Federico Windhausen
Biographic Data
| ID | 1601441 |
|---|---|
| NAME | Federico Windhausen |
| GIVEN NAMES | Federico |
| FAMILY NAME | Windhausen |
| SIGNATURE | WINDHAUSEN F |
| AFFILIATIONS | California College of the Arts |
| ORCID | 0000-0002-5011-3594 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“To Really See This Movie”
Federico Windhausen's “‘To Really See This Movie’: Ken Jacobs on Tom, Tom ... in 1969” introduces and contextualizes a newly edited transcript of Ken Jacobs's September 16, 1969, appearance at the Museum of Modern Art's Cineprobe series. The essay reconstructs the historical circumstances of the screening and situates the event within the broader relationship between avant-garde filmmakers and MoMA at the end of the 1960s. Windhausen recounts how…
The Wavelength Papers
What remains of the North American avant-garde of the 1960s and '70s? Certainly many more films than filmmakers, but a paper trail as well. Housed in museums, university libraries, film archives, and personal collections across the United States and Canada, a decentralized and ever-expanding set of documents and ephemera is shaping and informing numerous research-based projects in curation, academic scholarship, and film restoration. And yet, in …
A Companion to Experimental Cinema
This essay reconsiders the foundational contexts attributed to the experimental film form, which developed in London in the 1960s and 1970s. It makes the case that the distinctive emphasis on materiality and process for which British alternative film of the period is best known is rooted in discourses of science and cybernetics as well as art. With reference to a number of well-canonized filmmakers of the period, my essay examines how the influen…
Companion to Experimental Film
«Otra relación con el cine»
This article offers an introduction to some of the themes and concepts that dominated the discourse on Super 8 cinema in Argentina during the 1970s, paying special attention to the Unión de Cineístas de Paso Reducido (Union of Small-Gauge Filmmakers, a.k.a. UNCIPAR), which was based in Buenos Aires. This study focuses on three main thematic areas: narratives of origin and emergence, particularly in relation to other models of cooperation and orga…
Our petrified present
Annette Michelson Remembered
Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte
Systems and constraints
This article groups together a small number of films made at the London Filmmakers' Co-operative in the first half of the 1970s, primarily by film-makers such as Chris Welsby and William Raban, who are more typically discussed in relation to the category of 'landscape films'. The films discussed here explore the restrictive and expansive possibilities of systems, constraints and procedural processes. They often resemble other experimental films t…
Patterning time
Preview this article: Patterning time: On Guy Sherwin’s Sound Cuts, Page 1 of 1 /docserver/preview/fulltext/miraj/1/2/s6-1.gif
Assimilating Video
July 01 2011 Assimilating Video Federico Windhausen Federico Windhausen FEDERICO WINDHAUSEN is Assistant Professor of Visual Studies at California College of the Arts in the Bay Area. He is currently writing a monograph on Paul Sharits and minimalism in art and music. Search for other works by this author on: This Site Google Scholar Author and Article Information Federico Windhausen FEDERICO WINDHAUSEN is Assistant Professor of Visual Studies at…
Historiographic Returns
January 01 2008 Historiographic Returns: Reviewing British Avant-Garde Film of the 1970s Federico Windhausen Federico Windhausen Federico Windhausen teaches at California College of the Arts. He has published essays on Morgan Fisher, Hollis Frampton, and Matthias Müller; forthcoming are articles on Paul Sharits and Ken Jacobs. He is currently writing a book on recent Argentine cinema. Search for other works by this author on: This Site Google Sch…
Words into Film
July 01 2004 Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice Federico Windhausen Federico Windhausen Search for other works by this author on: This Site Google Scholar Author and Article Information Federico Windhausen Online Issn: 1536-013X Print Issn: 0162-2870 © 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (109): 76–95. https://doi.org/10.1162/01622870418…
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Words into Film
July 01 2004 Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice Federico Windhausen Federico Windhausen Search for other works by this author on: This Site Google Scholar Author and Article Information Federico Windhausen Online Issn: 1536-013X Print Issn: 0162-2870 © 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (109): 76–95. https://doi.org/10.1162/01622870418…
Historiographic Returns
January 01 2008 Historiographic Returns: Reviewing British Avant-Garde Film of the 1970s Federico Windhausen Federico Windhausen Federico Windhausen teaches at California College of the Arts. He has published essays on Morgan Fisher, Hollis Frampton, and Matthias Müller; forthcoming are articles on Paul Sharits and Ken Jacobs. He is currently writing a book on recent Argentine cinema. Search for other works by this author on: This Site Google Sch…
Assimilating Video
July 01 2011 Assimilating Video Federico Windhausen Federico Windhausen FEDERICO WINDHAUSEN is Assistant Professor of Visual Studies at California College of the Arts in the Bay Area. He is currently writing a monograph on Paul Sharits and minimalism in art and music. Search for other works by this author on: This Site Google Scholar Author and Article Information Federico Windhausen FEDERICO WINDHAUSEN is Assistant Professor of Visual Studies at…
Patterning time
Preview this article: Patterning time: On Guy Sherwin’s Sound Cuts, Page 1 of 1 /docserver/preview/fulltext/miraj/1/2/s6-1.gif
Systems and constraints
This article groups together a small number of films made at the London Filmmakers' Co-operative in the first half of the 1970s, primarily by film-makers such as Chris Welsby and William Raban, who are more typically discussed in relation to the category of 'landscape films'. The films discussed here explore the restrictive and expansive possibilities of systems, constraints and procedural processes. They often resemble other experimental films t…
Annette Michelson Remembered
Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte
Our petrified present
A Companion to Experimental Cinema
This essay reconsiders the foundational contexts attributed to the experimental film form, which developed in London in the 1960s and 1970s. It makes the case that the distinctive emphasis on materiality and process for which British alternative film of the period is best known is rooted in discourses of science and cybernetics as well as art. With reference to a number of well-canonized filmmakers of the period, my essay examines how the influen…
Companion to Experimental Film
«Otra relación con el cine»
This article offers an introduction to some of the themes and concepts that dominated the discourse on Super 8 cinema in Argentina during the 1970s, paying special attention to the Unión de Cineístas de Paso Reducido (Union of Small-Gauge Filmmakers, a.k.a. UNCIPAR), which was based in Buenos Aires. This study focuses on three main thematic areas: narratives of origin and emergence, particularly in relation to other models of cooperation and orga…
The Wavelength Papers
What remains of the North American avant-garde of the 1960s and '70s? Certainly many more films than filmmakers, but a paper trail as well. Housed in museums, university libraries, film archives, and personal collections across the United States and Canada, a decentralized and ever-expanding set of documents and ephemera is shaping and informing numerous research-based projects in curation, academic scholarship, and film restoration. And yet, in …
“To Really See This Movie”
Federico Windhausen's “‘To Really See This Movie’: Ken Jacobs on Tom, Tom ... in 1969” introduces and contextualizes a newly edited transcript of Ken Jacobs's September 16, 1969, appearance at the Museum of Modern Art's Cineprobe series. The essay reconstructs the historical circumstances of the screening and situates the event within the broader relationship between avant-garde filmmakers and MoMA at the end of the 1960s. Windhausen recounts how…
Art (9 works) · Art history (7 works) · Computer Science (6 works) · Visual arts (5 works) · Cinema and Media Studies (4 works) · Library science (4 works) · Movie theater (4 works) · Philosophy (4 works) · Art, Politics, and Modernism (3 works) · Artistic and Creative Research (3 works)