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Eric Santner

Biographic Data

ID1601583
NAMEEric Santner
GIVEN NAMESEric
FAMILY NAMESantner
SIGNATURESANTNER E
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS5
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2016
H-INDEX1
  • The Weight of All Flesh: On the Subject-Matter of Political Economy

    Eric L Santner, Eric Santner et al.•BOOK•Weight of All Flesh•2016

    This book offers a radically new interpretation of Marx’s labor theory of value as one concerned with the afterlife of political theology in secular modernity. What Marx characterized as the dual character of the labor embodied in the commodity, it argues, is the doctrine of the King’s Two Bodies transferred from the political theology of sovereignty to the realm of political economy. This genealogy, leading from the fetishism of the royal body t…

  • Sexuation: Sic 3

    Colette Soler, Eric Santner et al.•BOOK•Sexuation•2000

  • My Own Private Germany. Daniel Paul Schreber's Secret History of Modernity

    Nina Zimnik, Eric L Santner et al.•ARTICLE•The German Quarterly•1998

  • Further Thoughts on Helke Sander's Project

    Annette Michelson, Andreas Huyssen et al.•ARTICLE•October•1995•Cited by: 5

    Annette Michelson: We are here to discuss a work by the important German feminist filmmaker Helke Sander. Although this film won the Nestor Almendros Prize at the Human Rights Film Festival of 1993 in New York and was the subject, last fall, of a day-long symposium at the Graduate Center of the City University, it has not yet received a fully articulated and nuanced response in the United States. It seems to us that the film raises important ques…

  • Further Thoughts on Helke Sander's Project

    Annette Michelson, Andreas Huyssen et al.•ARTICLE•October•1995•Cited by: 5

    Annette Michelson: We are here to discuss a work by the important German feminist filmmaker Helke Sander. Although this film won the Nestor Almendros Prize at the Human Rights Film Festival of 1993 in New York and was the subject, last fall, of a day-long symposium at the Graduate Center of the City University, it has not yet received a fully articulated and nuanced response in the United States. It seems to us that the film raises important ques…

  • Further Thoughts on Helke Sander's Project

    Annette Michelson, Andreas Huyssen et al.•ARTICLE•October•1995•Cited by: 5

    Annette Michelson: We are here to discuss a work by the important German feminist filmmaker Helke Sander. Although this film won the Nestor Almendros Prize at the Human Rights Film Festival of 1993 in New York and was the subject, last fall, of a day-long symposium at the Graduate Center of the City University, it has not yet received a fully articulated and nuanced response in the United States. It seems to us that the film raises important ques…

  • My Own Private Germany. Daniel Paul Schreber's Secret History of Modernity

    Nina Zimnik, Eric L Santner et al.•ARTICLE•The German Quarterly•1998

  • Sexuation: Sic 3

    Colette Soler, Eric Santner et al.•BOOK•Sexuation•2000

  • The Weight of All Flesh: On the Subject-Matter of Political Economy

    Eric L Santner, Eric Santner et al.•BOOK•Weight of All Flesh•2016

    This book offers a radically new interpretation of Marx’s labor theory of value as one concerned with the afterlife of political theology in secular modernity. What Marx characterized as the dual character of the labor embodied in the commodity, it argues, is the doctrine of the King’s Two Bodies transferred from the political theology of sovereignty to the realm of political economy. This genealogy, leading from the fetishism of the royal body t…

Art (2 works) · European history and politics (2 works) · Law (2 works) · Modernity (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 works) · Afterlife (1 works) · Art history (1 works) · Commodity (1 works)

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