Marianne Kielian‐gilbert
Biographic Data
| ID | 1609365 |
|---|---|
| NAME | Marianne Kielian‐gilbert |
| GIVEN NAMES | Marianne |
| FAMILY NAME | Kielian‐gilbert |
| SIGNATURE | GILBERT M K |
| AFFILIATIONS | Indiana University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Experiencing Chen Yi’s Music
Chen Yi’s music, particularly her Ning for Pipa, Violin and Cello (2002), constructs reciprocities in compositional and aesthetic practice, and in the social-relational dynamics of musical contrast, performative and commemorative impulses. One aim of my paper is to suggest how Chen’s music offers multiple affiliations for music listeners, such that the local emerges in the cosmopolitan and vice versa. Events and textures emerge from, and become e…
Interpreting Schenkerian Prolongation
Invoking Motives and Immediacy
Research Article| April 01 1997 Invoking Motives and Immediacy: Foils and Contexts for Pieter C. van den Toorn's "Music, Politics, and the Academy" Marianne Kielian-Gilbert Marianne Kielian-Gilbert Search for other works by this author on: This Site PubMed Google Scholar 19th-Century Music (1997) 20 (3): 253–278. https://doi.org/10.2307/746864 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon…
Invoking Motives and Immediacy
Research Article| April 01 1997 Invoking Motives and Immediacy: Foils and Contexts for Pieter C. van den Toorn's "Music, Politics, and the Academy" Marianne Kielian-Gilbert Marianne Kielian-Gilbert Search for other works by this author on: This Site PubMed Google Scholar 19th-Century Music (1997) 20 (3): 253–278. https://doi.org/10.2307/746864 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon…
Interpreting Schenkerian Prolongation
Experiencing Chen Yi’s Music
Chen Yi’s music, particularly her Ning for Pipa, Violin and Cello (2002), constructs reciprocities in compositional and aesthetic practice, and in the social-relational dynamics of musical contrast, performative and commemorative impulses. One aim of my paper is to suggest how Chen’s music offers multiple affiliations for music listeners, such that the local emerges in the cosmopolitan and vice versa. Events and textures emerge from, and become e…
Art (3 works) · Art history (3 works) · Citation (2 works) · Computer Science (2 works) · Library science (2 works) · Active listening (1 works) · Aesthetics (1 works) · Asian Culture and Media Studies (1 works) · Cello (1 works) · Chen (1 works)