Orit Hilewicz
Biographic Data
| ID | 1609345 |
|---|---|
| NAME | Orit Hilewicz |
| GIVEN NAMES | Orit |
| FAMILY NAME | Hilewicz |
| SIGNATURE | HILEWICZ O |
| AFFILIATIONS | Eastman School of Music |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Experiencing Physical Spaces through Musical Agency in Caroline Shaw's Plan and Elevation and Morton Feldman's Rothko Chapel
Within the discourse on the arts, architecture holds a special place as the most musical of art forms. Critics observed that architectural metaphors such as space, structure and proportion are ubiquitous in music discourse, noting the arts forms’ shared capacity for shaping one's experience of time. This study identifies a strategy for expressing relationships between musical works and physical structures used in two recent compositions that invi…
Schoenberg's Cinematographic Blueprint: A Programmatic Analysis ofBegleitungsmusik zu einer Lichtspielscene(1929-1930)
This study examines Arnold Schoenberg's only published music for film,Begleitungsmusik zu einer Lichtspielscene[Accompaniment to a Film Scene], op. 34 (1929-30). Although not composed for an existing film scene, evidence ofBegleitungsmusik's cinematic aspirations motivate this analysis, which approaches the composition as a cinematographic blueprint: a design (or program) for a scene that at the same time serves as its soundtrack. To examine this…
Reciprocal Interpretations of Music and Painting: Representation Types in Schuller, Tan, and Davies after Paul Klee
In this paper, I explore ways in which three compositions-Gunther Schuller'sSeven Studies on Themes of Paul Klee(1959), Peter Maxwell Davies'sFive Klee Pictures(1959/1976), and Tan Dun'sDeath and Fire(1992)-lead a listener-observer to understand Paul Klee's paintingDie Zwitschermachine[The Twittering Machine] (1922) not only as influencing music composition but as one whose reception is influencedbycomposition as interpretation. I rely on concept…
Schoenberg's Cinematographic Blueprint: A Programmatic Analysis ofBegleitungsmusik zu einer Lichtspielscene(1929-1930)
This study examines Arnold Schoenberg's only published music for film,Begleitungsmusik zu einer Lichtspielscene[Accompaniment to a Film Scene], op. 34 (1929-30). Although not composed for an existing film scene, evidence ofBegleitungsmusik's cinematic aspirations motivate this analysis, which approaches the composition as a cinematographic blueprint: a design (or program) for a scene that at the same time serves as its soundtrack. To examine this…
Reciprocal Interpretations of Music and Painting: Representation Types in Schuller, Tan, and Davies after Paul Klee
In this paper, I explore ways in which three compositions-Gunther Schuller'sSeven Studies on Themes of Paul Klee(1959), Peter Maxwell Davies'sFive Klee Pictures(1959/1976), and Tan Dun'sDeath and Fire(1992)-lead a listener-observer to understand Paul Klee's paintingDie Zwitschermachine[The Twittering Machine] (1922) not only as influencing music composition but as one whose reception is influencedbycomposition as interpretation. I rely on concept…
Schoenberg's Cinematographic Blueprint: A Programmatic Analysis ofBegleitungsmusik zu einer Lichtspielscene(1929-1930)
This study examines Arnold Schoenberg's only published music for film,Begleitungsmusik zu einer Lichtspielscene[Accompaniment to a Film Scene], op. 34 (1929-30). Although not composed for an existing film scene, evidence ofBegleitungsmusik's cinematic aspirations motivate this analysis, which approaches the composition as a cinematographic blueprint: a design (or program) for a scene that at the same time serves as its soundtrack. To examine this…
Experiencing Physical Spaces through Musical Agency in Caroline Shaw's Plan and Elevation and Morton Feldman's Rothko Chapel
Within the discourse on the arts, architecture holds a special place as the most musical of art forms. Critics observed that architectural metaphors such as space, structure and proportion are ubiquitous in music discourse, noting the arts forms’ shared capacity for shaping one's experience of time. This study identifies a strategy for expressing relationships between musical works and physical structures used in two recent compositions that invi…
Art (3 works) · Visual arts (3 works) · Linguistics (2 works) · Literature (2 works) · Music and Audio Processing (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Philosophy (2 works) · Active listening (1 works) · Archaeology (1 works)