Michael Gaudio

Biographic Data

ID1595082
NAMEMichael Gaudio
GIVEN NAMESMichael
FAMILY NAMEGaudio
SIGNATUREGAUDIO M
AFFILIATIONSTwin Cities Orthopedics
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS5
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2020
H-INDEX2

  • "Michael Gaudio. Review of "Disharmony of the Spheres

    Open AccessMichael GaudioARTICLECAA Reviews2020

  • Sound, Image, Silence

    Open AccessMichael GaudioBOOKSound, Image, Silence2019References: 8

    SoundingsP age through a textbook on Atlantic history, or search that phrase online, and you are bound to come across a map of the ocean crisscrossed by arrows of various sizes and colors indicating the movement of peoples, goods, ideas, and pathogens: slaves from Africa to the Americas, tobacco and sugar from the Americas to Europe and Africa, Christianity and smallpox from Europe to the Americas.If there is a defining feature of the notoriously…

  • Looking as a Scholar, Thinking like a Rattle Head

    Michael GaudioARTICLEOxford Art Journal2013

    Journal Article Looking as a Scholar, Thinking like a Rattle Head: On William Laud, Little Gidding, the Law, and the Gospel Get access Michael Gaudio Michael Gaudio [email protected] Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 36, Issue 3, December 2013, Pages 345–368, https://doi.org/10.1093/oxartj/kct031 Published: 01 December 2013

  • Travelling with Images

    Michael GaudioARTICLEOxford Art Journal2012

    During the sixteenth century, Europeans began to travel as they never had before, and the written and pictorial accounts they produced provide essential material for scholars of both Europe and the wider world. Yet, there is something about the traveller's experience that goes against the grain of the scholarly account. For regardless of its goal, whether it was to grow rich, save souls, establish settlements, or create knowledge, travelling was …

  • At the Mouth of the Cave

    Open AccessMichael GaudioARTICLEArt History2010

    This article considers the signifi cance of sound in Thomas Cole’s important early landscape, Kaaterskill Falls (1826), and attempts to situate this sound in relation to a specifi c cultural context of the 1820s, namely the notoriously loud and indeed ‘sublime’ sounds of the religious revival. But in contrast to the insistently historicist accounts that dominate Cole scholarship, this article questions the extent to which we can make Cole’s art a…

  • The Two Enlightenments

    Michael GaudioARTICLEAmerican Art2009

  • Stuffing Birds, Pressing Plants, Shaping Knowledge

    Sue Prince, Sue Ann Prince et al.ARTICLETransactions of the American…2003Cited by: 2

    Sue Ann Prince, Frank H. T. Rhodes, Robert McCracken Peck, Michael Gaudio, Joyce E. Chaplin, Jane Elizabeth Boyd, Stuffing Birds, Pressing Plants, Shaping Knowledge: Natural History in North America, 1730-1860, Transactions of the American Philosophical Society, New Series, Vol. 93, No. 4 (2003), pp. i-xviii, 1-113

  • The Space of Idolatry

    Open AccessMichael GaudioARTICLERes: Anthropology and Aesthetics2002Cited by: 1

  • Swallowing the Evidence

    Michael GaudioARTICLEWinterthur Portfolio2001Cited by: 2

    In 1773 naturalist William Bartram left his native Philadelphia for an extended period of travel and specimen-collecting in the Deep South. The drawings and writings that resulted from that journey not only record the flora and fauna of the region but also mark the absences Bartram encountered in nature. While previous discussions of Bartram's work have focused on the strategies through which the Enlightenment naturalist rendered the natural worl…