, but one point at least makes us pause and think. He write…
New Orleans: Area Musicians on the West Coast, 1908-1925
Although the basic pattern of development of jazz up to 1940 is articulated in terms of regions (the Midwest, the Southwest) and cities (New York, Chicago, New Orleans, Kansas City), only one of those locales has been studied in any detail. Many amateur, semiprofessional, and professional researchers have investigated and written about the music of New Orleans. There is but one book-length study on New York, now over twenty years old (Charters an…
New Orleans jazz (jazz)
Oliver, King (jazz)
Art (14 works) · Music History and Culture (11 works) · Art history (9 works) · History (9 works) · Visual arts (8 works) · Musicology and Musical Analysis (7 works) · Jazz (6 works) · Theater, Performance, and Music History (5 works) · American Sports and Literature (3 works) · Archaeology (3 works)