Jill Flanders Crosby
Biographic Data
| ID | 1610050 |
|---|---|
| NAME | Jill Flanders Crosby |
| GIVEN NAMES | Jill Flanders |
| FAMILY NAME | Crosby |
| SIGNATURE | CROSBY J F |
| AFFILIATIONS | University of Alaska Anchorage |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Situated Narratives and Sacred Dance: Performing the Entangled Histories of Cuba and West Africa
Situated Narratives and Sacred Dance: Performing the Entangled Histories of Cuba and West Africa
"Through a revolutionary ethnographic approach that foregrounds storytelling and performance, this book explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arara of Cuba, who were brought to the island in the Atlantic slave trade"
Art as ethnography secrets under the skin: Materiality, Sensational Forms and Blurred Boundaries
(2015). Art as ethnography secrets under the skin: materiality, sensational forms and blurred boundaries. Material Religion: Vol. 11, No. 1, pp. 105-108
A Felt Authentic Grounding: Intersecting Theories of Authenticity and Tradition
Together, “authenticity” and “tradition” are embedded in cultural expressions at particular historical moments, and both are inherently fluid as they shift and bend over time. This paper examines these intersections, shifts, and bends by exploring a number of current theoretical approaches to the topics of authenticity and tradition. The author places them first in context with her own fieldwork and then moves on to an underpinning of the three s…
Dialogue in Dance Studies Research
In writing this paper, we—Jill Crosby and Ann Dils—render into text six years of sporadic dialogues. Through our explanation and examination of the 1994 movement analysis and description project that began our exchanges and discussion of subsequent readings, we hope to explore important aspects of dance studies research. Our use and understanding of Laban-based movement analysis as a tool for understanding movement as it is felt and observed, awa…
Dialogue in Dance Studies Research
In writing this paper, we—Jill Crosby and Ann Dils—render into text six years of sporadic dialogues. Through our explanation and examination of the 1994 movement analysis and description project that began our exchanges and discussion of subsequent readings, we hope to explore important aspects of dance studies research. Our use and understanding of Laban-based movement analysis as a tool for understanding movement as it is felt and observed, awa…
Dialogue in Dance Studies Research
In writing this paper, we—Jill Crosby and Ann Dils—render into text six years of sporadic dialogues. Through our explanation and examination of the 1994 movement analysis and description project that began our exchanges and discussion of subsequent readings, we hope to explore important aspects of dance studies research. Our use and understanding of Laban-based movement analysis as a tool for understanding movement as it is felt and observed, awa…
A Felt Authentic Grounding: Intersecting Theories of Authenticity and Tradition
Together, “authenticity” and “tradition” are embedded in cultural expressions at particular historical moments, and both are inherently fluid as they shift and bend over time. This paper examines these intersections, shifts, and bends by exploring a number of current theoretical approaches to the topics of authenticity and tradition. The author places them first in context with her own fieldwork and then moves on to an underpinning of the three s…
Art as ethnography secrets under the skin: Materiality, Sensational Forms and Blurred Boundaries
(2015). Art as ethnography secrets under the skin: materiality, sensational forms and blurred boundaries. Material Religion: Vol. 11, No. 1, pp. 105-108
Situated Narratives and Sacred Dance: Performing the Entangled Histories of Cuba and West Africa
Situated Narratives and Sacred Dance: Performing the Entangled Histories of Cuba and West Africa
"Through a revolutionary ethnographic approach that foregrounds storytelling and performance, this book explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arara of Cuba, who were brought to the island in the Atlantic slave trade"
Aesthetics (4 works) · Art (4 works) · Sociology (4 works) · Dance (3 works) · History (3 works) · Visual arts (3 works) · Africa (2 works) · Anlo (African people) (2 works) · Anthropology (2 works) · Dance (2 works)