Ian Bent
Biographic Data
| ID | 1609259 |
|---|---|
| NAME | Ian Bent |
| GIVEN NAMES | Ian |
| FAMILY NAME | Bent |
| SIGNATURE | BENT I |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 25 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Schenker and Bach's French Suite in E major
The Oster Collection in the New York Public Library has some 43 documents, comprising 83 written pages of fragmentary jottings, analytical sketches and full‐scale layered voice‐leading graphs, relating to J. S. Bach's French Suite No. 6 in E major – all of which are tabulated and briefly described here. Schenker's analytical work on the middleground structures of its eight movements, in which descending linear progressions and the technique of re…
The Problem of Harmonic Dualism
This article presents a key text in the transition of Riemann's argument from earlier theories and mature, psychological work. As a reference, the article also forms a link back to historical contexts already explored, and this article invokes figures such as Georg Capellen and Arthur von Oettingen—Riemann's contemporaries. In this article, Riemann is shown to summarize for one last time, the scope and ambitions of his dualistic theory and, impli…
Gennrich, Friedrich
Dart, (Robert) Thurston
Repertory
Hildegard of Bingen
Theory, theorists
Analysis
Hermeneutics
Notation
Music Analysis in the Nineteenth Century. Vol. 1
Here Be Monsters
The Art of Translating Schenker
Music Analysis in the Nineteenth Century
In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented nineteen analyses of a technical nature, all the writing here involves a metaphorical style of verbalised de…
Music Analysis in the Nineteenth Century
Analysis
Heinrich Schenker, Chopin and Domenico Scarlatti
The 'Compositional Process' in Music Theory 1713-1850
Analysis,' The New Grove Dictionary of Music and Musicians
Computer Applications in Musicology
Jeux
Notre Dame
Music from the Time of Boccaccio's Decameron
Music of the Middle Ages and the Renaissance
Penn State Series
The English Chapel Royal Before 1300
Until quite recently music historians thought that the Chapel Royal was founded in the fifteenth century. In 1895, Henry Davey wrote: ‘We may ... date the rise of English music about 1400–20, and suppose that a Chapel Royal was first set up by Henry IV or Henry V’. Since then, much pioneering archive work has been done by Mr. John Harvey, Dr. Frank Harrison and Dr. Brian Trowell. It was Grattan Flood who, in 1924, first revealed to musical schola…
Penn State Series
Music of the Middle Ages and the Renaissance
Music from the Time of Boccaccio's Decameron
Notre Dame
Jeux
Computer Applications in Musicology
Analysis,' The New Grove Dictionary of Music and Musicians
The 'Compositional Process' in Music Theory 1713-1850
Heinrich Schenker, Chopin and Domenico Scarlatti
Analysis
Music Analysis in the Nineteenth Century
In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented nineteen analyses of a technical nature, all the writing here involves a metaphorical style of verbalised de…
Music Analysis in the Nineteenth Century
The Art of Translating Schenker
Here Be Monsters
Music Analysis in the Nineteenth Century. Vol. 1
Gennrich, Friedrich
Dart, (Robert) Thurston
Repertory
Hildegard of Bingen
Theory, theorists
Analysis
Hermeneutics
Notation
The Problem of Harmonic Dualism
This article presents a key text in the transition of Riemann's argument from earlier theories and mature, psychological work. As a reference, the article also forms a link back to historical contexts already explored, and this article invokes figures such as Georg Capellen and Arthur von Oettingen—Riemann's contemporaries. In this article, Riemann is shown to summarize for one last time, the scope and ambitions of his dualistic theory and, impli…
Art (16 works) · Computer Science (13 works) · Musicology and Musical Analysis (9 works) · Diverse Musicological Studies (6 works) · Literature (4 works) · Mathematics (4 works) · Visual arts (4 works) · Art history (3 works) · Epistemology (3 works) · History (3 works)