Eirik Askeroi
Biographic Data
| ID | 1603082 |
|---|---|
| NAME | Eirik Askeroi |
| GIVEN NAMES | Eirik |
| FAMILY NAME | Askeroi |
| SIGNATURE | ASKEROI E |
| AFFILIATIONS | University of Inland Norway |
| ORCID | 0000-0001-5432-4957 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Transmissions
Situated within the field of popular musicology, this article sets out to explore the formation of Joy Division’s characteristic sound along three lines of enquiry. Firstly, I investigate the contextual framework through which the tale of Joy Division was shaped focusing specifically on their music’s apparent relation to Manchester. Secondly, building on this contextual framework, I examine various aspects of the band’s production aesthetics. Pro…
Jøran Rudi
Who is Beck? Sonic markers as a compositional tool in pop production
Throughout the history of music recording, the use of certain technologies and instruments has left distinctive marks on recordings - marks that imply an intrinsic relationship between an era and a sound. At the same time, producers and artists have taken advantage of this relationship, constructing and otherwise exploiting what I have elsewhere conceptualised as sonic markers. This study explores how Beck's use of sound as a compositional tool c…
No prominent works on this page.
Who is Beck? Sonic markers as a compositional tool in pop production
Throughout the history of music recording, the use of certain technologies and instruments has left distinctive marks on recordings - marks that imply an intrinsic relationship between an era and a sound. At the same time, producers and artists have taken advantage of this relationship, constructing and otherwise exploiting what I have elsewhere conceptualised as sonic markers. This study explores how Beck's use of sound as a compositional tool c…
Jøran Rudi
Transmissions
Situated within the field of popular musicology, this article sets out to explore the formation of Joy Division’s characteristic sound along three lines of enquiry. Firstly, I investigate the contextual framework through which the tale of Joy Division was shaped focusing specifically on their music’s apparent relation to Manchester. Secondly, building on this contextual framework, I examine various aspects of the band’s production aesthetics. Pro…
Acoustics (2 works) · Aesthetics (2 works) · Art (2 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · Music History and Culture (2 works) · Visual arts (2 works) · Appropriation (1 work) · Computer network (1 work) · Electroacoustic music (1 work)