Daniel O''Quinn
Biographic Data
| ID | 1601649 |
|---|---|
| NAME | Daniel O''Quinn |
| GIVEN NAMES | Daniel |
| FAMILY NAME | O''Quinn |
| SIGNATURE | QUINN D O |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 2 |
Mercantile Deformities: George Colman's Inkle and Yarico and the Racialization of Class Relations
Of all the late eighteenth-century comedies set in colonial spaces none is as important as George Colman's highly successful comic opera Inkle and Yarico (1787) for understanding the relationship between shifts in British imperial policy and the racialization of class on the London stage. 1 Of crucial importance is the apparent contradiction between the play's supposed abolitionist gestures and its explicitly racist representations of Africans an…
Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange
Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange Daniel O’Quinn* (bio) Elizabeth Inchbald’s Wives as They Were, Maids as They Are opened on March 4, 1797 at Covent Garden to strong reviews and even stronger receipts, but I want to open this reading of Inchbald’s play in the other patent theatre. 1 Drury Lane audiences had a steady diet of suffering women whose ideological function had ch…
Gardening, History, and the Escape from Time: "Derek Jarman's "Modern Nature
I would like to thank Jim Ellis, Deborah Esch, Jody Greene, Dana Luciano, and Charles Reeve for their encouragement and their insightful commentary on earlier drafts of this essay. 1. Sackville-West's poem resonates with much of Jarman's discussion of his own garden and with his filmic practice in the late 1980s. Her attempts to counter great tragedies with pleasures may well be on Jarman's mind when he argues for a cinema of small gestures in re…
Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange
Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange Daniel O’Quinn* (bio) Elizabeth Inchbald’s Wives as They Were, Maids as They Are opened on March 4, 1797 at Covent Garden to strong reviews and even stronger receipts, but I want to open this reading of Inchbald’s play in the other patent theatre. 1 Drury Lane audiences had a steady diet of suffering women whose ideological function had ch…
Mercantile Deformities: George Colman's Inkle and Yarico and the Racialization of Class Relations
Of all the late eighteenth-century comedies set in colonial spaces none is as important as George Colman's highly successful comic opera Inkle and Yarico (1787) for understanding the relationship between shifts in British imperial policy and the racialization of class on the London stage. 1 Of crucial importance is the apparent contradiction between the play's supposed abolitionist gestures and its explicitly racist representations of Africans an…
Gardening, History, and the Escape from Time: "Derek Jarman's "Modern Nature
I would like to thank Jim Ellis, Deborah Esch, Jody Greene, Dana Luciano, and Charles Reeve for their encouragement and their insightful commentary on earlier drafts of this essay. 1. Sackville-West's poem resonates with much of Jarman's discussion of his own garden and with his filmic practice in the late 1980s. Her attempts to counter great tragedies with pleasures may well be on Jarman's mind when he argues for a cinema of small gestures in re…
Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange
Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange Daniel O’Quinn* (bio) Elizabeth Inchbald’s Wives as They Were, Maids as They Are opened on March 4, 1797 at Covent Garden to strong reviews and even stronger receipts, but I want to open this reading of Inchbald’s play in the other patent theatre. 1 Drury Lane audiences had a steady diet of suffering women whose ideological function had ch…
Gardening, History, and the Escape from Time: "Derek Jarman's "Modern Nature
I would like to thank Jim Ellis, Deborah Esch, Jody Greene, Dana Luciano, and Charles Reeve for their encouragement and their insightful commentary on earlier drafts of this essay. 1. Sackville-West's poem resonates with much of Jarman's discussion of his own garden and with his filmic practice in the late 1980s. Her attempts to counter great tragedies with pleasures may well be on Jarman's mind when he argues for a cinema of small gestures in re…
Mercantile Deformities: George Colman's Inkle and Yarico and the Racialization of Class Relations
Of all the late eighteenth-century comedies set in colonial spaces none is as important as George Colman's highly successful comic opera Inkle and Yarico (1787) for understanding the relationship between shifts in British imperial policy and the racialization of class on the London stage. 1 Of crucial importance is the apparent contradiction between the play's supposed abolitionist gestures and its explicitly racist representations of Africans an…
History (3 works) · History (3 works) · Art (2 works) · Art history (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works)