Sabine Kriebel
Biographic Data
| ID | 1601411 |
|---|---|
| NAME | Sabine Kriebel |
| GIVEN NAMES | Sabine |
| FAMILY NAME | Kriebel |
| SIGNATURE | KRIEBEL S |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Florence Henri's Oblique
This essay considers Florence Henri's interwar photographic project from the standpoint of phenomenology. In doing so, it displaces the disinterested formalist framework that generally straightjackets her work to look askance at the terrain of subject-object relations that was urgently being rethought by Edmund Husserl, Martin Heidegger, and Hellmuth Plessner, among others, in the turbulent decade after World War I. Composed in a cultural context…
Manufacturing Discontent: John Heartfield's Mass Medium
Because photomontage is based on the structural principle of pictorial rupture and reassembly, the medium is understood in scholarly literature as the symbolic register of the shocks and disjunctures of modern life. Yet most of John Heartfield's photomontages for the communist journal Arbeiter-Illustrierte-Zeitung ( AIZ ) insistently suppress the seams and ruptures of their manufacture, instead offering up pictorially sutured photomontages that p…
Manufacturing Discontent: John Heartfield's Mass Medium
Because photomontage is based on the structural principle of pictorial rupture and reassembly, the medium is understood in scholarly literature as the symbolic register of the shocks and disjunctures of modern life. Yet most of John Heartfield's photomontages for the communist journal Arbeiter-Illustrierte-Zeitung ( AIZ ) insistently suppress the seams and ruptures of their manufacture, instead offering up pictorially sutured photomontages that p…
Manufacturing Discontent: John Heartfield's Mass Medium
Because photomontage is based on the structural principle of pictorial rupture and reassembly, the medium is understood in scholarly literature as the symbolic register of the shocks and disjunctures of modern life. Yet most of John Heartfield's photomontages for the communist journal Arbeiter-Illustrierte-Zeitung ( AIZ ) insistently suppress the seams and ruptures of their manufacture, instead offering up pictorially sutured photomontages that p…
Florence Henri's Oblique
This essay considers Florence Henri's interwar photographic project from the standpoint of phenomenology. In doing so, it displaces the disinterested formalist framework that generally straightjackets her work to look askance at the terrain of subject-object relations that was urgently being rethought by Edmund Husserl, Martin Heidegger, and Hellmuth Plessner, among others, in the turbulent decade after World War I. Composed in a cultural context…
Art (2 works) · History (2 works) · Philosophy (2 works) · Art history (1 works) · Art, Politics, and Modernism (1 works) · Biographical and Historical Analysis (1 works) · Computer Science (1 works) · Contingency (1 works) · Epistemology (1 works) · First world war (1 works)