Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Lawrence Gushee

Biographic Data

ID158208
NAMELawrence Gushee
GIVEN NAMESLawrence
FAMILY NAMEGushee
SIGNATUREGUSHEE L
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS7
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2003
H-INDEX2
  • New Orleans jazz (jazz)

    Lawrence Gushee•CHAPTER•The new Grove dictionary of music…•2003

  • Oliver, King (jazz)

    Lawrence Gushee, Howard Rye et al.•CHAPTER•The new Grove dictionary of music…•2003

  • The Nineteenth-Century Origins of Jazz

    Lawrence Gushee•ARTICLE•Black Music Research Journal•2002•Cited by: 3•References: 1

    The question of the origins of jazz has, one might well imagine, received many answers in the seventy-five years since the music burst like a rocket over the American musical landscape. The least palatable perhaps is that offered by reactionary champions of the musical originality of the Original Dixieland Jazz Band (ODJB), for example, Horst Lange. Much of his evidence is easy to dismiss, but one point at least makes us pause and think. He write…

  • New Orleans: Area Musicians on the West Coast, 1908-1925

    Lawrence Gushee•ARTICLE•Black Music Research Journal•2002•Cited by: 1•References: 1

    Although the basic pattern of development of jazz up to 1940 is articulated in terms of regions (the Midwest, the Southwest) and cities (New York, Chicago, New Orleans, Kansas City), only one of those locales has been studied in any detail. Many amateur, semiprofessional, and professional researchers have investigated and written about the music of New Orleans. There is but one book-length study on New York, now over twenty years old (Charters an…

  • Gottschalk of Aachen

    Lawrence Gushee, Michael McGrade•CHAPTER•The new Grove dictionary of music…•2001

  • Hermannus Contractus

    Lawrence Gushee•CHAPTER•The new Grove dictionary of music…•2001

  • Wilhelm of Hirsau

    Lawrence Gushee•CHAPTER•The new Grove dictionary of music…•2001

  • Minstrel

    Lawrence Gushee, Richard Rastall et al.•CHAPTER•The new Grove dictionary of music…•2001

  • The Nineteenth-Century Origins of Jazz

    Lawrence Gushee•ARTICLE•Black Music Research Journal•1994•Cited by: 2

    Lawrence Gushee, The Nineteenth-Century Origins of Jazz, Black Music Research Journal, Vol. 14, No. 1, Selected Papers from the 1993 National Conference on Black Music Research (Spring, 1994), pp. 1-24

  • The Reception of Jazz in America

    Lawrence Gushee•ARTICLE•American Music•1990

  • New Orleans-Area Musicians on the West Coast, 1908-1925

    Lawrence Gushee•ARTICLE•Black Music Research Journal•1989

  • The Reception of Jazz in America: A New View

    Lawrence Gushee, James Lincoln Collier•ARTICLE•Ethnomusicology•1989

  • Celebrating Bird: The Triumph of Charlie Parker

    Lawrence Gushee, Gary Giddins•ARTICLE•American Music•1988

  • How the Creole Band Came to Be

    Lawrence Gushee, Harry Carr•ARTICLE•Black Music Research Journal•1988•Cited by: 1•References: 1

    In the two years between the spring of 1914 and the spring of 1916, three ragtime bands consisting of New Orleans musicians began to disseminate the popular-music performing style of their native city to the country at large. The first of these was the Creole Band, which was organized in Los Angeles and toured in vaudeville and musical comedy for nearly four years. It has been referred to briefly by practically all comprehensive histories of jazz…

  • Miles Davis

    Lawrence Gushee, Ian Carr et al.•ARTICLE•American Music•1987

  • A Preliminary Chronology of the Early Career of Ferd "Jelly Roll" Morton

    Lawrence Gushee•ARTICLE•American Music•1985

  • Beale Black & Blue: Life and Music on Black America's Main Street

    Lawrence Gushee, Margaret McKee et al.•ARTICLE•American Music•1983

  • Dance Music: Ragtime, Jazz, & More

    Lawrence Gushee•ARTICLE•Ethnomusicology•1978

  • Ars cantus mensurabilis

    Michel Huglo, Franco De Colonia et al.•ARTICLE•Revue de musicologie•1977

  • The Nineteenth-Century Origins of Jazz

    Lawrence Gushee•ARTICLE•Black Music Research Journal•2002•Cited by: 3•References: 1

    The question of the origins of jazz has, one might well imagine, received many answers in the seventy-five years since the music burst like a rocket over the American musical landscape. The least palatable perhaps is that offered by reactionary champions of the musical originality of the Original Dixieland Jazz Band (ODJB), for example, Horst Lange. Much of his evidence is easy to dismiss, but one point at least makes us pause and think. He write…

  • The Nineteenth-Century Origins of Jazz

    Lawrence Gushee•ARTICLE•Black Music Research Journal•1994•Cited by: 2

    Lawrence Gushee, The Nineteenth-Century Origins of Jazz, Black Music Research Journal, Vol. 14, No. 1, Selected Papers from the 1993 National Conference on Black Music Research (Spring, 1994), pp. 1-24

  • New Orleans: Area Musicians on the West Coast, 1908-1925

    Lawrence Gushee•ARTICLE•Black Music Research Journal•2002•Cited by: 1•References: 1

    Although the basic pattern of development of jazz up to 1940 is articulated in terms of regions (the Midwest, the Southwest) and cities (New York, Chicago, New Orleans, Kansas City), only one of those locales has been studied in any detail. Many amateur, semiprofessional, and professional researchers have investigated and written about the music of New Orleans. There is but one book-length study on New York, now over twenty years old (Charters an…

  • How the Creole Band Came to Be

    Lawrence Gushee, Harry Carr•ARTICLE•Black Music Research Journal•1988•Cited by: 1•References: 1

    In the two years between the spring of 1914 and the spring of 1916, three ragtime bands consisting of New Orleans musicians began to disseminate the popular-music performing style of their native city to the country at large. The first of these was the Creole Band, which was organized in Los Angeles and toured in vaudeville and musical comedy for nearly four years. It has been referred to briefly by practically all comprehensive histories of jazz…

  • Ars cantus mensurabilis

    Michel Huglo, Franco De Colonia et al.•ARTICLE•Revue de musicologie•1977

  • Dance Music: Ragtime, Jazz, & More

    Lawrence Gushee•ARTICLE•Ethnomusicology•1978

  • Beale Black & Blue: Life and Music on Black America's Main Street

    Lawrence Gushee, Margaret McKee et al.•ARTICLE•American Music•1983

  • A Preliminary Chronology of the Early Career of Ferd "Jelly Roll" Morton

    Lawrence Gushee•ARTICLE•American Music•1985

  • Miles Davis

    Lawrence Gushee, Ian Carr et al.•ARTICLE•American Music•1987

  • Celebrating Bird: The Triumph of Charlie Parker

    Lawrence Gushee, Gary Giddins•ARTICLE•American Music•1988

  • How the Creole Band Came to Be

    Lawrence Gushee, Harry Carr•ARTICLE•Black Music Research Journal•1988•Cited by: 1•References: 1

    In the two years between the spring of 1914 and the spring of 1916, three ragtime bands consisting of New Orleans musicians began to disseminate the popular-music performing style of their native city to the country at large. The first of these was the Creole Band, which was organized in Los Angeles and toured in vaudeville and musical comedy for nearly four years. It has been referred to briefly by practically all comprehensive histories of jazz…

  • New Orleans-Area Musicians on the West Coast, 1908-1925

    Lawrence Gushee•ARTICLE•Black Music Research Journal•1989

  • The Reception of Jazz in America: A New View

    Lawrence Gushee, James Lincoln Collier•ARTICLE•Ethnomusicology•1989

  • The Reception of Jazz in America

    Lawrence Gushee•ARTICLE•American Music•1990

  • The Nineteenth-Century Origins of Jazz

    Lawrence Gushee•ARTICLE•Black Music Research Journal•1994•Cited by: 2

    Lawrence Gushee, The Nineteenth-Century Origins of Jazz, Black Music Research Journal, Vol. 14, No. 1, Selected Papers from the 1993 National Conference on Black Music Research (Spring, 1994), pp. 1-24

  • Gottschalk of Aachen

    Lawrence Gushee, Michael McGrade•CHAPTER•The new Grove dictionary of music…•2001

  • Hermannus Contractus

    Lawrence Gushee•CHAPTER•The new Grove dictionary of music…•2001

  • Wilhelm of Hirsau

    Lawrence Gushee•CHAPTER•The new Grove dictionary of music…•2001

  • Minstrel

    Lawrence Gushee, Richard Rastall et al.•CHAPTER•The new Grove dictionary of music…•2001

  • The Nineteenth-Century Origins of Jazz

    Lawrence Gushee•ARTICLE•Black Music Research Journal•2002•Cited by: 3•References: 1

    The question of the origins of jazz has, one might well imagine, received many answers in the seventy-five years since the music burst like a rocket over the American musical landscape. The least palatable perhaps is that offered by reactionary champions of the musical originality of the Original Dixieland Jazz Band (ODJB), for example, Horst Lange. Much of his evidence is easy to dismiss, but one point at least makes us pause and think. He write…

  • New Orleans: Area Musicians on the West Coast, 1908-1925

    Lawrence Gushee•ARTICLE•Black Music Research Journal•2002•Cited by: 1•References: 1

    Although the basic pattern of development of jazz up to 1940 is articulated in terms of regions (the Midwest, the Southwest) and cities (New York, Chicago, New Orleans, Kansas City), only one of those locales has been studied in any detail. Many amateur, semiprofessional, and professional researchers have investigated and written about the music of New Orleans. There is but one book-length study on New York, now over twenty years old (Charters an…

  • New Orleans jazz (jazz)

    Lawrence Gushee•CHAPTER•The new Grove dictionary of music…•2003

  • Oliver, King (jazz)

    Lawrence Gushee, Howard Rye et al.•CHAPTER•The new Grove dictionary of music…•2003

Art (14 works) · Music History and Culture (11 works) · Art history (9 works) · History (9 works) · Visual arts (8 works) · Musicology and Musical Analysis (7 works) · Jazz (6 works) · Theater, Performance, and Music History (5 works) · American Sports and Literature (3 works) · Archaeology (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae