Keith Salley
Biographic Data
| ID | 1602877 |
|---|---|
| NAME | Keith Salley |
| GIVEN NAMES | Keith |
| FAMILY NAME | Salley |
| SIGNATURE | SALLEY K |
| AFFILIATIONS | Shenandoah University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins
What purpose does a jazz transcription serve? What is at stake in a jazz transcription? What is being represented and how? This article considers these questions, drawing from three independently-conceived transcriptions of the same jazz solo by tenor saxophonist Sonny Rollins. Following an introduction that situates our views of jazz transcription within the context of recent discourse on transcription and notation, we present our transcriptions…
On Duration and Developing Variation: The Intersecting Ideologies of Henri Bergson and Arnold Schoenberg
This article takes a close look at the concept of duration ( durée ), an idea that is central to Henri Bergson’s philosophy of subjective time. It argues that Schoenberg’s early concept of developing variation resonates with Bergson’s duration in a way that enables us to shift the locus of developing variation from a musical object to a participant subject. It presents analytical readings of three pieces from Schoenberg’s Sechs kleine Klavierstüc…
On the interaction of alliteration with rhythm and metre in popular music
A number of scholars have written on characteristics of vocal melody in popular music, but little attention has been paid at the level of phonetic detail. This study argues that the phonetic structure of a melody can contribute in important ways to a song's reception and success, given the ways that listeners react and respond to vocalised melody. This article discusses different ways in which stressed syllables in familiar pop songs alliterate, …
Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins
What purpose does a jazz transcription serve? What is at stake in a jazz transcription? What is being represented and how? This article considers these questions, drawing from three independently-conceived transcriptions of the same jazz solo by tenor saxophonist Sonny Rollins. Following an introduction that situates our views of jazz transcription within the context of recent discourse on transcription and notation, we present our transcriptions…
On the interaction of alliteration with rhythm and metre in popular music
A number of scholars have written on characteristics of vocal melody in popular music, but little attention has been paid at the level of phonetic detail. This study argues that the phonetic structure of a melody can contribute in important ways to a song's reception and success, given the ways that listeners react and respond to vocalised melody. This article discusses different ways in which stressed syllables in familiar pop songs alliterate, …
On Duration and Developing Variation: The Intersecting Ideologies of Henri Bergson and Arnold Schoenberg
This article takes a close look at the concept of duration ( durée ), an idea that is central to Henri Bergson’s philosophy of subjective time. It argues that Schoenberg’s early concept of developing variation resonates with Bergson’s duration in a way that enables us to shift the locus of developing variation from a musical object to a participant subject. It presents analytical readings of three pieces from Schoenberg’s Sechs kleine Klavierstüc…
On the interaction of alliteration with rhythm and metre in popular music
A number of scholars have written on characteristics of vocal melody in popular music, but little attention has been paid at the level of phonetic detail. This study argues that the phonetic structure of a melody can contribute in important ways to a song's reception and success, given the ways that listeners react and respond to vocalised melody. This article discusses different ways in which stressed syllables in familiar pop songs alliterate, …
On Duration and Developing Variation: The Intersecting Ideologies of Henri Bergson and Arnold Schoenberg
This article takes a close look at the concept of duration ( durée ), an idea that is central to Henri Bergson’s philosophy of subjective time. It argues that Schoenberg’s early concept of developing variation resonates with Bergson’s duration in a way that enables us to shift the locus of developing variation from a musical object to a participant subject. It presents analytical readings of three pieces from Schoenberg’s Sechs kleine Klavierstüc…
Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins
What purpose does a jazz transcription serve? What is at stake in a jazz transcription? What is being represented and how? This article considers these questions, drawing from three independently-conceived transcriptions of the same jazz solo by tenor saxophonist Sonny Rollins. Following an introduction that situates our views of jazz transcription within the context of recent discourse on transcription and notation, we present our transcriptions…
Art (2 works) · Linguistics (2 works) · Literature (2 works) · Music History and Culture (2 works) · Music Technology and Sound Studies (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Alliteration (1 works) · Communication (1 works)