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Konstantin Akinsha

Biographic Data

ID1597422
NAMEKonstantin Akinsha
GIVEN NAMESKonstantin
FAMILY NAMEAkinsha
SIGNATUREAKINSHA K
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS9
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Restitution as Diagnosis: Political Aspects of the "Trophy Art" Problem and Russian-German Relations

    Konstantin Akinsha•ARTICLE•New German Critique•2017•References: 1

    During World War II the Soviet Union did not join the Allied restitution effort. Instead, more than two and a half million objects (not counting millions of books) were transported to the Soviet Union from its zone of occupation in Germany and from other European countries occupied by the Red Army. During the 1950s the Khrushchev government restituted collections from East Germany and western Poland. However, millions of artworks and books were k…

  • Appendix 1: Federal Law on Cultural Valuables Displaced to the USSR as a Result of the Second World War and Located on the Territory of the Russian Federation

    Open Access•Konstantin Akinsha, Patricia Kennedy Grimsted•ARTICLE•International Journal of Cultural…•2010•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Stalin's Decrees and Soviet Trophy Brigades: Compensation, Restitution in Kind, or "Trophies" of War

    Open Access•Konstantin Akinsha•ARTICLE•International Journal of Cultural…•2010•Cited by: 3

    The article is dedicated to the official decrees issued by Joseph Stalin in 1945 ordering the Soviet removal of cultural property from Eastern European and German territories occupied by the Red Army. As opposed to popular belief dominant today in Russia, such decrees were few. Preparation for the removal of cultural property from enemy countries had started before the fate of the war was decided. In 1943 on the request of academician Igor Grabar…

  • Why Can't Private Art "Trophies" Go Home from the War: The Baldin-Bremen Kunsthalle Case: A Cause-Célèbre of German-Russian Restitution Politics

    Open Access•Konstantin Akinsha•ARTICLE•International Journal of Cultural…•2010•Cited by: 4

    This article is dedicated to the collection from the Bremen Kunsthalle, comprising 1715 drawings, 50 paintings, and about 3000 prints found by Soviet troops in castle of Karnzow near Berlin in May 1945. The collection was not seized by Soviet trophy brigades but was looted by soldiers and officers of the 38th Field Engineers' Brigade of the Red Army.After their return to the USSR and demobilization, some of the officers donated their loot to diff…

  • On the Third Front: The Soviet Museum and Its Public During the Cultural Revolution

    Adam Jolles, Konstantin Akinsha•ARTICLE•Canadian-American Slavic Studies•2009

  • Why Can't Private Art "Trophies" Go Home from the War: The Baldin-Bremen Kunsthalle Case: A Cause-Célèbre of German-Russian Restitution Politics

    Open Access•Konstantin Akinsha•ARTICLE•International Journal of Cultural…•2010•Cited by: 4

    This article is dedicated to the collection from the Bremen Kunsthalle, comprising 1715 drawings, 50 paintings, and about 3000 prints found by Soviet troops in castle of Karnzow near Berlin in May 1945. The collection was not seized by Soviet trophy brigades but was looted by soldiers and officers of the 38th Field Engineers' Brigade of the Red Army.After their return to the USSR and demobilization, some of the officers donated their loot to diff…

  • Stalin's Decrees and Soviet Trophy Brigades: Compensation, Restitution in Kind, or "Trophies" of War

    Open Access•Konstantin Akinsha•ARTICLE•International Journal of Cultural…•2010•Cited by: 3

    The article is dedicated to the official decrees issued by Joseph Stalin in 1945 ordering the Soviet removal of cultural property from Eastern European and German territories occupied by the Red Army. As opposed to popular belief dominant today in Russia, such decrees were few. Preparation for the removal of cultural property from enemy countries had started before the fate of the war was decided. In 1943 on the request of academician Igor Grabar…

  • Appendix 1: Federal Law on Cultural Valuables Displaced to the USSR as a Result of the Second World War and Located on the Territory of the Russian Federation

    Open Access•Konstantin Akinsha, Patricia Kennedy Grimsted•ARTICLE•International Journal of Cultural…•2010•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • On the Third Front: The Soviet Museum and Its Public During the Cultural Revolution

    Adam Jolles, Konstantin Akinsha•ARTICLE•Canadian-American Slavic Studies•2009

  • Appendix 1: Federal Law on Cultural Valuables Displaced to the USSR as a Result of the Second World War and Located on the Territory of the Russian Federation

    Open Access•Konstantin Akinsha, Patricia Kennedy Grimsted•ARTICLE•International Journal of Cultural…•2010•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Stalin's Decrees and Soviet Trophy Brigades: Compensation, Restitution in Kind, or "Trophies" of War

    Open Access•Konstantin Akinsha•ARTICLE•International Journal of Cultural…•2010•Cited by: 3

    The article is dedicated to the official decrees issued by Joseph Stalin in 1945 ordering the Soviet removal of cultural property from Eastern European and German territories occupied by the Red Army. As opposed to popular belief dominant today in Russia, such decrees were few. Preparation for the removal of cultural property from enemy countries had started before the fate of the war was decided. In 1943 on the request of academician Igor Grabar…

  • Why Can't Private Art "Trophies" Go Home from the War: The Baldin-Bremen Kunsthalle Case: A Cause-Célèbre of German-Russian Restitution Politics

    Open Access•Konstantin Akinsha•ARTICLE•International Journal of Cultural…•2010•Cited by: 4

    This article is dedicated to the collection from the Bremen Kunsthalle, comprising 1715 drawings, 50 paintings, and about 3000 prints found by Soviet troops in castle of Karnzow near Berlin in May 1945. The collection was not seized by Soviet trophy brigades but was looted by soldiers and officers of the 38th Field Engineers' Brigade of the Red Army.After their return to the USSR and demobilization, some of the officers donated their loot to diff…

  • Restitution as Diagnosis: Political Aspects of the "Trophy Art" Problem and Russian-German Relations

    Konstantin Akinsha•ARTICLE•New German Critique•2017•References: 1

    During World War II the Soviet Union did not join the Allied restitution effort. Instead, more than two and a half million objects (not counting millions of books) were transported to the Soviet Union from its zone of occupation in Germany and from other European countries occupied by the Red Army. During the 1950s the Khrushchev government restituted collections from East Germany and western Poland. However, millions of artworks and books were k…

Law (5 works) · Political science (5 works) · History (4 works) · Archaeological Research and Protection (3 works) · Economic history (3 works) · Law (3 works) · Politics (3 works) · Sociology (3 works) · Soviet union (3 works) · Trophy (3 works)

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