Slawomira Zeranska-Kominek
Biographic Data
| ID | 159051 |
|---|---|
| NAME | Slawomira Zeranska-Kominek |
| GIVEN NAMES | Slawomira |
| FAMILY NAME | Zeranska-Kominek |
| SIGNATURE | ZERANSKA-KOMINEK S |
| AFFILIATIONS | University of Warsaw |
| ORCID | 0000-0002-9329-1446 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Music as a Model of Aesthetic Experience in Arnold Berleant's Environmental Aesthetics
This article explores Arnold Berleant’s environmental aesthetics with a focus on his innovative use of music as a model for aesthetic experience. Berleant challenges the dominant Kantian framework of disinterested contemplation by proposing an aesthetics of engagement – an immersive, participatory, and multisensory approach rooted in the everyday. Music, in Berleant’s theory, does not exist as a fixed object but as an event of experience that res…
The Urban Music Scene
‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker
The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory . His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker. Ewell's main claim is that European music theory is based on racist concepts
Tales and Fables of the Chang (Harp) in Darvish Ali's Risalei Musiqi
Tales and Fables of the Chang (Harp) in Darvish Ali's Risalei Musiqi Sławomira Żerańska-Kominek (bio) Introduction Virtually nothing is known about the life of Darvish Ali Changi, author of one of the most interesting works devoted to music to have been written in Central Asia approximately around the turn of the 16th and 17th centuries. All we do know is that he was born c. 1547 and died after 1611. He lived during the period of the dynastic war…
The Tale of Crazy Harman: The Musician and the Concept of Music in the Turkmen Epic Tale, Harman Dali
Turkmenistan
The Hundred Thousand Fools of God: Musical Travels in Central Asia (And Queens, New York)
The Concept of Journey (Yol) in Turkmen Music Tradition
Le mot Turkmene yol signifie etymologiquement le chemin vers un dieu ou encore un voyage chamanique. Ce mot se refere aux experiences magico-religieuses des anciens Turcs. Le concept du voyage initiatique est a la source d'un concept musical, le bagsy. La musique turkmene est transmise oralement et il n'existe pas de traites theoriques ecrits comme en Asie ou en Europe. Cependant la tradition musicale transmet a la fois le savoir theorique et les…
Song Creators in Eastern Turkey
Turkmenistan: La musique des bakhshy
Music of Afghanistan, Professional Musicians in the City of Herat
The Classification of Repertoire in Turkmen Traditional Music
Universal Symbols in the Bukharan Shashmaqam
The Concept of Journey (Yol) in Turkmen Music Tradition
Le mot Turkmene yol signifie etymologiquement le chemin vers un dieu ou encore un voyage chamanique. Ce mot se refere aux experiences magico-religieuses des anciens Turcs. Le concept du voyage initiatique est a la source d'un concept musical, le bagsy. La musique turkmene est transmise oralement et il n'existe pas de traites theoriques ecrits comme en Asie ou en Europe. Cependant la tradition musicale transmet a la fois le savoir theorique et les…
The Classification of Repertoire in Turkmen Traditional Music
Universal Symbols in the Bukharan Shashmaqam
Music of Afghanistan, Professional Musicians in the City of Herat
The Classification of Repertoire in Turkmen Traditional Music
Turkmenistan: La musique des bakhshy
Song Creators in Eastern Turkey
The Concept of Journey (Yol) in Turkmen Music Tradition
Le mot Turkmene yol signifie etymologiquement le chemin vers un dieu ou encore un voyage chamanique. Ce mot se refere aux experiences magico-religieuses des anciens Turcs. Le concept du voyage initiatique est a la source d'un concept musical, le bagsy. La musique turkmene est transmise oralement et il n'existe pas de traites theoriques ecrits comme en Asie ou en Europe. Cependant la tradition musicale transmet a la fois le savoir theorique et les…
The Hundred Thousand Fools of God: Musical Travels in Central Asia (And Queens, New York)
Turkmenistan
The Tale of Crazy Harman: The Musician and the Concept of Music in the Turkmen Epic Tale, Harman Dali
Tales and Fables of the Chang (Harp) in Darvish Ali's Risalei Musiqi
Tales and Fables of the Chang (Harp) in Darvish Ali's Risalei Musiqi Sławomira Żerańska-Kominek (bio) Introduction Virtually nothing is known about the life of Darvish Ali Changi, author of one of the most interesting works devoted to music to have been written in Central Asia approximately around the turn of the 16th and 17th centuries. All we do know is that he was born c. 1547 and died after 1611. He lived during the period of the dynastic war…
‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker
The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory . His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker. Ewell's main claim is that European music theory is based on racist concepts
The Urban Music Scene
Music as a Model of Aesthetic Experience in Arnold Berleant's Environmental Aesthetics
This article explores Arnold Berleant’s environmental aesthetics with a focus on his innovative use of music as a model for aesthetic experience. Berleant challenges the dominant Kantian framework of disinterested contemplation by proposing an aesthetics of engagement – an immersive, participatory, and multisensory approach rooted in the everyday. Music, in Berleant’s theory, does not exist as a fixed object but as an event of experience that res…
Art (8 works) · History (6 works) · Geography (4 works) · Linguistics and Cultural Studies (4 works) · Visual arts (4 works) · Cultural and Sociopolitical Studies (3 works) · Diverse Musicological Studies (3 works) · Literature (3 works) · Turkish Literature and Culture (3 works) · Ancient history (2 works)