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R L Hill

Biographic Data

ID15921
NAMER L Hill
GIVEN NAMESR L
FAMILY NAMEHill
SIGNATUREHILL R L
AFFILIATIONSUniversity of Leeds
ORCID0000-0003-0099-4116
VERIFIEDYes
TOTAL WORKS28
TOTAL CITATIONS88
AUTHOR COUNT28
EDITOR COUNT0
FIRST PUBLICATION YEAR1949
LATEST PUBLICATION YEAR2023
H-INDEX4
  • The Cambridge Companion to Metal Music

    Open Access•Andrew L Cope, Mark Mynett et al.•BOOK•The Cambridge Companion to Metal…•2023

    Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and …

  • When love and critique collide

    Open Access•R L Hill•ARTICLE•Metal Music Studies•2021

    Metal studies is now into its teenage years. It has been shaped by different fields of academic study, different ideas of how research should be done, varying ideas about the kinds of questions we should be asking and even, and importantly, varying ideas of what metal is and what counts as metal. In this article, I open up discussion about methodology and ontology in metal studies. This is a vital discussion because it goes to the heart of what w…

  • Normalising sexualised violence in popular culture

    R L Hill, Daisy Richards et al.•ARTICLE•Feminist Media Studies•2021•References: 10

    How does music play a role in normalising men’s sexual violence towards women? Using mainstream rock and metal music as an illustrative case study, we offer a nuanced account of the ways in which men’s sexual violence is normalised. Using a definition of sexual violence drawn from Liz Kelly’s notion of a continuum, which reframes sexual violence as the loss of women’s ability to control sexual experiences, we explore the ways in which sexual viol…

  • Smash the patriarchy

    Open Access•R L Hill, Kim Allen•ARTICLE•Feminist Theory•2021•Cited by: 3•References: 24

    This article discusses the resurgence of the term 'patriarchy' in digital culture and reflects on the everyday online meanings of the term in distinction to academic theorisations. In the 1960s-1980s, feminists theorised patriarchy as the systematic oppression of women, with differing approaches to how it worked. Criticisms that the concept was unable to account for intersectional experiences of oppression, alongside the 'turn to culture', result…

  • In defence of safer spaces

    R L Hill, Molly Megson•ARTICLE•Punk & Post Punk•2020

    Increasing attention to the prevalence of sexual harassment at live music events has led to the adoption of safer spaces policies by venues and promoters. Punk’s politics of inclusion and equality suggest that such policies would be welcome as a means to promote access for marginalized groups. However, safer spaces policies are sometimes controversial and their content and implementation patchy. Such policies therefore bear closer examination in …

  • Sexual violence at live music events

    Open Access•R L Hill, D Hesmondhalgh et al.•ARTICLE•International Journal of Cultural…•2019•Cited by: 2•References: 5

    Recent media reporting has highlighted that incidents of sexual violence frequently occur at live music events. Sexual violence has significant impacts on the health of those who experience it, yet little is known of how it impacts on everyday engagements with music, nor what measures venues and promoters might take to prevent and respond to incidents. Through interviews with concert goers, venue managers, promoters and campaigning groups, we inv…

  • Sexual violence and free speech in popular music

    Open Access•R L Hill, Heather Savigny•ARTICLE•Popular Music•2019•Cited by: 2•References: 24

    This article re-examines the use of arguments in favour of free speech when faced with difficult subjects in music, such as sexual violence against women. We present a new perspective on the 1985 US Senate Hearing on Record Labeling and challenge the orthodoxy that the Hearing was only a matter of free speech. Using critical discourse analysis we argue that the sexist environment of the Hearing, the misogyny of the musicians, plus homosocial bond…

  • Heavy Metal, Gender and Sexuality

    R L Hill•ARTICLE•Rock Music Studies•2018

    Heavy metal has a reputation for hypermasculinity, violence against women, male dominance and exclusivity.How far is this reputation justified?Heavy Metal, Gender and Sexuality places that question under the microscope, collecting together essays showcasing the ongoing research that interrogates this outrageous genre.The book began life at one of the first major conferences on heavy metal in 2009, the Metal and Gender International Congress in Co…

  • The limits of responsible innovation

    Open Access•Anne Kerr, R L Hill et al.•ARTICLE•Technology in Society•2018•Cited by: 8•References: 30

    Drawing on insights from feminist and Science and Technology Studies writing on care and vulnerability, this paper will critically explore conceptualisations of responsibility, care and vulnerability in relation to contemporary approaches to Responsible Innovation (RI). Drawing on examples of some of the social and ethical challenges of precision medicine, we highlight the on-going, distributed and complex nature of innovation and responsibilitie…

  • The persistence of gender inequality, Mary Evans

    Open Access•R L Hill•ARTICLE•Feminist Theory•2018

  • The Feeling of Numbers

    Open Access•Helen Kennedy, R L Hill•ARTICLE•Sociology•2018•Cited by: 59•References: 9

    This article highlights the role that emotions play in engagements with data and their visualisation. To date, the relationship between data and emotions has rarely been noted, in part because data studies have not attended to everyday engagements with data. We draw on an empirical study to show a wide range of emotional engagements with diverse aspects of data and their visualisation, and so demonstrate the importance of emotions as vital compon…

  • The political potential of numbers

    Open Access•R L Hill•ARTICLE•Kvinder Køn & Forskning•2017•Cited by: 2

    Data visualisation has been argued to have the power to ‘change the world’, implicitly for the better, but when it comes to abortion, both sides make moral claims to ‘good’. Visualisation conventions of clean lines and shapes simplify data, lending them a rhetoric of neutrality, as if the data is the whole story. It is imperative, therefore, to examine how data visualisations are used to shape women’s lives. This article draws on the findings of …

  • The work that visualisation conventions do

    Helen Kennedy, R L Hill et al.•ARTICLE•Information Communication & Society•2016

    This paper argues that visualisation conventions work to make the data represented within visualisations seem objective, that is, transparent and factual. Interrogating the work that visualisation conventions do helps us to make sense of the apparent contradiction between criticisms of visualisations as doing persuasive work and visualisation designers’ belief that through visualisation, it is possible to ‘do good with data’ [Periscopic. 2014. Ho…

  • Men, masculinity, music and emotions

    R L Hill•ARTICLE•Information Communication & Society•2016

    In Men, Masculinity, Music and Emotions, Sam De Boise has produced a convincing critique of dualistic thinking that attaches emotions to female bodies and rationality to male bodies.Drawing on survey data with men and women and life histories of men, he argues for the need to go beyond ideas of men's 'getting in touch with their emotions' and to deconstruct what counts as emotions in order to bring down the two sex binary.This book is a useful co…

  • Engaging with (big) data visualizations

    Open Access•Helen Kennedy, R L Hill et al.•ARTICLE•First Monday•2016

    As data become increasingly ubiquitous, so too do data visualisations, which are the main means through which non-experts get access to data. Most visualizations circulate and are shared online, and many of them are produced by Internet researchers. For these reasons, data visualization is an important object of study for Internet research. This paper proposes that Internet research should engage critically with data visualization, and it does so…

  • The Pleasure and Pain of Visualizing Data in Times of Data Power

    Open Access•Helen Kennedy, R L Hill•ARTICLE•Television & New Media•2016•Cited by: 4•References: 9

    This article reflects on the growing urge among researchers to visualize large-scale digital data. It argues that the desire to visualize unfolds in the context of a complex entanglement of (1) the pragmatics of data visualization, (2) the problematic ideological work that visualizations do, (3) the politics of data power and neoliberalism, and (4) visualization pleasures. The article begins by outlining the considerations that constitute data vi…

  • Visualizing Junk

    Open Access•R L Hill, Helen Kennedy et al.•ARTICLE•Journal of Communication Inquiry•2016•Cited by: 6•References: 14

    The datafication of culture has led to an increase in the circulation of data visualizations. In their production, visualizers draw on historical antecedents which define what constitutes a good visualization. In their reception, audiences similarly draw on experiences with visualizations and other visual forms to categorize them as good or bad. While there are often sound reasons for such assessments, the gendered dimensions of judgments of cult…

  • Reconceptualizing hard rock and metal fans as a group

    R L Hill•ARTICLE•International Journal of…•2014

    This article sets out the case for a new framework within which to study hard rock and metal fans as a group. I argue that dominant frameworks in metal studies – subcultural theory and the concept of scene – are inadequate for understanding the experiences of women fans; the underlying gendered epistemology has resulted in a dismissal of women fans or, at best, a systematic reduction of their experiences. Utopic visions of hard rock and metal as …

  • Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community

    R L Hill•ARTICLE•Journal for Cultural Research•2011

    This article examines debates in Kerrang! magazine around emo’s position in the metal community. The author asks: Why is emo vilified and rejected in British metal magazines, what can debates around emo reveal about the gendered nature of metal, and what potential for new envisionings of metal do they encapsulate? As the only British weekly magazine to focus on metal and hard rock, Kerrang! fulfils a pedagogical role in the metal community, estab…

  • Beyer, Peacock

    Fritz Lehmann, R L Hill et al.•ARTICLE•Technology and Culture•1983

  • Waterloo Ironworks

    R L Hill, Richard L Hills et al.•ARTICLE•Technology and Culture•1976

  • Indian Petroglyphs of the Pacific Northwest

    Sharon Urban, Beth Hill et al.•ARTICLE•Ethnohistory•1976

  • The Measurement of Power in Early Steam-Driven Textile Mills

    R L Hill, Richard L Hills et al.•ARTICLE•Technology and Culture•1972•Cited by: 2

  • The Draining of the Somerset Levels

    R L Hill, Richard L Hills et al.•ARTICLE•Technology and Culture•1971

  • The Oakham Canal

    R L Hill, R L Hills et al.•ARTICLE•Technology and Culture•1970

Next
  • The Feeling of Numbers

    Open Access•Helen Kennedy, R L Hill•ARTICLE•Sociology•2018•Cited by: 59•References: 9

    This article highlights the role that emotions play in engagements with data and their visualisation. To date, the relationship between data and emotions has rarely been noted, in part because data studies have not attended to everyday engagements with data. We draw on an empirical study to show a wide range of emotional engagements with diverse aspects of data and their visualisation, and so demonstrate the importance of emotions as vital compon…

  • The limits of responsible innovation

    Open Access•Anne Kerr, R L Hill et al.•ARTICLE•Technology in Society•2018•Cited by: 8•References: 30

    Drawing on insights from feminist and Science and Technology Studies writing on care and vulnerability, this paper will critically explore conceptualisations of responsibility, care and vulnerability in relation to contemporary approaches to Responsible Innovation (RI). Drawing on examples of some of the social and ethical challenges of precision medicine, we highlight the on-going, distributed and complex nature of innovation and responsibilitie…

  • Visualizing Junk

    Open Access•R L Hill, Helen Kennedy et al.•ARTICLE•Journal of Communication Inquiry•2016•Cited by: 6•References: 14

    The datafication of culture has led to an increase in the circulation of data visualizations. In their production, visualizers draw on historical antecedents which define what constitutes a good visualization. In their reception, audiences similarly draw on experiences with visualizations and other visual forms to categorize them as good or bad. While there are often sound reasons for such assessments, the gendered dimensions of judgments of cult…

  • The Pleasure and Pain of Visualizing Data in Times of Data Power

    Open Access•Helen Kennedy, R L Hill•ARTICLE•Television & New Media•2016•Cited by: 4•References: 9

    This article reflects on the growing urge among researchers to visualize large-scale digital data. It argues that the desire to visualize unfolds in the context of a complex entanglement of (1) the pragmatics of data visualization, (2) the problematic ideological work that visualizations do, (3) the politics of data power and neoliberalism, and (4) visualization pleasures. The article begins by outlining the considerations that constitute data vi…

  • Smash the patriarchy

    Open Access•R L Hill, Kim Allen•ARTICLE•Feminist Theory•2021•Cited by: 3•References: 24

    This article discusses the resurgence of the term 'patriarchy' in digital culture and reflects on the everyday online meanings of the term in distinction to academic theorisations. In the 1960s-1980s, feminists theorised patriarchy as the systematic oppression of women, with differing approaches to how it worked. Criticisms that the concept was unable to account for intersectional experiences of oppression, alongside the 'turn to culture', result…

  • Sexual violence at live music events

    Open Access•R L Hill, D Hesmondhalgh et al.•ARTICLE•International Journal of Cultural…•2019•Cited by: 2•References: 5

    Recent media reporting has highlighted that incidents of sexual violence frequently occur at live music events. Sexual violence has significant impacts on the health of those who experience it, yet little is known of how it impacts on everyday engagements with music, nor what measures venues and promoters might take to prevent and respond to incidents. Through interviews with concert goers, venue managers, promoters and campaigning groups, we inv…

  • Sexual violence and free speech in popular music

    Open Access•R L Hill, Heather Savigny•ARTICLE•Popular Music•2019•Cited by: 2•References: 24

    This article re-examines the use of arguments in favour of free speech when faced with difficult subjects in music, such as sexual violence against women. We present a new perspective on the 1985 US Senate Hearing on Record Labeling and challenge the orthodoxy that the Hearing was only a matter of free speech. Using critical discourse analysis we argue that the sexist environment of the Hearing, the misogyny of the musicians, plus homosocial bond…

  • The political potential of numbers

    Open Access•R L Hill•ARTICLE•Kvinder Køn & Forskning•2017•Cited by: 2

    Data visualisation has been argued to have the power to ‘change the world’, implicitly for the better, but when it comes to abortion, both sides make moral claims to ‘good’. Visualisation conventions of clean lines and shapes simplify data, lending them a rhetoric of neutrality, as if the data is the whole story. It is imperative, therefore, to examine how data visualisations are used to shape women’s lives. This article draws on the findings of …

  • The Measurement of Power in Early Steam-Driven Textile Mills

    R L Hill, Richard L Hills et al.•ARTICLE•Technology and Culture•1972•Cited by: 2

  • Bibliografia di Studi Africani della Missione dell Africa Centrale

    R L Hill, Rowena Hill•ARTICLE•African Affairs•1949

    Journal Article Bibliografia di Studi Africani della Missione dell Africa Centrale Get access S. Santandrea (ed.) Bibliografia di Studi Africani della Missione dell Africa Centrale. Verona. Missioni Africane, 1948. Pp. xxviii + 167. R. L. Hill R. L. Hill Search for other works by this author on: Oxford Academic Google Scholar African Affairs, Volume 48, Issue 191, April 1949, Page 167, https://doi.org/10.1093/oxfordjournals.afraf.a093725 Publishe…

  • A Challenge to the Arabs

    R L Hill•ARTICLE•International Affairs•1955

  • Egypt's Destiny

    R L Hill•ARTICLE•International Affairs•1955

  • The Oakham Canal

    R L Hill, R L Hills et al.•ARTICLE•Technology and Culture•1970

  • The Draining of the Somerset Levels

    R L Hill, Richard L Hills et al.•ARTICLE•Technology and Culture•1971

  • The Measurement of Power in Early Steam-Driven Textile Mills

    R L Hill, Richard L Hills et al.•ARTICLE•Technology and Culture•1972•Cited by: 2

  • Waterloo Ironworks

    R L Hill, Richard L Hills et al.•ARTICLE•Technology and Culture•1976

  • Indian Petroglyphs of the Pacific Northwest

    Sharon Urban, Beth Hill et al.•ARTICLE•Ethnohistory•1976

  • Beyer, Peacock

    Fritz Lehmann, R L Hill et al.•ARTICLE•Technology and Culture•1983

  • Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community

    R L Hill•ARTICLE•Journal for Cultural Research•2011

    This article examines debates in Kerrang! magazine around emo’s position in the metal community. The author asks: Why is emo vilified and rejected in British metal magazines, what can debates around emo reveal about the gendered nature of metal, and what potential for new envisionings of metal do they encapsulate? As the only British weekly magazine to focus on metal and hard rock, Kerrang! fulfils a pedagogical role in the metal community, estab…

  • Reconceptualizing hard rock and metal fans as a group

    R L Hill•ARTICLE•International Journal of…•2014

    This article sets out the case for a new framework within which to study hard rock and metal fans as a group. I argue that dominant frameworks in metal studies – subcultural theory and the concept of scene – are inadequate for understanding the experiences of women fans; the underlying gendered epistemology has resulted in a dismissal of women fans or, at best, a systematic reduction of their experiences. Utopic visions of hard rock and metal as …

  • The work that visualisation conventions do

    Helen Kennedy, R L Hill et al.•ARTICLE•Information Communication & Society•2016

    This paper argues that visualisation conventions work to make the data represented within visualisations seem objective, that is, transparent and factual. Interrogating the work that visualisation conventions do helps us to make sense of the apparent contradiction between criticisms of visualisations as doing persuasive work and visualisation designers’ belief that through visualisation, it is possible to ‘do good with data’ [Periscopic. 2014. Ho…

  • Men, masculinity, music and emotions

    R L Hill•ARTICLE•Information Communication & Society•2016

    In Men, Masculinity, Music and Emotions, Sam De Boise has produced a convincing critique of dualistic thinking that attaches emotions to female bodies and rationality to male bodies.Drawing on survey data with men and women and life histories of men, he argues for the need to go beyond ideas of men's 'getting in touch with their emotions' and to deconstruct what counts as emotions in order to bring down the two sex binary.This book is a useful co…

  • Engaging with (big) data visualizations

    Open Access•Helen Kennedy, R L Hill et al.•ARTICLE•First Monday•2016

    As data become increasingly ubiquitous, so too do data visualisations, which are the main means through which non-experts get access to data. Most visualizations circulate and are shared online, and many of them are produced by Internet researchers. For these reasons, data visualization is an important object of study for Internet research. This paper proposes that Internet research should engage critically with data visualization, and it does so…

  • The Pleasure and Pain of Visualizing Data in Times of Data Power

    Open Access•Helen Kennedy, R L Hill•ARTICLE•Television & New Media•2016•Cited by: 4•References: 9

    This article reflects on the growing urge among researchers to visualize large-scale digital data. It argues that the desire to visualize unfolds in the context of a complex entanglement of (1) the pragmatics of data visualization, (2) the problematic ideological work that visualizations do, (3) the politics of data power and neoliberalism, and (4) visualization pleasures. The article begins by outlining the considerations that constitute data vi…

  • Visualizing Junk

    Open Access•R L Hill, Helen Kennedy et al.•ARTICLE•Journal of Communication Inquiry•2016•Cited by: 6•References: 14

    The datafication of culture has led to an increase in the circulation of data visualizations. In their production, visualizers draw on historical antecedents which define what constitutes a good visualization. In their reception, audiences similarly draw on experiences with visualizations and other visual forms to categorize them as good or bad. While there are often sound reasons for such assessments, the gendered dimensions of judgments of cult…

  • The political potential of numbers

    Open Access•R L Hill•ARTICLE•Kvinder Køn & Forskning•2017•Cited by: 2

    Data visualisation has been argued to have the power to ‘change the world’, implicitly for the better, but when it comes to abortion, both sides make moral claims to ‘good’. Visualisation conventions of clean lines and shapes simplify data, lending them a rhetoric of neutrality, as if the data is the whole story. It is imperative, therefore, to examine how data visualisations are used to shape women’s lives. This article draws on the findings of …

  • Heavy Metal, Gender and Sexuality

    R L Hill•ARTICLE•Rock Music Studies•2018

    Heavy metal has a reputation for hypermasculinity, violence against women, male dominance and exclusivity.How far is this reputation justified?Heavy Metal, Gender and Sexuality places that question under the microscope, collecting together essays showcasing the ongoing research that interrogates this outrageous genre.The book began life at one of the first major conferences on heavy metal in 2009, the Metal and Gender International Congress in Co…

  • The limits of responsible innovation

    Open Access•Anne Kerr, R L Hill et al.•ARTICLE•Technology in Society•2018•Cited by: 8•References: 30

    Drawing on insights from feminist and Science and Technology Studies writing on care and vulnerability, this paper will critically explore conceptualisations of responsibility, care and vulnerability in relation to contemporary approaches to Responsible Innovation (RI). Drawing on examples of some of the social and ethical challenges of precision medicine, we highlight the on-going, distributed and complex nature of innovation and responsibilitie…

  • The persistence of gender inequality, Mary Evans

    Open Access•R L Hill•ARTICLE•Feminist Theory•2018

  • The Feeling of Numbers

    Open Access•Helen Kennedy, R L Hill•ARTICLE•Sociology•2018•Cited by: 59•References: 9

    This article highlights the role that emotions play in engagements with data and their visualisation. To date, the relationship between data and emotions has rarely been noted, in part because data studies have not attended to everyday engagements with data. We draw on an empirical study to show a wide range of emotional engagements with diverse aspects of data and their visualisation, and so demonstrate the importance of emotions as vital compon…

  • Sexual violence at live music events

    Open Access•R L Hill, D Hesmondhalgh et al.•ARTICLE•International Journal of Cultural…•2019•Cited by: 2•References: 5

    Recent media reporting has highlighted that incidents of sexual violence frequently occur at live music events. Sexual violence has significant impacts on the health of those who experience it, yet little is known of how it impacts on everyday engagements with music, nor what measures venues and promoters might take to prevent and respond to incidents. Through interviews with concert goers, venue managers, promoters and campaigning groups, we inv…

  • Sexual violence and free speech in popular music

    Open Access•R L Hill, Heather Savigny•ARTICLE•Popular Music•2019•Cited by: 2•References: 24

    This article re-examines the use of arguments in favour of free speech when faced with difficult subjects in music, such as sexual violence against women. We present a new perspective on the 1985 US Senate Hearing on Record Labeling and challenge the orthodoxy that the Hearing was only a matter of free speech. Using critical discourse analysis we argue that the sexist environment of the Hearing, the misogyny of the musicians, plus homosocial bond…

  • In defence of safer spaces

    R L Hill, Molly Megson•ARTICLE•Punk & Post Punk•2020

    Increasing attention to the prevalence of sexual harassment at live music events has led to the adoption of safer spaces policies by venues and promoters. Punk’s politics of inclusion and equality suggest that such policies would be welcome as a means to promote access for marginalized groups. However, safer spaces policies are sometimes controversial and their content and implementation patchy. Such policies therefore bear closer examination in …

  • When love and critique collide

    Open Access•R L Hill•ARTICLE•Metal Music Studies•2021

    Metal studies is now into its teenage years. It has been shaped by different fields of academic study, different ideas of how research should be done, varying ideas about the kinds of questions we should be asking and even, and importantly, varying ideas of what metal is and what counts as metal. In this article, I open up discussion about methodology and ontology in metal studies. This is a vital discussion because it goes to the heart of what w…

Sociology (17 works) · Political science (11 works) · Psychology (10 works) · Music History and Culture (9 works) · Art (8 works) · Gender Studies (8 works) · History (8 works) · Law (8 works) · Computer Science (7 works) · Gender, Feminism, and Media (6 works)

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