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Graciela Trajtenberg

Biographic Data

ID1601777
NAMEGraciela Trajtenberg
GIVEN NAMESGraciela
FAMILY NAMETrajtenberg
SIGNATURETRAJTENBERG G
AFFILIATIONSAcademic College of Tel Aviv-Yafo
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Widening the margins of political participation

    Graciela Trajtenberg•ARTICLE•Journal of Civil Society•2021•References: 14

    Over the past few decades, society has witnessed the flourishing of artistic practices with socio-political aims, including street art. Street art created without permission has become one of the most persistent ways of protesting the usurpation of rights in the public space. However, current discussions about civil society and political participation tend to underestimate its political role.Street art has grown in popularity to a point where a l…

  • Art Criticism and its Power Over Women Artists - An Inquiry into the Sources of Gender Discrimination in Jewish Palestine/Israel, 1920-1960

    Open Access•Graciela Trajtenberg•ARTICLE•Journal of Historical Sociology•2018•References: 13

    Discrimination against women in the Western field of Visual Arts persists, even today. In this article I reflect upon the formative years of the field of Visual Arts in Jewish Palestine/Israel. I examine what role art critics took in the emergence of the systematic forms of artistic malestream domination. I also analyze which strategies allowed art critics to develop their position as the "knowers" of high art. While artistic malestream practices…

  • Elastic Femininity

    Graciela Trajtenberg, Graciela Trajtenberg Graciela Trajtenberg•ARTICLE•Frontiers A Journal of Women…•2016

  • Multiple Trespasses Female Israeli Artists Make Uncommissioned Street Art

    Graciela Trajtenberg•ARTICLE•Ethnologie française•2016•References: 6

    Multiples transgressions. Le Street art des artistes israéliennes Cet article analyse la façon dont les Israéliennes s'adonnent aux arts de la rue. Elles transgressent non seulement l'évidence de l'appropriation capitaliste du contrôle de l'espace public, mais aussi les frontières normatives des activités interdites aux femmes. Leurs transgressions se fondent sur des stratégies historiquement définies comme féminines, mais aussi en détournant l'o…

  • When was Feminism? Some Critical Reflections after Exploring an Unknown Group of Israeli Women Art Critics 1

    Graciela Trajtenberg•ARTICLE•Women s Studies•2015•Cited by: 1•References: 17

  • Plastic arts and nation‐building in Israel

    Open Access•Graciela Trajtenberg•ARTICLE•Nations and Nationalism•2002•Cited by: 1

    This article begins as an attempt to analyse an apparently paradoxical situation created by two events, which occurred simultaneously in 1948: the establishment of Israel as an independent state and the emergence of the Ofakim Hadashim (New Horizons) group of artists, acknowledged as the most renowned local artists at the time. The creation of the state of Israel may be considered the high point of Jewish nationalism, when the nation celebrated i…

  • When was Feminism? Some Critical Reflections after Exploring an Unknown Group of Israeli Women Art Critics 1

    Graciela Trajtenberg•ARTICLE•Women s Studies•2015•Cited by: 1•References: 17

  • Plastic arts and nation‐building in Israel

    Open Access•Graciela Trajtenberg•ARTICLE•Nations and Nationalism•2002•Cited by: 1

    This article begins as an attempt to analyse an apparently paradoxical situation created by two events, which occurred simultaneously in 1948: the establishment of Israel as an independent state and the emergence of the Ofakim Hadashim (New Horizons) group of artists, acknowledged as the most renowned local artists at the time. The creation of the state of Israel may be considered the high point of Jewish nationalism, when the nation celebrated i…

  • Plastic arts and nation‐building in Israel

    Open Access•Graciela Trajtenberg•ARTICLE•Nations and Nationalism•2002•Cited by: 1

    This article begins as an attempt to analyse an apparently paradoxical situation created by two events, which occurred simultaneously in 1948: the establishment of Israel as an independent state and the emergence of the Ofakim Hadashim (New Horizons) group of artists, acknowledged as the most renowned local artists at the time. The creation of the state of Israel may be considered the high point of Jewish nationalism, when the nation celebrated i…

  • When was Feminism? Some Critical Reflections after Exploring an Unknown Group of Israeli Women Art Critics 1

    Graciela Trajtenberg•ARTICLE•Women s Studies•2015•Cited by: 1•References: 17

  • Elastic Femininity

    Graciela Trajtenberg, Graciela Trajtenberg Graciela Trajtenberg•ARTICLE•Frontiers A Journal of Women…•2016

  • Multiple Trespasses Female Israeli Artists Make Uncommissioned Street Art

    Graciela Trajtenberg•ARTICLE•Ethnologie française•2016•References: 6

    Multiples transgressions. Le Street art des artistes israéliennes Cet article analyse la façon dont les Israéliennes s'adonnent aux arts de la rue. Elles transgressent non seulement l'évidence de l'appropriation capitaliste du contrôle de l'espace public, mais aussi les frontières normatives des activités interdites aux femmes. Leurs transgressions se fondent sur des stratégies historiquement définies comme féminines, mais aussi en détournant l'o…

  • Art Criticism and its Power Over Women Artists - An Inquiry into the Sources of Gender Discrimination in Jewish Palestine/Israel, 1920-1960

    Open Access•Graciela Trajtenberg•ARTICLE•Journal of Historical Sociology•2018•References: 13

    Discrimination against women in the Western field of Visual Arts persists, even today. In this article I reflect upon the formative years of the field of Visual Arts in Jewish Palestine/Israel. I examine what role art critics took in the emergence of the systematic forms of artistic malestream domination. I also analyze which strategies allowed art critics to develop their position as the "knowers" of high art. While artistic malestream practices…

  • Widening the margins of political participation

    Graciela Trajtenberg•ARTICLE•Journal of Civil Society•2021•References: 14

    Over the past few decades, society has witnessed the flourishing of artistic practices with socio-political aims, including street art. Street art created without permission has become one of the most persistent ways of protesting the usurpation of rights in the public space. However, current discussions about civil society and political participation tend to underestimate its political role.Street art has grown in popularity to a point where a l…

Sociology (6 works) · Art (5 works) · Public Spaces through Art (5 works) · Political science (4 works) · Gender Studies (3 works) · Jewish and Middle Eastern Studies (3 works) · Law (3 works) · Aesthetics (2 works) · Art Education and Development (2 works) · Art, Politics, and Modernism (2 works)

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