Ágnes Patakfalvi-Czirják
Biographic Data
| ID | 1602967 |
|---|---|
| NAME | Ágnes Patakfalvi-Czirják |
| GIVEN NAMES | Ágnes |
| FAMILY NAME | Patakfalvi-Czirják |
| SIGNATURE | PATAKFALVI-CZIRJÁK Á |
| AFFILIATIONS | Budapest University of Technology and Economics |
| ORCID | 0000-0002-2561-5947 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
We are of one blood”: Hungarian popular music, nationalism and the trajectory of the song “Nélküled” through radicalization, folklorization and consecration
This paper addresses the relationship between popular music, nationalism and political power in a local context through the case of Hungary. Through the combination of musicological group analysis, fieldwork, interviews and media analysis, we follow the trajectory of the song “Nélküled” (Ismerős Arcok 2007 Ismerős Arcok.2007. “Nélküled,” Track 14 on Éberálom, Compact Disc. IA 004. [Google Scholar]) between 2007 and 2021 through its changing music…
The 'System of National Cooperation' hit factory: The aesthetic of Hungarian government-commissioned songs between 2010 and 2020
This article addresses the relationship between popular music and populism through three government-commissioned songs, produced for occasions of national remembering during the post-2010 Orbán regime in Hungary, namely 'Barackfa' (2013), 'Egy szabad országért' (2016) and 'Hazám, hazám' (2020). All three songs are one-off collaborations of artists representing various music genres. We ask, firstly, what aesthetic forms make these songs potentiall…
The 'System of National Cooperation' hit factory: The aesthetic of Hungarian government-commissioned songs between 2010 and 2020
This article addresses the relationship between popular music and populism through three government-commissioned songs, produced for occasions of national remembering during the post-2010 Orbán regime in Hungary, namely 'Barackfa' (2013), 'Egy szabad országért' (2016) and 'Hazám, hazám' (2020). All three songs are one-off collaborations of artists representing various music genres. We ask, firstly, what aesthetic forms make these songs potentiall…
We are of one blood”: Hungarian popular music, nationalism and the trajectory of the song “Nélküled” through radicalization, folklorization and consecration
This paper addresses the relationship between popular music, nationalism and political power in a local context through the case of Hungary. Through the combination of musicological group analysis, fieldwork, interviews and media analysis, we follow the trajectory of the song “Nélküled” (Ismerős Arcok 2007 Ismerős Arcok.2007. “Nélküled,” Track 14 on Éberálom, Compact Disc. IA 004. [Google Scholar]) between 2007 and 2021 through its changing music…
The 'System of National Cooperation' hit factory: The aesthetic of Hungarian government-commissioned songs between 2010 and 2020
This article addresses the relationship between popular music and populism through three government-commissioned songs, produced for occasions of national remembering during the post-2010 Orbán regime in Hungary, namely 'Barackfa' (2013), 'Egy szabad országért' (2016) and 'Hazám, hazám' (2020). All three songs are one-off collaborations of artists representing various music genres. We ask, firstly, what aesthetic forms make these songs potentiall…
Art (2 works) · Asian Culture and Media Studies (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works) · Music History and Culture (2 works) · Political science (2 works) · Popular music (2 works)