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Sudipta Garai

Biographic Data

ID1602739
NAMESudipta Garai
GIVEN NAMESSudipta
FAMILY NAMEGarai
SIGNATUREGARAI S
AFFILIATIONSChrist University
ORCID0009-0002-4130-2235
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Manipur’s crisis of inclusion

    Haobijam Brijesh Singh, Sudipta Garai•ARTICLE•The Round Table•2026

  • Socio-political Challenges and Aspirations of the Tarao Tribe in Manipur

    Haobijam Brijesh Singh, Sudipta Garai•ARTICLE•Ethnopolitics•2025•References: 8

  • The Evolving Prospects of Bharatanatyam

    Open Access•Krithika V Balaji, Sudipta Garai et al.•ARTICLE•Dance Research•2024

    As cultural boundaries expand, symbols of cultural identity, like dance forms, evolve in terms of content and practice. Bharatanatyam, originally a temple dance, originated in the Hindu culture and had long been considered a religious art. However, the art form has gradually expanded its scope beyond its religious context. Contemporary evidence suggests that artists increasingly engage in performances addressing themes that are secular and even c…

  • Construction of voice(s)

    Open Access•Mazha S Muhammed, Sudipta Garai et al.•ARTICLE•Popular Music•2024•References: 15

    The discourse of music reflects historical and cultural changes, interwoven with a multitude of social dynamics. Beyond lyrics, music-through voices and performance-conveys gender stereotypes, often legitimised through repetition. This article examines the construction of voice in Kerala's popular music, tracing the evolution of the gender stereotyping of voice across three distinct phases: from the period of social dramas following the advent of…

No prominent works on this page.

  • The Evolving Prospects of Bharatanatyam

    Open Access•Krithika V Balaji, Sudipta Garai et al.•ARTICLE•Dance Research•2024

    As cultural boundaries expand, symbols of cultural identity, like dance forms, evolve in terms of content and practice. Bharatanatyam, originally a temple dance, originated in the Hindu culture and had long been considered a religious art. However, the art form has gradually expanded its scope beyond its religious context. Contemporary evidence suggests that artists increasingly engage in performances addressing themes that are secular and even c…

  • Construction of voice(s)

    Open Access•Mazha S Muhammed, Sudipta Garai et al.•ARTICLE•Popular Music•2024•References: 15

    The discourse of music reflects historical and cultural changes, interwoven with a multitude of social dynamics. Beyond lyrics, music-through voices and performance-conveys gender stereotypes, often legitimised through repetition. This article examines the construction of voice in Kerala's popular music, tracing the evolution of the gender stereotyping of voice across three distinct phases: from the period of social dramas following the advent of…

  • Socio-political Challenges and Aspirations of the Tarao Tribe in Manipur

    Haobijam Brijesh Singh, Sudipta Garai•ARTICLE•Ethnopolitics•2025•References: 8

  • Manipur’s crisis of inclusion

    Haobijam Brijesh Singh, Sudipta Garai•ARTICLE•The Round Table•2026

Aesthetics (2 works) · Art (2 works) · South Asian Studies and Conflicts (2 works) · Visual arts (2 works) · African history and culture studies (1 works) · African studies and sociopolitical issues (1 works) · Anthropological Studies and Insights (1 works) · Art history (1 works) · Bangladesh Politics, Society, and Development (1 works) · Classical music (1 works)

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