Y F Chow
Biographic Data
| ID | 15851 |
|---|---|
| NAME | Y F Chow |
| GIVEN NAMES | Y F |
| FAMILY NAME | Chow |
| SIGNATURE | CHOW Y F |
| AFFILIATIONS | Hong Kong Baptist University |
| ORCID | 0000-0001-6743-8339 |
| VERIFIED | Yes |
| TOTAL WORKS | 27 |
| TOTAL CITATIONS | 93 |
| AUTHOR COUNT | 27 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 6 |
Remember the time we sing’: A caring inquiry
In 1988, I started writing lyrics for popular music in Hong Kong. In 2018, Vicky Fung, a veteran music practitioner, and I set up a social enterprise, ‘Every Life Is a Song’, with the idea that every person deserves a song created entirely as inspired by that person’s life. Our recent project – ‘Remember the Time We Sing’ – deals with people living with dementia. Eight songs were created. In September 2023, a series of concerts were staged, and a…
A Tunnel with No Cars
It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong
This book is unique in focusing on just one band from one city – but the story of Tat Ming Pair, in so many ways This is an open access book.
Becoming a Good Chinese Father – Reality TV in China and its Reception
In 2013, Hunan Television, one of China’s most successful provincial satellite television stations, debuted a reality TV series featuring celebrity fathers and their children. A localized version of a Korean-developed format, Where Are We Going, Dad ( baba quna’er) brought dads and kids together to different locations in the countryside, usually very remote and exotic, to complete certain assignments. This inquiry takes Where Are We Going, Dad as…
More than perfect: Cosmetic surgery and ageing single women in contemporary China
In this article, I want to connect my inquiry into cosmetic surgery not only to a general category of women, but to its intersections with ageing, singlehood and China. Facilitating dialogues between cultural studies, feminist studies and ageing studies, I argue for the need to be less normative, but more inquisitive, for the need to heed specificities, to hear what the women themselves have to say. Departing from the dominant feminist and neolib…
Financial freedom, final fantasy, ‘formative ageing’: A study of ageing single women and retirement in contemporary China
Iacs roundtable to mark the publication of Tejaswini Niranjana’s Musicophilia in Mumbai
Tejaswini Niranjana is one of the important Indian cultural theorists. In Musicophilia in Mumbai: Performing Subjects and the Metropolitan Unconscious, she examines the emergence of Hindustani classical music in Mumbai, bringing together the notion of sociality and subjectivity to throw light on an important aspect of how publics are formed in the non-western metropolis. The roundtable joined by Professor Niranjana and the other five scholars tou…
Covid-19 and sonic governmentality: Can we hear the virus speak
A virus is not only invisible; it is also inaudible. Alongside attempts to visualize COVID-19, this article inserts a sonic perspective to listen to encounters between authorities and populations during the pandemic in China. The article examines how sound (mal)functions to mediate, interpellate, and distribute authority and power in the name of national health and safety. We will concentrate on the use of sirens and loudspeakers. First, at 10 a.…
Introduction: Creative labour in East Asia
In this introduction to this special issue on creative labour in East Asia, we explore how the creative industries discourse, and related debates around creative labour, continue to be haunted by a Eurocentric cum Anglocentric bias. The critical language of this discourse often directs all discussion of “inequality”, “precarity” and “self-exploitation” of creative labour towards a critique of “neoliberalism”, thus running the risk of overlooking …
No longer aspirational: A case study of young creative workers in Hong Kong who quit
While many young creative workers are braving precaritization presumably with the drive of aspiration, this article focuses on the other end of their career path: disillusionment. Informed by the experiences of five self-proclaimed wenyi qingnian – loosely translated as cultural youth – in Hong Kong, this article tracks their aspirations which kept them hoping and going till they were disillusioned and decided to quit. Drawing together two lines …
We are doing better’: Biopolitical nationalism and the Covid-19 virus in East Asia
The COVID-19 pandemic stirs up strong nationalist and localist sentiments; places pride themselves on containing the virus more effectively: We are doing better. We call this ‘biopolitical nationalism’, understood by us as the dynamics between body, geopolitics and affect. When looking at mainland China, Taiwan and Hong Kong, we analyse how the biopolitical efforts of these places are being compared, applauded and supported. Under a discourse of …
No alternatives, always more, willful optimism: New editors of the European Journal of Cultural Studies in conversation
The following is a conversation, conducted over email in late 2019 and early 2020, between Yiu Fai Chow and Anamik Saha, the two incoming editors of European Journal of Cultural Studies
Love, labour, lost: Creative class mobility, stories of loss, negative affects
Creative class workers are highly mobile, yet the struggles, disruptions and inequalities that emerge in their new, trans-local, experiential geographies are usually erased in the upbeat, Florida-inflected narrative on creative work and creative class mobility. This article aims to break open discussions of creative class mobility with the insertion of affect. It argues for the inclusion of personal, affective experiences to complicate the fluidi…
Yao , More or Less Human
This essay introduces Kiki, a transgender sex worker in Hong Kong, who is not adopting the term transgender and is not particularly involved with the transgender movement. Rather, she chose a particular Chinese term to conjure, evince, and categorize herself: renyao. While ren can be translated to “human being,” yao to “monster,” and renyao to “shemale,” those well versed in its vernacular circulation in Hong Kong would understand it as a somewha…
Exploring creative class mobility: Hong Kong creative workers in Shanghai and Beijing
In 2008 a controversial essay was published in Hong Kong drawing attention to the increasing number of local creative workers who have allegedly responded to the limitations the city had to wrestle with and the opportunities brought forward by the “Rise of China” – they moved northwards. Taking cues from the mainland China–Hong Kong dynamics, this inquiry zooms in on 12 Hong Kong creative workers who have relocated to Shanghai and Beijing during …
Hong Kong creative workers in mainland China: The aspirational, the precarious, and the ethical
China took up the discourses and agenda of creative industries increasingly in the first post-millennium decade. Amidst the attempt to turn from 'made in China' to 'created in China', would the translation of the creativity discourse usher in a better society in China? This article serves as one of the probing steps to ascertain what creativity enables and disables in China. I do so in an inquiry that departs from existing scholarship on two aspe…
Introduction: At home in Asia? Place-making, belonging and citizenship in the Asian Century
For the authors of this introduction, home is not always or only sweet home. For us, it is constructed with contradictions, ruptures and anxieties. Indeed, the world never fails to present us with ‘real’ people with ‘real’ issues of home. After ‘rescuing’ the idea of home from its two assumed arch-enemies ‘mobility’ and ‘urbanization’, we will proceed to formulate our appeal to reconceptualize ‘home’ and explicate why and how to do so. We have ci…
Music and Politics
Vogueand the possibility of cosmopolitics: Race, Health and Cosmopolitan Engagement in the Global Beauty Industry
This article explores the possibility of cosmopolitics, using the global magazine franchise Vogue as our starting point. Drawing on Saito's conceptualizations of cosmopolitanism, we investigate whether Vogue promotes cosmopolitan engagement, which we define as promotion of human diversity, cultural omnivorousness and cosmopolitics. Our analysis focuses on racial diversity and health, two moral issues recently addressed by Vogue itself. We present…
The spectre of Europe: Knowledge, cultural studies and the ‘rise of Asia’
This introduction starts with an exploration of the ambiguity of the idea of Europe. In particular, two tropes – Europe-as-theory and Europe-as-power – continue to haunt knowledge production and cultural studies in Asia. How to proceed? What should cultural studies do if it is to embrace this historical conjuncture of shifting modes of knowledge and power production, how to deal with its Anglocentrism and Eurocentrism? While this special issue al…
Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image
The Production of Locality in Global Pop – A Comparative Study of Pop Fans in the Netherlands and Hong Kong
Studies on fandom show an Anglo-Saxon bias and most of them take gender, age, s class as the key to understand fandom.Following globalisation theory, this study arg importance to include locality as an explanatory category.Comparing fans of local st Kong pop star Leon Lai and his Dutch counterpart Marco Borsato -this study finds st differences.In general, while the Dutch fans see Marco as an ordinary human being, Kong fans characterise Leon as an…
Hope Against Hopes: Diana Zhu and the Transnational Politics of Chinese Popular Music
Born and bred in the Netherlands, Diana Zhu, at 15 years of age, won a Chinese singing contest in Amsterdam in 2006. Subsequently, she got a contract first from Warner Music Hong Kong, then from Warner Taiwan. Relocated to Shanghai, her parents' 'home' city, Diana was working on her hope for a future in the Chinese pop market. This essay is my inquiry on the problematic of hope engendered by and embedded in the intersubjectivity between Diana and…
Moving, Sensing Intersectionality: A Case Study of Miss China Europe
Every year, Miss China Europe, a transnational beauty pageant organized for the Chinese diaspora, is held in the Netherlands. The hypervisuality of Chinese diasporic women at the event stands in painful contrast to their everyday invisibility, whether in the Netherlands, China, or elsewhere in the world. Informed by intersectional and transnational feminist scholarship, this empirical study zooms in on one group of women, ethnic Chinese born and/…
Blowing in the China Wind: Engagements with Chineseness in Hong Kong'sZhongguofengMusic Videos
While songs with distinct Chinese characteristics, whether musically or lyrically, have always been part of local pop history, “China Wind” (zhongguofeng) is a novel phenomenon. Above all, China Wind owes its production and circulation as a discursive formation to its endorsement by mainstream artists, notably from Taiwan, as much as to its popularity among audiences in Greater China. While China Wind pop is yet to be systematically documented, r…
We are doing better’: Biopolitical nationalism and the Covid-19 virus in East Asia
The COVID-19 pandemic stirs up strong nationalist and localist sentiments; places pride themselves on containing the virus more effectively: We are doing better. We call this ‘biopolitical nationalism’, understood by us as the dynamics between body, geopolitics and affect. When looking at mainland China, Taiwan and Hong Kong, we analyse how the biopolitical efforts of these places are being compared, applauded and supported. Under a discourse of …
The spectre of Europe: Knowledge, cultural studies and the ‘rise of Asia’
This introduction starts with an exploration of the ambiguity of the idea of Europe. In particular, two tropes – Europe-as-theory and Europe-as-power – continue to haunt knowledge production and cultural studies in Asia. How to proceed? What should cultural studies do if it is to embrace this historical conjuncture of shifting modes of knowledge and power production, how to deal with its Anglocentrism and Eurocentrism? While this special issue al…
Hong Kong creative workers in mainland China: The aspirational, the precarious, and the ethical
China took up the discourses and agenda of creative industries increasingly in the first post-millennium decade. Amidst the attempt to turn from 'made in China' to 'created in China', would the translation of the creativity discourse usher in a better society in China? This article serves as one of the probing steps to ascertain what creativity enables and disables in China. I do so in an inquiry that departs from existing scholarship on two aspe…
Me and the dragon: A lyrical engagement with the politics of Chineseness
Nationalistic songs are not rare in the pop music tradition of Hong Kong: from the anthemic, heroic-sounding songs as well as sentimental, folkish ballads, generally known as ‘minzu gequ’, in the 1970s and 1980s, to what I would call the neominzu gequ reinvented in trendier R&B or rap numbers during the turn of the century. For me, a cultural studies student and a cultural producer (lyric writer), the power of minzu gequ lies precisely in its ten…
Exploring creative class mobility: Hong Kong creative workers in Shanghai and Beijing
In 2008 a controversial essay was published in Hong Kong drawing attention to the increasing number of local creative workers who have allegedly responded to the limitations the city had to wrestle with and the opportunities brought forward by the “Rise of China” – they moved northwards. Taking cues from the mainland China–Hong Kong dynamics, this inquiry zooms in on 12 Hong Kong creative workers who have relocated to Shanghai and Beijing during …
Vogueand the possibility of cosmopolitics: Race, Health and Cosmopolitan Engagement in the Global Beauty Industry
This article explores the possibility of cosmopolitics, using the global magazine franchise Vogue as our starting point. Drawing on Saito's conceptualizations of cosmopolitanism, we investigate whether Vogue promotes cosmopolitan engagement, which we define as promotion of human diversity, cultural omnivorousness and cosmopolitics. Our analysis focuses on racial diversity and health, two moral issues recently addressed by Vogue itself. We present…
Blowing in the China Wind: Engagements with Chineseness in Hong Kong'sZhongguofengMusic Videos
While songs with distinct Chinese characteristics, whether musically or lyrically, have always been part of local pop history, “China Wind” (zhongguofeng) is a novel phenomenon. Above all, China Wind owes its production and circulation as a discursive formation to its endorsement by mainstream artists, notably from Taiwan, as much as to its popularity among audiences in Greater China. While China Wind pop is yet to be systematically documented, r…
Covid-19 and sonic governmentality: Can we hear the virus speak
A virus is not only invisible; it is also inaudible. Alongside attempts to visualize COVID-19, this article inserts a sonic perspective to listen to encounters between authorities and populations during the pandemic in China. The article examines how sound (mal)functions to mediate, interpellate, and distribute authority and power in the name of national health and safety. We will concentrate on the use of sirens and loudspeakers. First, at 10 a.…
Martial Arts Films and Dutch-Chinese Masculinities: Smaller Is Better
Starting with Bruce Lee in the 1960s, Chinese martial arts films have been gaining increasing importance in Hollywood. Amidst global fascination and the prevalence of male heroes in martial arts films, it is surprising to note that only a few studies engage the genre with issues of Chinese masculinity, and none by investigating how the audience makes sense or use of what they are seeing. Taking martial arts films as the research site, this study …
No alternatives, always more, willful optimism: New editors of the European Journal of Cultural Studies in conversation
The following is a conversation, conducted over email in late 2019 and early 2020, between Yiu Fai Chow and Anamik Saha, the two incoming editors of European Journal of Cultural Studies
Introduction: At home in Asia? Place-making, belonging and citizenship in the Asian Century
For the authors of this introduction, home is not always or only sweet home. For us, it is constructed with contradictions, ruptures and anxieties. Indeed, the world never fails to present us with ‘real’ people with ‘real’ issues of home. After ‘rescuing’ the idea of home from its two assumed arch-enemies ‘mobility’ and ‘urbanization’, we will proceed to formulate our appeal to reconceptualize ‘home’ and explicate why and how to do so. We have ci…
Moving, Sensing Intersectionality: A Case Study of Miss China Europe
Every year, Miss China Europe, a transnational beauty pageant organized for the Chinese diaspora, is held in the Netherlands. The hypervisuality of Chinese diasporic women at the event stands in painful contrast to their everyday invisibility, whether in the Netherlands, China, or elsewhere in the world. Informed by intersectional and transnational feminist scholarship, this empirical study zooms in on one group of women, ethnic Chinese born and/…
More than perfect: Cosmetic surgery and ageing single women in contemporary China
In this article, I want to connect my inquiry into cosmetic surgery not only to a general category of women, but to its intersections with ageing, singlehood and China. Facilitating dialogues between cultural studies, feminist studies and ageing studies, I argue for the need to be less normative, but more inquisitive, for the need to heed specificities, to hear what the women themselves have to say. Departing from the dominant feminist and neolib…
Financial freedom, final fantasy, ‘formative ageing’: A study of ageing single women and retirement in contemporary China
Martial Arts Films and Dutch-Chinese Masculinities: Smaller Is Better
Starting with Bruce Lee in the 1960s, Chinese martial arts films have been gaining increasing importance in Hollywood. Amidst global fascination and the prevalence of male heroes in martial arts films, it is surprising to note that only a few studies engage the genre with issues of Chinese masculinity, and none by investigating how the audience makes sense or use of what they are seeing. Taking martial arts films as the research site, this study …
Me and the dragon: A lyrical engagement with the politics of Chineseness
Nationalistic songs are not rare in the pop music tradition of Hong Kong: from the anthemic, heroic-sounding songs as well as sentimental, folkish ballads, generally known as ‘minzu gequ’, in the 1970s and 1980s, to what I would call the neominzu gequ reinvented in trendier R&B or rap numbers during the turn of the century. For me, a cultural studies student and a cultural producer (lyric writer), the power of minzu gequ lies precisely in its ten…
Hope Against Hopes: Diana Zhu and the Transnational Politics of Chinese Popular Music
Born and bred in the Netherlands, Diana Zhu, at 15 years of age, won a Chinese singing contest in Amsterdam in 2006. Subsequently, she got a contract first from Warner Music Hong Kong, then from Warner Taiwan. Relocated to Shanghai, her parents' 'home' city, Diana was working on her hope for a future in the Chinese pop market. This essay is my inquiry on the problematic of hope engendered by and embedded in the intersubjectivity between Diana and…
Moving, Sensing Intersectionality: A Case Study of Miss China Europe
Every year, Miss China Europe, a transnational beauty pageant organized for the Chinese diaspora, is held in the Netherlands. The hypervisuality of Chinese diasporic women at the event stands in painful contrast to their everyday invisibility, whether in the Netherlands, China, or elsewhere in the world. Informed by intersectional and transnational feminist scholarship, this empirical study zooms in on one group of women, ethnic Chinese born and/…
Blowing in the China Wind: Engagements with Chineseness in Hong Kong'sZhongguofengMusic Videos
While songs with distinct Chinese characteristics, whether musically or lyrically, have always been part of local pop history, “China Wind” (zhongguofeng) is a novel phenomenon. Above all, China Wind owes its production and circulation as a discursive formation to its endorsement by mainstream artists, notably from Taiwan, as much as to its popularity among audiences in Greater China. While China Wind pop is yet to be systematically documented, r…
Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image
The Production of Locality in Global Pop – A Comparative Study of Pop Fans in the Netherlands and Hong Kong
Studies on fandom show an Anglo-Saxon bias and most of them take gender, age, s class as the key to understand fandom.Following globalisation theory, this study arg importance to include locality as an explanatory category.Comparing fans of local st Kong pop star Leon Lai and his Dutch counterpart Marco Borsato -this study finds st differences.In general, while the Dutch fans see Marco as an ordinary human being, Kong fans characterise Leon as an…
The spectre of Europe: Knowledge, cultural studies and the ‘rise of Asia’
This introduction starts with an exploration of the ambiguity of the idea of Europe. In particular, two tropes – Europe-as-theory and Europe-as-power – continue to haunt knowledge production and cultural studies in Asia. How to proceed? What should cultural studies do if it is to embrace this historical conjuncture of shifting modes of knowledge and power production, how to deal with its Anglocentrism and Eurocentrism? While this special issue al…
Music and Politics
Vogueand the possibility of cosmopolitics: Race, Health and Cosmopolitan Engagement in the Global Beauty Industry
This article explores the possibility of cosmopolitics, using the global magazine franchise Vogue as our starting point. Drawing on Saito's conceptualizations of cosmopolitanism, we investigate whether Vogue promotes cosmopolitan engagement, which we define as promotion of human diversity, cultural omnivorousness and cosmopolitics. Our analysis focuses on racial diversity and health, two moral issues recently addressed by Vogue itself. We present…
Introduction: At home in Asia? Place-making, belonging and citizenship in the Asian Century
For the authors of this introduction, home is not always or only sweet home. For us, it is constructed with contradictions, ruptures and anxieties. Indeed, the world never fails to present us with ‘real’ people with ‘real’ issues of home. After ‘rescuing’ the idea of home from its two assumed arch-enemies ‘mobility’ and ‘urbanization’, we will proceed to formulate our appeal to reconceptualize ‘home’ and explicate why and how to do so. We have ci…
Exploring creative class mobility: Hong Kong creative workers in Shanghai and Beijing
In 2008 a controversial essay was published in Hong Kong drawing attention to the increasing number of local creative workers who have allegedly responded to the limitations the city had to wrestle with and the opportunities brought forward by the “Rise of China” – they moved northwards. Taking cues from the mainland China–Hong Kong dynamics, this inquiry zooms in on 12 Hong Kong creative workers who have relocated to Shanghai and Beijing during …
Hong Kong creative workers in mainland China: The aspirational, the precarious, and the ethical
China took up the discourses and agenda of creative industries increasingly in the first post-millennium decade. Amidst the attempt to turn from 'made in China' to 'created in China', would the translation of the creativity discourse usher in a better society in China? This article serves as one of the probing steps to ascertain what creativity enables and disables in China. I do so in an inquiry that departs from existing scholarship on two aspe…
Yao , More or Less Human
This essay introduces Kiki, a transgender sex worker in Hong Kong, who is not adopting the term transgender and is not particularly involved with the transgender movement. Rather, she chose a particular Chinese term to conjure, evince, and categorize herself: renyao. While ren can be translated to “human being,” yao to “monster,” and renyao to “shemale,” those well versed in its vernacular circulation in Hong Kong would understand it as a somewha…
Love, labour, lost: Creative class mobility, stories of loss, negative affects
Creative class workers are highly mobile, yet the struggles, disruptions and inequalities that emerge in their new, trans-local, experiential geographies are usually erased in the upbeat, Florida-inflected narrative on creative work and creative class mobility. This article aims to break open discussions of creative class mobility with the insertion of affect. It argues for the inclusion of personal, affective experiences to complicate the fluidi…
Introduction: Creative labour in East Asia
In this introduction to this special issue on creative labour in East Asia, we explore how the creative industries discourse, and related debates around creative labour, continue to be haunted by a Eurocentric cum Anglocentric bias. The critical language of this discourse often directs all discussion of “inequality”, “precarity” and “self-exploitation” of creative labour towards a critique of “neoliberalism”, thus running the risk of overlooking …
No longer aspirational: A case study of young creative workers in Hong Kong who quit
While many young creative workers are braving precaritization presumably with the drive of aspiration, this article focuses on the other end of their career path: disillusionment. Informed by the experiences of five self-proclaimed wenyi qingnian – loosely translated as cultural youth – in Hong Kong, this article tracks their aspirations which kept them hoping and going till they were disillusioned and decided to quit. Drawing together two lines …
We are doing better’: Biopolitical nationalism and the Covid-19 virus in East Asia
The COVID-19 pandemic stirs up strong nationalist and localist sentiments; places pride themselves on containing the virus more effectively: We are doing better. We call this ‘biopolitical nationalism’, understood by us as the dynamics between body, geopolitics and affect. When looking at mainland China, Taiwan and Hong Kong, we analyse how the biopolitical efforts of these places are being compared, applauded and supported. Under a discourse of …
No alternatives, always more, willful optimism: New editors of the European Journal of Cultural Studies in conversation
The following is a conversation, conducted over email in late 2019 and early 2020, between Yiu Fai Chow and Anamik Saha, the two incoming editors of European Journal of Cultural Studies
Iacs roundtable to mark the publication of Tejaswini Niranjana’s Musicophilia in Mumbai
Tejaswini Niranjana is one of the important Indian cultural theorists. In Musicophilia in Mumbai: Performing Subjects and the Metropolitan Unconscious, she examines the emergence of Hindustani classical music in Mumbai, bringing together the notion of sociality and subjectivity to throw light on an important aspect of how publics are formed in the non-western metropolis. The roundtable joined by Professor Niranjana and the other five scholars tou…
Covid-19 and sonic governmentality: Can we hear the virus speak
A virus is not only invisible; it is also inaudible. Alongside attempts to visualize COVID-19, this article inserts a sonic perspective to listen to encounters between authorities and populations during the pandemic in China. The article examines how sound (mal)functions to mediate, interpellate, and distribute authority and power in the name of national health and safety. We will concentrate on the use of sirens and loudspeakers. First, at 10 a.…
Becoming a Good Chinese Father – Reality TV in China and its Reception
In 2013, Hunan Television, one of China’s most successful provincial satellite television stations, debuted a reality TV series featuring celebrity fathers and their children. A localized version of a Korean-developed format, Where Are We Going, Dad ( baba quna’er) brought dads and kids together to different locations in the countryside, usually very remote and exotic, to complete certain assignments. This inquiry takes Where Are We Going, Dad as…
More than perfect: Cosmetic surgery and ageing single women in contemporary China
In this article, I want to connect my inquiry into cosmetic surgery not only to a general category of women, but to its intersections with ageing, singlehood and China. Facilitating dialogues between cultural studies, feminist studies and ageing studies, I argue for the need to be less normative, but more inquisitive, for the need to heed specificities, to hear what the women themselves have to say. Departing from the dominant feminist and neolib…
Financial freedom, final fantasy, ‘formative ageing’: A study of ageing single women and retirement in contemporary China
It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong
This book is unique in focusing on just one band from one city – but the story of Tat Ming Pair, in so many ways This is an open access book.
Sociology (22 works) · Political science (19 works) · Law (17 works) · Gender Studies (16 works) · Law (13 works) · Aesthetics (11 works) · China (11 works) · Gender Studies (11 works) · Politics (11 works) · Art (10 works)