Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

William Renwick

Biographic Data

ID1609350
NAMEWilliam Renwick
GIVEN NAMESWilliam
FAMILY NAMERenwick
SIGNATURERENWICK W
AFFILIATIONSVictoria University of Wellington
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS14
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1934
LATEST PUBLICATION YEAR1997
H-INDEX2
  • Bach and the 'Old' Musicology

    William Renwick, Daniel R Melamed et al.•ARTICLE•Music Analysis•1997

  • Analyzing Fugue

    Charles Burkhart, William Renwick•ARTICLE•Music Analysis•1997

  • Hidden Fugal Paths

    William Renwick•ARTICLE•Music Analysis•1995

    Throughout Schenker's discourse, fugue remains an almost impenetrable genre for analysis, owing to the unparalleled complexity of voice leading that characterises fugal texture in the hands of masters such as Bach and Handel. There have, however, been outstanding examples of fugal analysis from a Schenkerian perspective: in addition to three by Schenker, Carl Schachter's masterly study of Bach's B% Fugue from WTC I' demonstrates that Schenkerian …

  • A Subject of Four Notes”

    Open Access•William Renwick•ARTICLE•Music Theory Online•1994

    This paper discusses the circumstances that drew William Crotch into a highly specific and systematic compositional procedure, and describes how the severe material and procedural restrictions of his Introduction and Fugue on a Subject of Four Notes, no others being used all thro' the movement (ca. 1830) nevertheless permit the creation of a successful musical work on both intellectual and artistic scales. The analytical focus of the article is t…

  • Modality, Imitation and Structural Levels

    William Renwick•ARTICLE•Music Analysis•1992

  • The Undermining of a National Myth

    Open Access•William Renwick•ARTICLE•Journal of New Zealand studies•1991•Cited by: 2

    From a seminar at the Stout Research Centre, which was originally presented as a paper at the American Ethnological Society Spring Meeting, Charleston, South Carolina, 1991

  • A View of the Present State of Ireland

    G Ramsay, G D Ramsay et al.•ARTICLE•The Economic History Review•1970•Cited by: 12

    115 p. This html etext of A Veue of the present state of Irelande [1596] was prepared from the text found in Grosart [1894] and checked with Renwick's edition of the Rawlinson MS [Scholartis, 1934

  • A Critical Bibliography of the Works of Edmund Spenser Printed before 1700

    W L Renwick, William Renwick et al.•ARTICLE•The Modern Language Review•1934

  • A View of the Present State of Ireland

    G Ramsay, G D Ramsay et al.•ARTICLE•The Economic History Review•1970•Cited by: 12

    115 p. This html etext of A Veue of the present state of Irelande [1596] was prepared from the text found in Grosart [1894] and checked with Renwick's edition of the Rawlinson MS [Scholartis, 1934

  • The Undermining of a National Myth

    Open Access•William Renwick•ARTICLE•Journal of New Zealand studies•1991•Cited by: 2

    From a seminar at the Stout Research Centre, which was originally presented as a paper at the American Ethnological Society Spring Meeting, Charleston, South Carolina, 1991

  • A Critical Bibliography of the Works of Edmund Spenser Printed before 1700

    W L Renwick, William Renwick et al.•ARTICLE•The Modern Language Review•1934

  • A View of the Present State of Ireland

    G Ramsay, G D Ramsay et al.•ARTICLE•The Economic History Review•1970•Cited by: 12

    115 p. This html etext of A Veue of the present state of Irelande [1596] was prepared from the text found in Grosart [1894] and checked with Renwick's edition of the Rawlinson MS [Scholartis, 1934

  • The Undermining of a National Myth

    Open Access•William Renwick•ARTICLE•Journal of New Zealand studies•1991•Cited by: 2

    From a seminar at the Stout Research Centre, which was originally presented as a paper at the American Ethnological Society Spring Meeting, Charleston, South Carolina, 1991

  • Modality, Imitation and Structural Levels

    William Renwick•ARTICLE•Music Analysis•1992

  • A Subject of Four Notes”

    Open Access•William Renwick•ARTICLE•Music Theory Online•1994

    This paper discusses the circumstances that drew William Crotch into a highly specific and systematic compositional procedure, and describes how the severe material and procedural restrictions of his Introduction and Fugue on a Subject of Four Notes, no others being used all thro' the movement (ca. 1830) nevertheless permit the creation of a successful musical work on both intellectual and artistic scales. The analytical focus of the article is t…

  • Hidden Fugal Paths

    William Renwick•ARTICLE•Music Analysis•1995

    Throughout Schenker's discourse, fugue remains an almost impenetrable genre for analysis, owing to the unparalleled complexity of voice leading that characterises fugal texture in the hands of masters such as Bach and Handel. There have, however, been outstanding examples of fugal analysis from a Schenkerian perspective: in addition to three by Schenker, Carl Schachter's masterly study of Bach's B% Fugue from WTC I' demonstrates that Schenkerian …

  • Bach and the 'Old' Musicology

    William Renwick, Daniel R Melamed et al.•ARTICLE•Music Analysis•1997

  • Analyzing Fugue

    Charles Burkhart, William Renwick•ARTICLE•Music Analysis•1997

Art (6 works) · Computer Science (4 works) · Literature (4 works) · Musicology and Musical Analysis (4 works) · History (3 works) · Art history (2 works) · Geography (2 works) · History (2 works) · Political science (2 works) · Psychology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae