Asbjørn Grønstad
Biographic Data
| ID | 1594732 |
|---|---|
| NAME | Asbjørn Grønstad |
| GIVEN NAMES | Asbjørn |
| FAMILY NAME | Grønstad |
| SIGNATURE | GRØNSTAD A |
| AFFILIATIONS | University of Bergen |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Sleater-Kinney’s Electric Feminism
This article argues that Sleater-Kinney is a transformative band in rock history, fundamentally revitalizing the artform across a three-decade career. Through an analysis of the band's background in the world of independent labels, punk rock, and the Riot Grrrl movement, the article charts the evolution of Sleater-Kinney, paying particular attention to their lyrics, as well as to the ongoing relationship with their fans. Providing both a historic…
The River in Reverse: Flood Imaginaries, Old and New
In this article, we turn to consider a specific region, and genre, that has spawned its own narrative tradition of environmentally perceptive songlore – the flood chronicles of the Mississippi Delta. Both real and mythological, this area constitutes a fertile source for the evolution of what we propose to call aesthetic imaginaries, and the article demonstrates how a distinct “flood imaginary” resonates through a specific tradition of songwriting…
Ways of Seeing in the Neoliberal State: A Controversial Play and Its Contexts
Rethinking Art and Visual Culture: The Poetics of Opacity
Ekphrasis Refigured: Writing Seeing in Siri Hustvedt's What I Loved
Noting the extensive and sustained engagement with visual media in many contemporary American novels, this essay argues that the notion of ekphrasis as a critical notion must be reconceptualized in order to accommodate the complexity of the relations between new literary expressions and the visual
Transfigurations: Violence, Death and Masculinity in American Cinema
Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations g…
Denis Johnson's Postmodern Lazarus: Transforming Faith in Resuscitation of a Hanged Man
Gathering at the River: Ford, Peckinpah and the Failure of the Communal
Transfigurations: Violence, Death and Masculinity in American Cinema
Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations g…
Gathering at the River: Ford, Peckinpah and the Failure of the Communal
Denis Johnson's Postmodern Lazarus: Transforming Faith in Resuscitation of a Hanged Man
Transfigurations: Violence, Death and Masculinity in American Cinema
Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations g…
Ekphrasis Refigured: Writing Seeing in Siri Hustvedt's What I Loved
Noting the extensive and sustained engagement with visual media in many contemporary American novels, this essay argues that the notion of ekphrasis as a critical notion must be reconceptualized in order to accommodate the complexity of the relations between new literary expressions and the visual
Rethinking Art and Visual Culture: The Poetics of Opacity
Ways of Seeing in the Neoliberal State: A Controversial Play and Its Contexts
The River in Reverse: Flood Imaginaries, Old and New
In this article, we turn to consider a specific region, and genre, that has spawned its own narrative tradition of environmentally perceptive songlore – the flood chronicles of the Mississippi Delta. Both real and mythological, this area constitutes a fertile source for the evolution of what we propose to call aesthetic imaginaries, and the article demonstrates how a distinct “flood imaginary” resonates through a specific tradition of songwriting…
Sleater-Kinney’s Electric Feminism
This article argues that Sleater-Kinney is a transformative band in rock history, fundamentally revitalizing the artform across a three-decade career. Through an analysis of the band's background in the world of independent labels, punk rock, and the Riot Grrrl movement, the article charts the evolution of Sleater-Kinney, paying particular attention to their lyrics, as well as to the ongoing relationship with their fans. Providing both a historic…
Art (3 works) · Literature (2 works) · Philosophy (2 works) · Water Governance and Infrastructure (2 works) · Aesthetics (1 works) · American Constitutional Law and Politics (1 works) · American Environmental and Regional History (1 works) · American History and Culture (1 works) · American Motion pictures (1 works) · American Political and Social Dynamics (1 works)