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Michael Tomko

Biographic Data

ID1608701
NAMEMichael Tomko
GIVEN NAMESMichael
FAMILY NAMETomko
SIGNATURETOMKO M
AFFILIATIONSVillanova University
ORCID0000-0002-3641-5430
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS2
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Shelley's Unknown Eros

    Open Access•Michael Tomko•ARTICLE•Religions•2016•References: 17

    Whether Percy Bysshe Shelley's Epipsychidion-a Platonic poem on love addressed to the patriarchally imprisoned Theresa Viviani or "Emily"-receives praise or blame has generally been determined by two focal passages: a secular sermon on free love and a planetary allegorical thinly veiling his own imbroglio. This essay re-reads Shelley's 1821 work drawing on two recent arguments: Stuart Curran's Dantean call to take the poem's Florentine narrator s…

  • Forgiving Wordsworth

    Open Access•Michael Tomko•ARTICLE•Literature Compass•2014•References: 4

    This paper investigates the role of Romantic forgiveness in the poetics of Leigh Hunt amid the often turbulent interaction between the first and second generations of British Romantics over politics, culture, and religion. While recent studies of the “Hunt Circle” or “Cockney Circle” by Jeffrey Cox, Charles Mahoney, and others have recovered the combative edge of Hunt's literary and political relationship with “apostate” poets such as William Wor…

  • Shelley’s Conflicted Campaign for Catholic Emancipation

    Open Access•Michael Tomko•CHAPTER•British Romanticism and the…•2011

    While Wordsworth turned to Britain’s past as a recoverable resource, Shelley, in his 1821 ‘Defence of Poetry’, amalgamates history with all that is regressive: the corporeal, the local, the specific and the traditional. The rejection of the past, however, presents a problem for this radical proponent of Catholic Emancipation, which itself promised to recall the banished historical ‘papist’ back into modern civil society – a seemingly regressive g…

  • British Romanticism and the Catholic Question

    Open Access•Michael Tomko•BOOK•British Romanticism and the…•2010•Cited by: 1

    List of Illustrations Acknowledgements List of Abbreviations Introduction: The Spirits of the Age The Purgatorial Politics of the Catholic Question History, Sympathy, and Sectarianism in Elizabeth Inchbald's A Simple Story Wordsworth and Superstition Shelley's Conflicted Campaign for Catholic Emancipation Scott's Ivanhoe and the Saxon Question Conclusion: 'The Anxious Hour'- England in 1829 Works Cited Notes Index

  • Politics, Performance, and Coleridge's ?Suspension of Disbelief

    Michael Tomko•ARTICLE•Victorian Studies•2007•Cited by: 1•References: 1

    This essay brings Samuel Taylor Coleridge's critical writing into dialogue with his theological thought in order to argue for a latent theory of engaged but critical reception of dramatic performance in Coleridge's famous phrase "the willing suspension of disbelief for the moment, which constitutes poetic faith" from Book XIV of the Biographia Literaria. However, the politics and social strife surrounding the romantic stage render Coleridge's the…

  • British Romanticism and the Catholic Question

    Open Access•Michael Tomko•BOOK•British Romanticism and the…•2010•Cited by: 1

    List of Illustrations Acknowledgements List of Abbreviations Introduction: The Spirits of the Age The Purgatorial Politics of the Catholic Question History, Sympathy, and Sectarianism in Elizabeth Inchbald's A Simple Story Wordsworth and Superstition Shelley's Conflicted Campaign for Catholic Emancipation Scott's Ivanhoe and the Saxon Question Conclusion: 'The Anxious Hour'- England in 1829 Works Cited Notes Index

  • Politics, Performance, and Coleridge's ?Suspension of Disbelief

    Michael Tomko•ARTICLE•Victorian Studies•2007•Cited by: 1•References: 1

    This essay brings Samuel Taylor Coleridge's critical writing into dialogue with his theological thought in order to argue for a latent theory of engaged but critical reception of dramatic performance in Coleridge's famous phrase "the willing suspension of disbelief for the moment, which constitutes poetic faith" from Book XIV of the Biographia Literaria. However, the politics and social strife surrounding the romantic stage render Coleridge's the…

  • Politics, Performance, and Coleridge's ?Suspension of Disbelief

    Michael Tomko•ARTICLE•Victorian Studies•2007•Cited by: 1•References: 1

    This essay brings Samuel Taylor Coleridge's critical writing into dialogue with his theological thought in order to argue for a latent theory of engaged but critical reception of dramatic performance in Coleridge's famous phrase "the willing suspension of disbelief for the moment, which constitutes poetic faith" from Book XIV of the Biographia Literaria. However, the politics and social strife surrounding the romantic stage render Coleridge's the…

  • British Romanticism and the Catholic Question

    Open Access•Michael Tomko•BOOK•British Romanticism and the…•2010•Cited by: 1

    List of Illustrations Acknowledgements List of Abbreviations Introduction: The Spirits of the Age The Purgatorial Politics of the Catholic Question History, Sympathy, and Sectarianism in Elizabeth Inchbald's A Simple Story Wordsworth and Superstition Shelley's Conflicted Campaign for Catholic Emancipation Scott's Ivanhoe and the Saxon Question Conclusion: 'The Anxious Hour'- England in 1829 Works Cited Notes Index

  • Shelley’s Conflicted Campaign for Catholic Emancipation

    Open Access•Michael Tomko•CHAPTER•British Romanticism and the…•2011

    While Wordsworth turned to Britain’s past as a recoverable resource, Shelley, in his 1821 ‘Defence of Poetry’, amalgamates history with all that is regressive: the corporeal, the local, the specific and the traditional. The rejection of the past, however, presents a problem for this radical proponent of Catholic Emancipation, which itself promised to recall the banished historical ‘papist’ back into modern civil society – a seemingly regressive g…

  • Forgiving Wordsworth

    Open Access•Michael Tomko•ARTICLE•Literature Compass•2014•References: 4

    This paper investigates the role of Romantic forgiveness in the poetics of Leigh Hunt amid the often turbulent interaction between the first and second generations of British Romantics over politics, culture, and religion. While recent studies of the “Hunt Circle” or “Cockney Circle” by Jeffrey Cox, Charles Mahoney, and others have recovered the combative edge of Hunt's literary and political relationship with “apostate” poets such as William Wor…

  • Shelley's Unknown Eros

    Open Access•Michael Tomko•ARTICLE•Religions•2016•References: 17

    Whether Percy Bysshe Shelley's Epipsychidion-a Platonic poem on love addressed to the patriarchally imprisoned Theresa Viviani or "Emily"-receives praise or blame has generally been determined by two focal passages: a secular sermon on free love and a planetary allegorical thinly veiling his own imbroglio. This essay re-reads Shelley's 1821 work drawing on two recent arguments: Stuart Curran's Dantean call to take the poem's Florentine narrator s…

Art (5 works) · Literature (5 works) · Law (4 works) · Philosophy (4 works) · Politics (4 works) · History (3 works) · Law (3 works) · Poetry (3 works) · Political science (3 works) · Theology (3 works)

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