Michelle Williams Gamaker
Biographic Data
| ID | 1594358 |
|---|---|
| NAME | Michelle Williams Gamaker |
| GIVEN NAMES | Michelle Williams |
| FAMILY NAME | Gamaker |
| SIGNATURE | GAMAKER M W |
| AFFILIATIONS | Goldsmiths College, University of London, UK |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Filmmaking as critical affection
Towards a Babel ontology
This article presents a few issues in the making of our film A Long History of Madness that pertain to the ‘Babylonic’. Spoken in 12 languages, ranging across six centuries, and shot in five countries, the film possesses an inherent Babylonism. It makes a case for a multilingual mode of communicating. Yet, beyond the obvious need for verbal communication, for which subtitles are necessary but insufficient, the film presents other reasons for exte…
No prominent works on this page.
Towards a Babel ontology
This article presents a few issues in the making of our film A Long History of Madness that pertain to the ‘Babylonic’. Spoken in 12 languages, ranging across six centuries, and shot in five countries, the film possesses an inherent Babylonism. It makes a case for a multilingual mode of communicating. Yet, beyond the obvious need for verbal communication, for which subtitles are necessary but insufficient, the film presents other reasons for exte…
Filmmaking as critical affection
Psychology (2 works) · Sociology (2 works) · Affection (1 work) · Alterity (1 work) · Art (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Communication (1 work) · Computer Science (1 work) · Computer security (1 work)