Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Yonatan Malin

Biographic Data

ID1609349
NAMEYonatan Malin
GIVEN NAMESYonatan
FAMILY NAMEMalin
SIGNATUREMALIN Y
AFFILIATIONSWesleyan University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS18
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Modes in Klezmer Music

    Open Access•Yonatan Malin, Daniel Shanahan•ARTICLE•Music Theory Online•2025

    This article investigates modal practice in Jewish instrumental music from Eastern Europe, now known as klezmer."Mode" in this context refers to the melodic behavior of a given repertoire, including idiomatic figures, melodic tendencies, properties of stability and instability, and modulation pathways.The question, then, is, how can we model all those features of modal behavior that klezmer musicians know intuitively from experience?Studies in mu…

  • Songs in Motion

    Yonatan Malin•BOOK•Songs in motion•2010•Cited by: 12

    Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, including songs for voice and piano by Fanny Hensel nee Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterized especi…

  • Metric Displacement Dissonance and Romantic Longing in the German Lied

    Open Access•Yonatan Malin•ARTICLE•Music Analysis•2006•Cited by: 6

    This article seeks to explore the hermeneutics of metric dissonance by examining the association between displacement or syncopation-type conflicts and Romantic longing (Sehnsucht) in the German Lied. It includes close readings of music-text relations in four specific songs: the 'Wandrers Nachtlied II' (Goethe/Schubert); 'Intermezzo' (Eichendorff/Schumann); 'Immer leiser wird mein Schlummer' (Lingg/Brahms); and 'Unterm Schutz' (George/Schoenberg)…

  • Songs in Motion

    Yonatan Malin•BOOK•Songs in motion•2010•Cited by: 12

    Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, including songs for voice and piano by Fanny Hensel nee Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterized especi…

  • Metric Displacement Dissonance and Romantic Longing in the German Lied

    Open Access•Yonatan Malin•ARTICLE•Music Analysis•2006•Cited by: 6

    This article seeks to explore the hermeneutics of metric dissonance by examining the association between displacement or syncopation-type conflicts and Romantic longing (Sehnsucht) in the German Lied. It includes close readings of music-text relations in four specific songs: the 'Wandrers Nachtlied II' (Goethe/Schubert); 'Intermezzo' (Eichendorff/Schumann); 'Immer leiser wird mein Schlummer' (Lingg/Brahms); and 'Unterm Schutz' (George/Schoenberg)…

  • Metric Displacement Dissonance and Romantic Longing in the German Lied

    Open Access•Yonatan Malin•ARTICLE•Music Analysis•2006•Cited by: 6

    This article seeks to explore the hermeneutics of metric dissonance by examining the association between displacement or syncopation-type conflicts and Romantic longing (Sehnsucht) in the German Lied. It includes close readings of music-text relations in four specific songs: the 'Wandrers Nachtlied II' (Goethe/Schubert); 'Intermezzo' (Eichendorff/Schumann); 'Immer leiser wird mein Schlummer' (Lingg/Brahms); and 'Unterm Schutz' (George/Schoenberg)…

  • Songs in Motion

    Yonatan Malin•BOOK•Songs in motion•2010•Cited by: 12

    Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, including songs for voice and piano by Fanny Hensel nee Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterized especi…

  • Modes in Klezmer Music

    Open Access•Yonatan Malin, Daniel Shanahan•ARTICLE•Music Theory Online•2025

    This article investigates modal practice in Jewish instrumental music from Eastern Europe, now known as klezmer."Mode" in this context refers to the melodic behavior of a given repertoire, including idiomatic figures, melodic tendencies, properties of stability and instability, and modulation pathways.The question, then, is, how can we model all those features of modal behavior that klezmer musicians know intuitively from experience?Studies in mu…

Diverse Musicological Studies (2 works) · Musicology and Musical Analysis (2 works) · 19th century (1 works) · Advertising (1 works) · Artificial Intelligence (1 works) · Business (1 works) · Communication (1 works) · Computer Science (1 works) · Diverse Music Education Insights (1 works) · Ethnomusicology (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae