Eric Wen
Biographic Data
| ID | 1609297 |
|---|---|
| NAME | Eric Wen |
| GIVEN NAMES | Eric |
| FAMILY NAME | Wen |
| SIGNATURE | WEN E |
| AFFILIATIONS | Curtis Institute of Music |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
Commentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music
I would like to address an analytic idea proposed by Samuel Ng in his review of Peter Smith's monograph on Brahms's Piano Quartet No. 3 in C minor. In his discussion of the opening of the first movement, Ng takes issue with Smith's reading of the G-major chord in bar 21 as the dominant. Instead, he says that the appearance of this chord comes as an unexpected surprise. Not only does he call it "the first striking harmonic event of the piece," but…
More on Sharp 4 to Natural 4
A Tritone Key Relationship
A Disguised Reminiscence in the First Movement of Mozart's G Minor Symphony
A Disguised Reminiscence in the First Movement of Mozart's G Minor Symphony
A Tritone Key Relationship
More on Sharp 4 to Natural 4
Commentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music
I would like to address an analytic idea proposed by Samuel Ng in his review of Peter Smith's monograph on Brahms's Piano Quartet No. 3 in C minor. In his discussion of the opening of the first movement, Ng takes issue with Smith's reading of the G-major chord in bar 21 as the dominant. Instead, he says that the appearance of this chord comes as an unexpected surprise. Not only does he call it "the first striking harmonic event of the piece," but…
Art (4 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Symphony (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · MOZART (2 works) · Psychology (2 works) · Advanced Algebra and Logic (1 work)