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Vasilis Kallis

Biographic Data

ID1609260
NAMEVasilis Kallis
GIVEN NAMESVasilis
FAMILY NAMEKallis
SIGNATUREKALLIS V
ORCID0000-0001-9972-1489
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Pitch Organisation in Scriabin's Tenth Sonata

    Open Access•Vasilis Kallis•ARTICLE•Music Analysis•2015•Cited by: 3•References: 14

    In the Tenth Sonata, Op. 70, Scriabin introduces two new scales into his repository of pitch material, the hexatonic and the hyper-hexatonic. His approach to the organisation of pitch remains fixed on the interaction between scales (non-diatonic modes) via specific variable scale degrees. In the Sonata, the newly introduced hyper-hexatonic scale interacts with the acoustic-octatonic scale (the union of the two scales - acoustic and octatonic - th…

  • Michaelides, Solon

    Vasilis Kallis•CHAPTER•The new Grove dictionary of music…•2001

  • Cyprus

    Nicoletta Demetriou, Vasilis Kallis et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Pitch Organisation in Scriabin's Tenth Sonata

    Open Access•Vasilis Kallis•ARTICLE•Music Analysis•2015•Cited by: 3•References: 14

    In the Tenth Sonata, Op. 70, Scriabin introduces two new scales into his repository of pitch material, the hexatonic and the hyper-hexatonic. His approach to the organisation of pitch remains fixed on the interaction between scales (non-diatonic modes) via specific variable scale degrees. In the Sonata, the newly introduced hyper-hexatonic scale interacts with the acoustic-octatonic scale (the union of the two scales - acoustic and octatonic - th…

  • Michaelides, Solon

    Vasilis Kallis•CHAPTER•The new Grove dictionary of music…•2001

  • Cyprus

    Nicoletta Demetriou, Vasilis Kallis et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Pitch Organisation in Scriabin's Tenth Sonata

    Open Access•Vasilis Kallis•ARTICLE•Music Analysis•2015•Cited by: 3•References: 14

    In the Tenth Sonata, Op. 70, Scriabin introduces two new scales into his repository of pitch material, the hexatonic and the hyper-hexatonic. His approach to the organisation of pitch remains fixed on the interaction between scales (non-diatonic modes) via specific variable scale degrees. In the Sonata, the newly introduced hyper-hexatonic scale interacts with the acoustic-octatonic scale (the union of the two scales - acoustic and octatonic - th…

Acoustics (1 work) · Archaeology and Historical Studies (1 work) · Chromatic scale (1 work) · Classical Antiquity Studies (1 work) · Computer Science (1 work) · Cyprus History, Politics, Society (1 work) · Geography (1 work) · Historical, Religious, and Philosophical Studies (1 work) · Music Technology and Sound Studies (1 work) · Musicology and Musical Analysis (1 work)

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