John Shepley
Biographic Data
| ID | 1601374 |
|---|---|
| NAME | John Shepley |
| GIVEN NAMES | John |
| FAMILY NAME | Shepley |
| SIGNATURE | SHEPLEY J |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 57 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 1987 |
| H-INDEX | 2 |
"Questions of "Painting
Azure
Pauvre Belgique
Painting as Model
"A Picturesque Stroll around "Clara-Clara
Smithson went to see Shift, Serra tells us, spoke of its picturesque quality, and I wasn't sure what he was talking about (p. 181).' This incomprehension is quite comprehensible, at least if one sticks to early definitions of the picturesque, all of which go back to the etymological origin of this word, that is to say, the sphere of painting. For the pictorial is one of the qualities that Serra would like to banish completely from his sculpture. …
Rital" and "Raton
He said: J'aifa'. In a country voice rather shrill: for an Arab, to learn French means to repeat a rustic condition with thoughts of the city in a house crumbling in the sun, the fetid sheep, the hens on the roost, the neighbors dressed in rags, their shrewd old ideas, the dreamlike gestures at the end of the cultivated horizon, the destiny that combines sex and death: and since the peasant universe is petit-bourgeois, an Arab's French has that s…
Mimicry and Legendary Psychasthenia
From whatever side one approaches things, the ultimate problem turns out in the final analysis to be that of distinction: distinctions between the real and the imaginary, between waking and sleeping, between ignorance and knowledge, etc. all of them, in short, distinctions in which valid consideration must demonstrate a keen awareness and the demand for resolution. Among distinctions, there is assuredly none more clear-cut than that between the o…
Ointments, Makeup, Pollen
The Magic World of Ivan Generalic
Mimicry and Legendary Psychasthenia
From whatever side one approaches things, the ultimate problem turns out in the final analysis to be that of distinction: distinctions between the real and the imaginary, between waking and sleeping, between ignorance and knowledge, etc. all of them, in short, distinctions in which valid consideration must demonstrate a keen awareness and the demand for resolution. Among distinctions, there is assuredly none more clear-cut than that between the o…
"A Picturesque Stroll around "Clara-Clara
Smithson went to see Shift, Serra tells us, spoke of its picturesque quality, and I wasn't sure what he was talking about (p. 181).' This incomprehension is quite comprehensible, at least if one sticks to early definitions of the picturesque, all of which go back to the etymological origin of this word, that is to say, the sphere of painting. For the pictorial is one of the qualities that Serra would like to banish completely from his sculpture. …
Painting as Model
Ointments, Makeup, Pollen
The Magic World of Ivan Generalic
Ointments, Makeup, Pollen
"A Picturesque Stroll around "Clara-Clara
Smithson went to see Shift, Serra tells us, spoke of its picturesque quality, and I wasn't sure what he was talking about (p. 181).' This incomprehension is quite comprehensible, at least if one sticks to early definitions of the picturesque, all of which go back to the etymological origin of this word, that is to say, the sphere of painting. For the pictorial is one of the qualities that Serra would like to banish completely from his sculpture. …
Rital" and "Raton
He said: J'aifa'. In a country voice rather shrill: for an Arab, to learn French means to repeat a rustic condition with thoughts of the city in a house crumbling in the sun, the fetid sheep, the hens on the roost, the neighbors dressed in rags, their shrewd old ideas, the dreamlike gestures at the end of the cultivated horizon, the destiny that combines sex and death: and since the peasant universe is petit-bourgeois, an Arab's French has that s…
Mimicry and Legendary Psychasthenia
From whatever side one approaches things, the ultimate problem turns out in the final analysis to be that of distinction: distinctions between the real and the imaginary, between waking and sleeping, between ignorance and knowledge, etc. all of them, in short, distinctions in which valid consideration must demonstrate a keen awareness and the demand for resolution. Among distinctions, there is assuredly none more clear-cut than that between the o…
Painting as Model
"Questions of "Painting
Azure
Pauvre Belgique
Art (5 works) · Art history (4 works) · Computer Science (4 works) · Painting (2 works) · Visual arts (2 works) · Architectural engineering (1 works) · Architecture and Art History Studies (1 works) · Art, Politics, and Modernism (1 works) · Asterisk (1 works) · Astronomy (1 works)