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Arnold S Wolfe

Biographic Data

ID1602851
NAMEArnold S Wolfe
GIVEN NAMESArnold S
FAMILY NAMEWolfe
SIGNATUREWOLFE A S
AFFILIATIONSIllinois State University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS9
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2008
H-INDEX2
  • What the American People Deserve From American Journalism During Wartime

    Arnold S Wolfe, Jeromy Swanson et al.•ARTICLE•Journalism Studies•2008•References: 12

    From a First Amendment theoretical perspective, the freedoms constitutionally guaranteed the US media are bound to expectations that they will deliver the “widest possible dissemination of information from diverse and antagonistic sources” (Associated Press v. United States, 1945, p. 20). Analyses of two 2005 reports on the Iraq War posted on the Internet by two prominent US news organizations, however, show that they are presenting Americans wit…

  • Over to you

    Open Access•Arnold S Wolfe•ARTICLE•Popular Music•2004

    The United States Supreme Court characterised the trend toward the convergence of the communication, music and computer worlds as ‘a promising new medium that could empower citizens and promote democracy in the next millennium’. Yet inquiry into United States vs Microsoft, the case that may determine whether ‘the free and open nature of ... computer-assisted communication’ will remain ‘free and open’ has been lacking. This study focuses on the an…

  • Notes on the Enduring Popularity of a Signature Doors Song

    Open Access•Arnold S Wolfe•ARTICLE•Journal of Communication Inquiry•1999•Cited by: 1•References: 19

    Recordings by the Doors remain remarkably popular, but the constituents of the lasting popularity of Doors texts for contemporary audiences remain unexamined. This study of the Doors' first single and first track on their first album reviews both scholarly and popular criticism dating from the song recording's 1967 release and argues that it remains popular due to (1) its lyrics, which thematically appeal to today's U.S. adult because of their my…

  • On the enduring popularity of Cream's 'Sunshine of Your Love

    Open Access•Arnold S Wolfe, Chuck Miller et al.•ARTICLE•Popular Music•1999•Cited by: 4•References: 23

    Few popular songs released over the past thirty years start so memorably: that bass riff, ominous, music for Jaws before there was Jaws, so insistent and unforgiving that in GoodFellas (1990), Scorsese has de Niro do nothing but smoke a 'square' and look - icily - off screen while the riff sounds its ten-note pattern. And you know what the combination of de Niro's look, those sounds and that smoke mean: somebody is going to get 'whacked'. Cream's…

  • Taste cultures, culture classes, affective alliances, and popular music reception

    Arnold S Wolfe, Margaret J Haefner et al.•ARTICLE•Popular Music & Society•1996•Cited by: 2•References: 17

    (1996). Taste cultures, culture classes, affective alliances, and popular music reception: Theory, methodology, and an application to a Beatles song. Popular Music and Society: Vol. 20, No. 4, pp. 127-155

  • Who's Gotta have it

    Arnold S Wolfe•ARTICLE•Critical Studies in Mass…•1992

    Some media scholars insist that the meaning of media texts cannot be found in the texts themselves but in audience interpretations of them. This article argues that the contention that texts have no meaning is problematic. Current proponents of certain literary‐critical, film theoretical, and communication perspectives maintain that while all meaning does not inhere in texts, much culturally significant meaning does. This article repositions the …

  • Rock on cable

    Arnold S Wolfe•ARTICLE•Popular Music & Society•1983•Cited by: 2

    (1983). Rock on cable: On MTV: Music television, the first video music channel. Popular Music and Society: Vol. 9, No. 1, pp. 41-50

  • On the enduring popularity of Cream's 'Sunshine of Your Love

    Open Access•Arnold S Wolfe, Chuck Miller et al.•ARTICLE•Popular Music•1999•Cited by: 4•References: 23

    Few popular songs released over the past thirty years start so memorably: that bass riff, ominous, music for Jaws before there was Jaws, so insistent and unforgiving that in GoodFellas (1990), Scorsese has de Niro do nothing but smoke a 'square' and look - icily - off screen while the riff sounds its ten-note pattern. And you know what the combination of de Niro's look, those sounds and that smoke mean: somebody is going to get 'whacked'. Cream's…

  • Taste cultures, culture classes, affective alliances, and popular music reception

    Arnold S Wolfe, Margaret J Haefner et al.•ARTICLE•Popular Music & Society•1996•Cited by: 2•References: 17

    (1996). Taste cultures, culture classes, affective alliances, and popular music reception: Theory, methodology, and an application to a Beatles song. Popular Music and Society: Vol. 20, No. 4, pp. 127-155

  • Rock on cable

    Arnold S Wolfe•ARTICLE•Popular Music & Society•1983•Cited by: 2

    (1983). Rock on cable: On MTV: Music television, the first video music channel. Popular Music and Society: Vol. 9, No. 1, pp. 41-50

  • Notes on the Enduring Popularity of a Signature Doors Song

    Open Access•Arnold S Wolfe•ARTICLE•Journal of Communication Inquiry•1999•Cited by: 1•References: 19

    Recordings by the Doors remain remarkably popular, but the constituents of the lasting popularity of Doors texts for contemporary audiences remain unexamined. This study of the Doors' first single and first track on their first album reviews both scholarly and popular criticism dating from the song recording's 1967 release and argues that it remains popular due to (1) its lyrics, which thematically appeal to today's U.S. adult because of their my…

  • Rock on cable

    Arnold S Wolfe•ARTICLE•Popular Music & Society•1983•Cited by: 2

    (1983). Rock on cable: On MTV: Music television, the first video music channel. Popular Music and Society: Vol. 9, No. 1, pp. 41-50

  • Who's Gotta have it

    Arnold S Wolfe•ARTICLE•Critical Studies in Mass…•1992

    Some media scholars insist that the meaning of media texts cannot be found in the texts themselves but in audience interpretations of them. This article argues that the contention that texts have no meaning is problematic. Current proponents of certain literary‐critical, film theoretical, and communication perspectives maintain that while all meaning does not inhere in texts, much culturally significant meaning does. This article repositions the …

  • Taste cultures, culture classes, affective alliances, and popular music reception

    Arnold S Wolfe, Margaret J Haefner et al.•ARTICLE•Popular Music & Society•1996•Cited by: 2•References: 17

    (1996). Taste cultures, culture classes, affective alliances, and popular music reception: Theory, methodology, and an application to a Beatles song. Popular Music and Society: Vol. 20, No. 4, pp. 127-155

  • Notes on the Enduring Popularity of a Signature Doors Song

    Open Access•Arnold S Wolfe•ARTICLE•Journal of Communication Inquiry•1999•Cited by: 1•References: 19

    Recordings by the Doors remain remarkably popular, but the constituents of the lasting popularity of Doors texts for contemporary audiences remain unexamined. This study of the Doors' first single and first track on their first album reviews both scholarly and popular criticism dating from the song recording's 1967 release and argues that it remains popular due to (1) its lyrics, which thematically appeal to today's U.S. adult because of their my…

  • On the enduring popularity of Cream's 'Sunshine of Your Love

    Open Access•Arnold S Wolfe, Chuck Miller et al.•ARTICLE•Popular Music•1999•Cited by: 4•References: 23

    Few popular songs released over the past thirty years start so memorably: that bass riff, ominous, music for Jaws before there was Jaws, so insistent and unforgiving that in GoodFellas (1990), Scorsese has de Niro do nothing but smoke a 'square' and look - icily - off screen while the riff sounds its ten-note pattern. And you know what the combination of de Niro's look, those sounds and that smoke mean: somebody is going to get 'whacked'. Cream's…

  • Over to you

    Open Access•Arnold S Wolfe•ARTICLE•Popular Music•2004

    The United States Supreme Court characterised the trend toward the convergence of the communication, music and computer worlds as ‘a promising new medium that could empower citizens and promote democracy in the next millennium’. Yet inquiry into United States vs Microsoft, the case that may determine whether ‘the free and open nature of ... computer-assisted communication’ will remain ‘free and open’ has been lacking. This study focuses on the an…

  • What the American People Deserve From American Journalism During Wartime

    Arnold S Wolfe, Jeromy Swanson et al.•ARTICLE•Journalism Studies•2008•References: 12

    From a First Amendment theoretical perspective, the freedoms constitutionally guaranteed the US media are bound to expectations that they will deliver the “widest possible dissemination of information from diverse and antagonistic sources” (Associated Press v. United States, 1945, p. 20). Analyses of two 2005 reports on the Iraq War posted on the Internet by two prominent US news organizations, however, show that they are presenting Americans wit…

Law (5 works) · Political science (5 works) · Sociology (5 works) · Art (4 works) · Law (4 works) · Music History and Culture (4 works) · Advertising (3 works) · Aesthetics (3 works) · Computer Science (3 works) · History (3 works)

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