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Michael Birenbaum Quintero

Biographic Data

ID158376
NAMEMichael Birenbaum Quintero
GIVEN NAMESMichael Birenbaum
FAMILY NAMEQuintero
SIGNATUREQUINTERO M B
AFFILIATIONSBoston University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Sonority, Hearing, and Spirituality in Afro-Latin America

    Michael Birenbaum Quintero•ARTICLE•Journal of Latin American…•2026

  • Loudness, Excess, Power

    Michael Birenbaum Quintero•CHAPTER•Remapping Sound Studies•2020

  • Rites, Rights and Rhythms

    Michael Birenbaum Quintero, Michael Birenbaum-Quintero•BOOK•Rites, Rights and Rhythms•2019

    "Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthet…

  • Race, Region, Representativity, and the Folklore Paradigm

    Michael Birenbaum Quintero•CHAPTER•Rites, Rights and Rhythms•2019

    Chapter 4 examines the assimilation of Pacific musical practices into the paradigm of folklore at the mid-twentieth century, marking a new relationship between cultural practices and the epistemologies and socialities that undergird them. Folklore was part of a broader process defining the figure of the people and resignifying their role, including racial imaginaries, in the Colombian nation. The discussion traces the structure of the invisibilit…

  • Rites, Rights and Rhythms

    Michael Birenbaum Quintero•BOOK•Rites, Rights and Rhythms•2018

  • The Sound of Culture

    Open Access•Michael Birenbaum Quintero•ARTICLE•New West Indian Guide / Nieuwe…•2018

  • Roy Cape

    Michael Birenbaum Quintero•ARTICLE•Ethnomusicology•2017

    Book Review| July 01 2017 Roy Cape: A Life on the Calypso and Soca Bandstand Roy Cape: A Life on the Calypso and Soca Bandstand. Jocelyne Guilbault and Roy Cape. 2014. Durham, NC: Duke University Press. xv, 275 pp., photographs, tables, charts, notes, discography, CD track list, selected bibliography, index. Paper, $26.95. Michael Birenbaum Quintero Michael Birenbaum Quintero Boston University Search for other works by this author on: This Site G…

  • Latino music

    Michael Birenbaum Quintero, Jason Stanyek et al.•CHAPTER•The new Grove dictionary of music…•2014

  • Colombie

    Open Access•Michael Birenbaum Quintero•ARTICLE•Yearbook for Traditional Music•2012

No prominent works on this page.

  • Colombie

    Open Access•Michael Birenbaum Quintero•ARTICLE•Yearbook for Traditional Music•2012

  • Latino music

    Michael Birenbaum Quintero, Jason Stanyek et al.•CHAPTER•The new Grove dictionary of music…•2014

  • Roy Cape

    Michael Birenbaum Quintero•ARTICLE•Ethnomusicology•2017

    Book Review| July 01 2017 Roy Cape: A Life on the Calypso and Soca Bandstand Roy Cape: A Life on the Calypso and Soca Bandstand. Jocelyne Guilbault and Roy Cape. 2014. Durham, NC: Duke University Press. xv, 275 pp., photographs, tables, charts, notes, discography, CD track list, selected bibliography, index. Paper, $26.95. Michael Birenbaum Quintero Michael Birenbaum Quintero Boston University Search for other works by this author on: This Site G…

  • Rites, Rights and Rhythms

    Michael Birenbaum Quintero•BOOK•Rites, Rights and Rhythms•2018

  • The Sound of Culture

    Open Access•Michael Birenbaum Quintero•ARTICLE•New West Indian Guide / Nieuwe…•2018

  • Rites, Rights and Rhythms

    Michael Birenbaum Quintero, Michael Birenbaum-Quintero•BOOK•Rites, Rights and Rhythms•2019

    "Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthet…

  • Race, Region, Representativity, and the Folklore Paradigm

    Michael Birenbaum Quintero•CHAPTER•Rites, Rights and Rhythms•2019

    Chapter 4 examines the assimilation of Pacific musical practices into the paradigm of folklore at the mid-twentieth century, marking a new relationship between cultural practices and the epistemologies and socialities that undergird them. Folklore was part of a broader process defining the figure of the people and resignifying their role, including racial imaginaries, in the Colombian nation. The discussion traces the structure of the invisibilit…

  • Loudness, Excess, Power

    Michael Birenbaum Quintero•CHAPTER•Remapping Sound Studies•2020

  • Sonority, Hearing, and Spirituality in Afro-Latin America

    Michael Birenbaum Quintero•ARTICLE•Journal of Latin American…•2026

Art (6 works) · History (5 works) · Music History and Culture (4 works) · Sociology (4 works) · Aesthetics (3 works) · Afro-Latin American Studies (3 works) · Musical (3 works) · Political science (3 works) · Politics (3 works) · Acoustics (2 works)

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