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Linda C Ehrlich

Biographic Data

ID161008
NAMELinda C Ehrlich
GIVEN NAMESLinda C
FAMILY NAMEEhrlich
SIGNATUREEHRLICH L C
AFFILIATIONSUniversity of Tennessee at Knoxville
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS0
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2019
H-INDEX0
  • The Films of Kore-eda Hirokazu: An Elemental Cinema

    Open Access•Linda C Ehrlich•BOOK•The Films of Kore-eda Hirokazu•2019

  • The Donald Richie Reader: 50 Years of Writing on Japan

    Open Access•Linda C Ehrlich, Arturo Silva et al.•ARTICLE•Japanese Language and Literature•2006

    No one has written more, or more artfully, about Japan and Japanese culture than Donald Richie. Richie moved to Tokyo just after World War II. And he is still there, still writing. This book is the first compilation of the best of Richie's writings on Japan, with excerpts from his critical work on film (Richie helped introduce Japanese film to the West in the late 1950s) and his unpublished private journal, plus fiction, Zen musings, and masterfu…

  • An Open Window: The Cinema of Víctor Erice

    Thomas Deveny, Linda C Ehrlich•ARTICLE•Hispania•2003

    The first book in English exclusively devoted to an analysis of the films of one of Spain's most important film directors, Victor Erice. Drawing on original essays, reprints, and new translations from an international group of writers, this anthology will help open a window into a deeper appreciation of Erice's three haunting feature-length films

  • Song for a Shabbat

    Linda C Ehrlich, Izza Genini•ARTICLE•Ethnomusicology•2002

  • Word and Image in Japanese Cinema

    Open Access•Dennis C Washburn, Donald Richie et al.•BOOK•Word and Image in Japanese Cinema•2000

    Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. I…

  • Film Review

    Open Access•Linda C Ehrlich•ARTICLE•Visual Anthropology Review•1999

    Pizzicata. Director and screenwriter: Edoard Winspeare. Cinematography: Paolo Carnera, Italy, 1993.93 minutes, color

  • The Stars Who Created Kabuki: Their Lives, Loves and Legacy

    Linda C Ehrlich, Laurence R Kominz et al.•ARTICLE•Monumenta Nipponica•1998

  • Ozu's Tokyo Story

    Open Access•Jr Arthur Nolletti, Linda C Ehrlich et al.•BOOK•Ozu's Tokyo Story•1997

    Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese…

  • Interior Gardens: Victor Erice's "Dream of Light" and the "Bodegon" Tradition

    Linda C Ehrlich•ARTICLE•Cinema Journal•1995

    D6nde os vi yo, nostalgicas postales? En qu6 cinema playero al aire libre o en qu6 'lbum de buques lineales? -Invierno postal, Rafael Alberti' Victor Erice's most recent film, Dream of Light (aka The Sun of the Quince [El sol del membrillo], 1992) moves beyond his earlier preoccupation with the periods of transition following the Spanish Civil War to a focus on a subject resembling the still life (the bodeg6n), with its sense of familiarity and m…

  • Mr. Smith Goes to Tokyo: Japanese Cinema under the American Occupation, 1945-1952

    Linda C Ehrlich, Kyoko Hirano•ARTICLE•Journal of Japanese Studies•1994

  • The Japanese Version. Produced and directed by Louis Alvarez and Andrew Kolker. Center for New American Media, New York, N.Y. VHS and 3/4′′ format. 55 minutes

    Open Access•Linda C Ehrlich•ARTICLE•The Journal of Asian Studies•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Water flowing underground: The films of Oguri Kōhei

    Linda C Ehrlich•ARTICLE•Japan Forum•1992•References: 4

    (1992). Water flowing underground: The films of Oguri Kōhei. Japan Forum: Vol. 4, No. 1, pp. 145-162

  • A Letter

    Linda C Ehrlich, Linda Ehrlich et al.•ARTICLE•Peabody Journal of Education•1963

No prominent works on this page.

  • A Letter

    Linda C Ehrlich, Linda Ehrlich et al.•ARTICLE•Peabody Journal of Education•1963

  • The Japanese Version. Produced and directed by Louis Alvarez and Andrew Kolker. Center for New American Media, New York, N.Y. VHS and 3/4′′ format. 55 minutes

    Open Access•Linda C Ehrlich•ARTICLE•The Journal of Asian Studies•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Water flowing underground: The films of Oguri Kōhei

    Linda C Ehrlich•ARTICLE•Japan Forum•1992•References: 4

    (1992). Water flowing underground: The films of Oguri Kōhei. Japan Forum: Vol. 4, No. 1, pp. 145-162

  • Mr. Smith Goes to Tokyo: Japanese Cinema under the American Occupation, 1945-1952

    Linda C Ehrlich, Kyoko Hirano•ARTICLE•Journal of Japanese Studies•1994

  • Interior Gardens: Victor Erice's "Dream of Light" and the "Bodegon" Tradition

    Linda C Ehrlich•ARTICLE•Cinema Journal•1995

    D6nde os vi yo, nostalgicas postales? En qu6 cinema playero al aire libre o en qu6 'lbum de buques lineales? -Invierno postal, Rafael Alberti' Victor Erice's most recent film, Dream of Light (aka The Sun of the Quince [El sol del membrillo], 1992) moves beyond his earlier preoccupation with the periods of transition following the Spanish Civil War to a focus on a subject resembling the still life (the bodeg6n), with its sense of familiarity and m…

  • Ozu's Tokyo Story

    Open Access•Jr Arthur Nolletti, Linda C Ehrlich et al.•BOOK•Ozu's Tokyo Story•1997

    Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese…

  • The Stars Who Created Kabuki: Their Lives, Loves and Legacy

    Linda C Ehrlich, Laurence R Kominz et al.•ARTICLE•Monumenta Nipponica•1998

  • Film Review

    Open Access•Linda C Ehrlich•ARTICLE•Visual Anthropology Review•1999

    Pizzicata. Director and screenwriter: Edoard Winspeare. Cinematography: Paolo Carnera, Italy, 1993.93 minutes, color

  • Word and Image in Japanese Cinema

    Open Access•Dennis C Washburn, Donald Richie et al.•BOOK•Word and Image in Japanese Cinema•2000

    Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. I…

  • Song for a Shabbat

    Linda C Ehrlich, Izza Genini•ARTICLE•Ethnomusicology•2002

  • An Open Window: The Cinema of Víctor Erice

    Thomas Deveny, Linda C Ehrlich•ARTICLE•Hispania•2003

    The first book in English exclusively devoted to an analysis of the films of one of Spain's most important film directors, Victor Erice. Drawing on original essays, reprints, and new translations from an international group of writers, this anthology will help open a window into a deeper appreciation of Erice's three haunting feature-length films

  • The Donald Richie Reader: 50 Years of Writing on Japan

    Open Access•Linda C Ehrlich, Arturo Silva et al.•ARTICLE•Japanese Language and Literature•2006

    No one has written more, or more artfully, about Japan and Japanese culture than Donald Richie. Richie moved to Tokyo just after World War II. And he is still there, still writing. This book is the first compilation of the best of Richie's writings on Japan, with excerpts from his critical work on film (Richie helped introduce Japanese film to the West in the late 1950s) and his unpublished private journal, plus fiction, Zen musings, and masterfu…

  • The Films of Kore-eda Hirokazu: An Elemental Cinema

    Open Access•Linda C Ehrlich•BOOK•The Films of Kore-eda Hirokazu•2019

Art (8 works) · Japanese History and Culture (7 works) · Art history (6 works) · Movie theater (6 works) · Visual arts (5 works) · Computer Science (4 works) · History (4 works) · Aesthetics (3 works) · Asian Culture and Media Studies (3 works) · Cinema and Media Studies (3 works)

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