Natchapol Sirisawad
Biographic Data
| ID | 1608238 |
|---|---|
| NAME | Natchapol Sirisawad |
| GIVEN NAMES | Natchapol |
| FAMILY NAME | Sirisawad |
| SIGNATURE | SIRISAWAD N |
| AFFILIATIONS | Chulalongkorn University |
| ORCID | 0000-0002-4780-9363 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Female Leadership and Lay Moral Agency in Thai Buddhism: The Knowing Buddha Organization and Soteriological Inclusivity
While laypeople have historically held supportive roles in Thai Buddhism, the authority to interpret Dhamma and represent spiritual attainment has traditionally resided with ordained monks. Wider recognition of Thai female practitioners and public veneration of their spiritual claims has been limited. This study analyzes a contemporary female lay leader, Acharavadee Wongsakon, founder of the Knowing Buddha Organization (KBO), who publicly proclai…
The Sāvatthī Miracles on Painted Wooden Panels in Siam
The Offering of Begging Bowls by the Four Lokapālas: Its Literary and Visual Representations in South Asia
This research paper aims to analyze a selection of visual representations regarding the offering of begging bowls to the Buddha by the four Lokapālas and their relationship to literary sources in South Asian art and discuss the significance of the story. This article reveals that these representations have always been popular in Gandhāra. The important components of this story relevant to the depictions include (1) the tree where the Buddha sat, …
Defining a Meṇḍaka Question in the Questions of Milinda and Its Commentarial Texts
The Śrāvastī Miracles: Some Relationships Between their Literary Sources and Visual Representations in Dvāravatī
The Śrāvastī miracles are among the Buddha’s principal miracles and could even be considered the prototypical Buddhist miracle stories. The narrative of these miracles is preserved in a variety of languages in different versions and is represented in the visual art of ancient India, Central Asia, as well as Southeast Asia. The objective of this study is to reexamine the visual representations of the Śrāvastī miracles found in the period of Dvārav…
Significance of the Śrāvastī Miracles According to Buddhist Texts and Dvāravatī Artefacts
The story of the Śrāvastī miracles is one episode of the Buddha's biography that is depicted in the art forms of Dvāravatī from about the 7th to the 11th centuries CE. The fact that many artefacts were produced-in such variety, over such a long period, and at so many sites-shows the popularity of the scene of the Śrāvastī miracles in the Dvāravatī culture. The objective of this research paper is to analyze the significance of the story of the Śrā…
The Relationship Between Buddhism and Indigenous Beliefs and People as Reflected in the Names of Lokapālas in Early Buddhist Literature
The purpose of this article is to analyze aspects of the relationship between Buddhism, indigenous beliefs and people through the names of lokapālas in early Buddhist literature, and especially the names of the three great kings, Dhataraṭṭha, Virūḷha (or Virūḷhaka), and Virūpakkha. The study revealed that the name of the three great kings, Dhataraṭṭha, Virūḷha (or Virūḷhaka), and Virūpakkha, may reflect traces of earlier or contemporaneous indige…
Defining a Meṇḍaka Question in the Questions of Milinda and Its Commentarial Texts
The Śrāvastī Miracles: Some Relationships Between their Literary Sources and Visual Representations in Dvāravatī
The Śrāvastī miracles are among the Buddha’s principal miracles and could even be considered the prototypical Buddhist miracle stories. The narrative of these miracles is preserved in a variety of languages in different versions and is represented in the visual art of ancient India, Central Asia, as well as Southeast Asia. The objective of this study is to reexamine the visual representations of the Śrāvastī miracles found in the period of Dvārav…
The Relationship Between Buddhism and Indigenous Beliefs and People as Reflected in the Names of Lokapālas in Early Buddhist Literature
The purpose of this article is to analyze aspects of the relationship between Buddhism, indigenous beliefs and people through the names of lokapālas in early Buddhist literature, and especially the names of the three great kings, Dhataraṭṭha, Virūḷha (or Virūḷhaka), and Virūpakkha. The study revealed that the name of the three great kings, Dhataraṭṭha, Virūḷha (or Virūḷhaka), and Virūpakkha, may reflect traces of earlier or contemporaneous indige…
The Śrāvastī Miracles: Some Relationships Between their Literary Sources and Visual Representations in Dvāravatī
The Śrāvastī miracles are among the Buddha’s principal miracles and could even be considered the prototypical Buddhist miracle stories. The narrative of these miracles is preserved in a variety of languages in different versions and is represented in the visual art of ancient India, Central Asia, as well as Southeast Asia. The objective of this study is to reexamine the visual representations of the Śrāvastī miracles found in the period of Dvārav…
Significance of the Śrāvastī Miracles According to Buddhist Texts and Dvāravatī Artefacts
The story of the Śrāvastī miracles is one episode of the Buddha's biography that is depicted in the art forms of Dvāravatī from about the 7th to the 11th centuries CE. The fact that many artefacts were produced-in such variety, over such a long period, and at so many sites-shows the popularity of the scene of the Śrāvastī miracles in the Dvāravatī culture. The objective of this research paper is to analyze the significance of the story of the Śrā…
The Offering of Begging Bowls by the Four Lokapālas: Its Literary and Visual Representations in South Asia
This research paper aims to analyze a selection of visual representations regarding the offering of begging bowls to the Buddha by the four Lokapālas and their relationship to literary sources in South Asian art and discuss the significance of the story. This article reveals that these representations have always been popular in Gandhāra. The important components of this story relevant to the depictions include (1) the tree where the Buddha sat, …
Defining a Meṇḍaka Question in the Questions of Milinda and Its Commentarial Texts
Female Leadership and Lay Moral Agency in Thai Buddhism: The Knowing Buddha Organization and Soteriological Inclusivity
While laypeople have historically held supportive roles in Thai Buddhism, the authority to interpret Dhamma and represent spiritual attainment has traditionally resided with ordained monks. Wider recognition of Thai female practitioners and public veneration of their spiritual claims has been limited. This study analyzes a contemporary female lay leader, Acharavadee Wongsakon, founder of the Knowing Buddha Organization (KBO), who publicly proclai…
The Sāvatthī Miracles on Painted Wooden Panels in Siam
Indian and Buddhist Studies (7 works) · Buddhism (5 works) · Philosophy (5 works) · Gautama Buddha (4 works) · History (4 works) · Theology (4 works) · Archaeology (3 works) · Art (3 works) · Eurasian Exchange Networks (3 works) · Literature (3 works)