André Doehring
Biographic Data
| ID | 1602911 |
|---|---|
| NAME | André Doehring |
| GIVEN NAMES | André |
| FAMILY NAME | Doehring |
| SIGNATURE | DOEHRING A |
| AFFILIATIONS | University of Music and Performing Arts Graz |
| ORCID | 0000-0001-7320-3050 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 25 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Songs of tractors and submission
Our article addresses the connection between popular music and far-right populism, as exemplified by the Freedom Party of Austria (Freiheitliche Partei Österreichs, FPÖ). We discuss the specific mainstreaming and normalizing potential of popular music for far-right populist politics, by means of songs that do not qualify as political or politicized music in the sense of carrying a clear political message. We introduce a multi-step methodology tha…
Song Interpretation in 21st-Century Pop Music
Contents: Introduction, Ralf von Appen, Andre Doehring, Dietrich Helms, Allan F. Moore. Part I Listening Alone: Death cab for Cutie's 'I will follow you into the dark' as exemplar of conven-tional tonal behaviour in recent rock music, Walter Everett Ear candy: what makes Ke$ha's 'Tik Tok' tick?, Ralf von Appen Metrical ambiguity or microrhythmic flexibility? Analysing groove in 'Nasty Girl' by Destiny's Child, Anne Danielsen Pragmatic 'Poker Face…
Pop zwischen Historismus und Geschichtslosigkeit. Kanonbildungen in der populären Musik
Nevermind The Beatles, here's Exile 61 and Nico
For this article the authors analysed thirty-eight lists of 'The 100 greatest albums of all time' type. As the findings demonstrate, a canon of popular music has evolved which shows strong tendencies towards stability in featuring albums from the late 1960s (especially those by The Beatles), while only a few albums from the 1990s have gained 'classic' status. The canon's contents and exclusions are explained by the social dispositions of the part…
Nevermind The Beatles, here's Exile 61 and Nico
For this article the authors analysed thirty-eight lists of 'The 100 greatest albums of all time' type. As the findings demonstrate, a canon of popular music has evolved which shows strong tendencies towards stability in featuring albums from the late 1960s (especially those by The Beatles), while only a few albums from the 1990s have gained 'classic' status. The canon's contents and exclusions are explained by the social dispositions of the part…
Songs of tractors and submission
Our article addresses the connection between popular music and far-right populism, as exemplified by the Freedom Party of Austria (Freiheitliche Partei Österreichs, FPÖ). We discuss the specific mainstreaming and normalizing potential of popular music for far-right populist politics, by means of songs that do not qualify as political or politicized music in the sense of carrying a clear political message. We introduce a multi-step methodology tha…
Nevermind The Beatles, here's Exile 61 and Nico
For this article the authors analysed thirty-eight lists of 'The 100 greatest albums of all time' type. As the findings demonstrate, a canon of popular music has evolved which shows strong tendencies towards stability in featuring albums from the late 1960s (especially those by The Beatles), while only a few albums from the 1990s have gained 'classic' status. The canon's contents and exclusions are explained by the social dispositions of the part…
Pop zwischen Historismus und Geschichtslosigkeit. Kanonbildungen in der populären Musik
Song Interpretation in 21st-Century Pop Music
Contents: Introduction, Ralf von Appen, Andre Doehring, Dietrich Helms, Allan F. Moore. Part I Listening Alone: Death cab for Cutie's 'I will follow you into the dark' as exemplar of conven-tional tonal behaviour in recent rock music, Walter Everett Ear candy: what makes Ke$ha's 'Tik Tok' tick?, Ralf von Appen Metrical ambiguity or microrhythmic flexibility? Analysing groove in 'Nasty Girl' by Destiny's Child, Anne Danielsen Pragmatic 'Poker Face…
Songs of tractors and submission
Our article addresses the connection between popular music and far-right populism, as exemplified by the Freedom Party of Austria (Freiheitliche Partei Österreichs, FPÖ). We discuss the specific mainstreaming and normalizing potential of popular music for far-right populist politics, by means of songs that do not qualify as political or politicized music in the sense of carrying a clear political message. We introduce a multi-step methodology tha…
Art (4 works) · Music History and Culture (4 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Diverse Musicological Studies (2 works) · History (2 works) · Philosophy (2 works) · Social and Cultural Dynamics (2 works) · Sociology (2 works)