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Kai Ginkel

Biographic Data

ID1603044
NAMEKai Ginkel
GIVEN NAMESKai
FAMILY NAMEGinkel
SIGNATUREGINKEL K
AFFILIATIONSUniversity of Music and Performing Arts Graz
ORCID0000-0002-9850-640X
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Ethnosonographie

    Open Access•Kai Ginkel•CHAPTER•Handbuch Soziologische Ethnographie•2022

  • Songs of tractors and submission

    Open Access•André Doehring, Kai Ginkel•ARTICLE•Popular Music•2022•Cited by: 3•References: 17

    Our article addresses the connection between popular music and far-right populism, as exemplified by the Freedom Party of Austria (Freiheitliche Partei Österreichs, FPÖ). We discuss the specific mainstreaming and normalizing potential of popular music for far-right populist politics, by means of songs that do not qualify as political or politicized music in the sense of carrying a clear political message. We introduce a multi-step methodology tha…

  • Making Sense of Noise

    Open Access•Kai Ginkel•CHAPTER•Methodological Reflections on…•2017

  • Songs of tractors and submission

    Open Access•André Doehring, Kai Ginkel•ARTICLE•Popular Music•2022•Cited by: 3•References: 17

    Our article addresses the connection between popular music and far-right populism, as exemplified by the Freedom Party of Austria (Freiheitliche Partei Österreichs, FPÖ). We discuss the specific mainstreaming and normalizing potential of popular music for far-right populist politics, by means of songs that do not qualify as political or politicized music in the sense of carrying a clear political message. We introduce a multi-step methodology tha…

  • Making Sense of Noise

    Open Access•Kai Ginkel•CHAPTER•Methodological Reflections on…•2017

  • Ethnosonographie

    Open Access•Kai Ginkel•CHAPTER•Handbuch Soziologische Ethnographie•2022

  • Songs of tractors and submission

    Open Access•André Doehring, Kai Ginkel•ARTICLE•Popular Music•2022•Cited by: 3•References: 17

    Our article addresses the connection between popular music and far-right populism, as exemplified by the Freedom Party of Austria (Freiheitliche Partei Österreichs, FPÖ). We discuss the specific mainstreaming and normalizing potential of popular music for far-right populist politics, by means of songs that do not qualify as political or politicized music in the sense of carrying a clear political message. We introduce a multi-step methodology tha…

Aesthetics (2 works) · Art (2 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · Music History and Culture (2 works) · Sociology (2 works) · Acoustics (1 work) · Active listening (1 work) · Ambivalence (1 work) · Anthropological Studies and Insights (1 work)

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