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Mario Vrbancic

Biographic Data

ID1593265
NAMEMario Vrbancic
GIVEN NAMESMario
FAMILY NAMEVrbancic
SIGNATUREVRBANCIC M
AFFILIATIONSUniversity of Zadar
ORCID0000-0002-2254-8988
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Nestajanje Svijeta I Filmske Slike

    Open Access•Mario Vrbancic•ARTICLE•Folia linguistica et litteraria•2024

    Rad ”Nestajanje svijeta i filmske slike” bavi se nikada realiziranim scenarijem Sveti Pavle Pier Paola Pasolinija. Pasolinija je oduvijek zanimao film u širem političko teološkom smislu, svetost u suvremenome vremenu. Scenarij je priča o dolasku svetog Pavla u suvremeni svijet Zapada sedamdesetih godina prošlog stoljeća. Sveti Pavle propovijeda tj. citira poslanice različitim ideološkim grupacijama. Rad propituje odnos scenarija sa suvremenim fil…

  • The Future of Dystopia

    Open Access•Mario Vrbancic•ARTICLE•Politička misao•2022•Cited by: 1•References: 2

    Dystopia, just as utopia, has always been immersed in political visions: utopia as an ideal society and dystopia as its opposite: ‘bad place’ – a futuristic, usually very near future, an imagined universe in which oppressive social control rules. However, utopia and dystopia cannot be absolutely separated, there is a constant threat of replacing good place by bad place, very often leading to the conclusion that every utopia either leads to dystop…

  • Creaturely Life in “We Come as Friends”

    Open Access•Mario Vrbancic, Senka Božić-Vrbančić•ARTICLE•Humanities•2019

    In this article we focus on the analysis of a 2014 Austrian–French documentary We come as friends (110 min), written, directed, and produced by Hubert Sauper. We come as friends is a documentary about a corporate, polycentric, contemporary colonization of South Sudan. It is described by Sauper as “a modern odyssey, a dizzying, science fiction-like journey into the heart of Africa”. It is about Sudan, the continent’s biggest country, at the moment…

  • Grad, film i modernitet

    Open Access•Aneta Mudronja Pletenac, Mario Vrbancic•ARTICLE•Folia linguistica et litteraria•2018

    This paper aims to investigate the role of conjunctive adverbs as resources of academic metadiscourse in research articles from the field of Psychology. The research involved a small specialized corpus that included a total of 124,657 words, and it was comprised of 24 research articles written in English. Half of the articles were written by native speakers of Serbian, and the other half by native speakers of English. The materials were extracted…

  • Burroughs's Phantasmic Maps

    Mario Vrbancic•ARTICLE•New Literary History•2005

    Burroughs’s Phantasmic Maps Mario Vrbančić (bio) The cartographer's dream is that of a perfect map, the mapthat would perfectly represent a territory, a dream of divineknowledge: a map that has haunted the ideology of representation throughout history: a map so detailed that it coincides with real space. Until very recently the map was considered a mirror of nature, a mirror of the landscape. However, postmodern culture with its omnipresent fragm…

  • The Future of Dystopia

    Open Access•Mario Vrbancic•ARTICLE•Politička misao•2022•Cited by: 1•References: 2

    Dystopia, just as utopia, has always been immersed in political visions: utopia as an ideal society and dystopia as its opposite: ‘bad place’ – a futuristic, usually very near future, an imagined universe in which oppressive social control rules. However, utopia and dystopia cannot be absolutely separated, there is a constant threat of replacing good place by bad place, very often leading to the conclusion that every utopia either leads to dystop…

  • Burroughs's Phantasmic Maps

    Mario Vrbancic•ARTICLE•New Literary History•2005

    Burroughs’s Phantasmic Maps Mario Vrbančić (bio) The cartographer's dream is that of a perfect map, the mapthat would perfectly represent a territory, a dream of divineknowledge: a map that has haunted the ideology of representation throughout history: a map so detailed that it coincides with real space. Until very recently the map was considered a mirror of nature, a mirror of the landscape. However, postmodern culture with its omnipresent fragm…

  • Grad, film i modernitet

    Open Access•Aneta Mudronja Pletenac, Mario Vrbancic•ARTICLE•Folia linguistica et litteraria•2018

    This paper aims to investigate the role of conjunctive adverbs as resources of academic metadiscourse in research articles from the field of Psychology. The research involved a small specialized corpus that included a total of 124,657 words, and it was comprised of 24 research articles written in English. Half of the articles were written by native speakers of Serbian, and the other half by native speakers of English. The materials were extracted…

  • Creaturely Life in “We Come as Friends”

    Open Access•Mario Vrbancic, Senka Božić-Vrbančić•ARTICLE•Humanities•2019

    In this article we focus on the analysis of a 2014 Austrian–French documentary We come as friends (110 min), written, directed, and produced by Hubert Sauper. We come as friends is a documentary about a corporate, polycentric, contemporary colonization of South Sudan. It is described by Sauper as “a modern odyssey, a dizzying, science fiction-like journey into the heart of Africa”. It is about Sudan, the continent’s biggest country, at the moment…

  • The Future of Dystopia

    Open Access•Mario Vrbancic•ARTICLE•Politička misao•2022•Cited by: 1•References: 2

    Dystopia, just as utopia, has always been immersed in political visions: utopia as an ideal society and dystopia as its opposite: ‘bad place’ – a futuristic, usually very near future, an imagined universe in which oppressive social control rules. However, utopia and dystopia cannot be absolutely separated, there is a constant threat of replacing good place by bad place, very often leading to the conclusion that every utopia either leads to dystop…

  • Nestajanje Svijeta I Filmske Slike

    Open Access•Mario Vrbancic•ARTICLE•Folia linguistica et litteraria•2024

    Rad ”Nestajanje svijeta i filmske slike” bavi se nikada realiziranim scenarijem Sveti Pavle Pier Paola Pasolinija. Pasolinija je oduvijek zanimao film u širem političko teološkom smislu, svetost u suvremenome vremenu. Scenarij je priča o dolasku svetog Pavla u suvremeni svijet Zapada sedamdesetih godina prošlog stoljeća. Sveti Pavle propovijeda tj. citira poslanice različitim ideološkim grupacijama. Rad propituje odnos scenarija sa suvremenim fil…

Philosophy (3 works) · Politics (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · History (2 works) · Law (2 works) · Physics (2 works) · Political science (2 works) · African history and culture studies (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae