Sean Albiez
Biographic Data
| ID | 1602807 |
|---|---|
| NAME | Sean Albiez |
| GIVEN NAMES | Sean |
| FAMILY NAME | Albiez |
| SIGNATURE | ALBIEZ S |
| AFFILIATIONS | University of Plymouth |
| ORCID | 0000-0003-0882-1113 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 19 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 2 |
Post-soul futurama: African American cultural politics and early Detroit techno
Techno is a globally successful genre of electronic dance music that can trace its origins to Detroit in the early 1980s, but it has been generally overlooked in academic, historical and critical analyses of 1980s African American music in the United States. This study will consider the cultural context of early techno, its relationship to European electronic music, the birth of the 'techno' genre in the UK, the founding myths and histories of te…
Know history: John Lydon, cultural capital and the prog/punk dialectic
Johnny Rotten / John Lydon was and remains the first voice of British punk and yet consistently refuses to identify with punk as a subculture. In revisiting his observations on his career with the Sex Pistols and Public Image Ltd (PiL) in the 1976-1980 period, this article considers how 'narratives of self' enable us to gain insights into individual subjectivity and the (trans) formation of identity. Through this material we can investigate the r…
Know history: John Lydon, cultural capital and the prog/punk dialectic
Johnny Rotten / John Lydon was and remains the first voice of British punk and yet consistently refuses to identify with punk as a subculture. In revisiting his observations on his career with the Sex Pistols and Public Image Ltd (PiL) in the 1976-1980 period, this article considers how 'narratives of self' enable us to gain insights into individual subjectivity and the (trans) formation of identity. Through this material we can investigate the r…
Post-soul futurama: African American cultural politics and early Detroit techno
Techno is a globally successful genre of electronic dance music that can trace its origins to Detroit in the early 1980s, but it has been generally overlooked in academic, historical and critical analyses of 1980s African American music in the United States. This study will consider the cultural context of early techno, its relationship to European electronic music, the birth of the 'techno' genre in the UK, the founding myths and histories of te…
Know history: John Lydon, cultural capital and the prog/punk dialectic
Johnny Rotten / John Lydon was and remains the first voice of British punk and yet consistently refuses to identify with punk as a subculture. In revisiting his observations on his career with the Sex Pistols and Public Image Ltd (PiL) in the 1976-1980 period, this article considers how 'narratives of self' enable us to gain insights into individual subjectivity and the (trans) formation of identity. Through this material we can investigate the r…
Post-soul futurama: African American cultural politics and early Detroit techno
Techno is a globally successful genre of electronic dance music that can trace its origins to Detroit in the early 1980s, but it has been generally overlooked in academic, historical and critical analyses of 1980s African American music in the United States. This study will consider the cultural context of early techno, its relationship to European electronic music, the birth of the 'techno' genre in the UK, the founding myths and histories of te…
Music History and Culture (2 works) · Aesthetics (1 works) · Art (1 works) · Art history (1 works) · Artistic and Creative Research (1 works) · Capital (architecture (1 works) · Cultural politics (1 works) · Dialectic (1 works) · Electronic dance music (1 works) · Electronic music (1 works)