Priscila Lena Farias
Biographic Data
| ID | 1611938 |
|---|---|
| NAME | Priscila Lena Farias |
| GIVEN NAMES | Priscila Lena |
| FAMILY NAME | Farias |
| SIGNATURE | FARIAS P L |
| AFFILIATIONS | Universidade de São Paulo |
| ORCID | 0000-0002-2540-770X |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 20 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
A dinâmica espacial das oficinas tipográficas paulistanas nos séculos XIX e XX
The city of São Paulo underwent various social, economic and political changes that had an impact on the material delineation of urban space between the 19th and 20th centuries. The possibilities of analysing material culture in the commercial relationships that involved printing companies and the urban space were explored in a detailed and precise survey on the location of letterpress printing shops. From the data gathered in this survey the loc…
Queer Scrapscape
This essay sheds light on Brazilian artist Hudinilson Jr.'s Cadernos de referências (c. 1981-2013), a series of dense and layered scrapbooks. Through an analysis of layouts and media, the investigation highlights the extensive design and cultural implications that the practice triggers. The focus lies primarily on formal recurrences and narrative strategies identified on double page spreads, revealing how they condense the artist's queer poetics.…
Cruzando los límites entre los lenguajes visuales, visibles y verbales
La convocatoria para este número especial de la revista La Tadeo Dearte tuvo como objetivo estimular un debate sobre los significados y los límites entre los lenguajes visuales, visibles y verbales. Para ello, se invitó a los autores a contribuir en la composición de un gran marco de reflexión en el cual elementos del lenguaje visual y visible procedentes de los campos del diseño, la arquitectura y las artes fueran comparados, contrastados o ente…
Lihdumneeks
This article analyses a pioneering Latvian newspaper published in São Paulo between 1907 and 1909. The focus of the analysis are the typefaces and the adaptations needed for printing Latvian using antiqua1 rather than blackletter type2, most commonly used in Latvia in that period. The adaptations made demonstrate the effort of the editor Jūlijs Malvess and the Brazilian printers of German descent, Hennies Irmãos (Hennies Brothers), to make the co…
Sign-design; nuevas estrategias para modelar procesos y estructuras sígnicas
En este artículo vamos a presentar los resultados parciales de un estudio que actualmente estamos desarrollando en el ámbito de la semiótica peirceana, más específicamente en el campo de las clasificaciones sígnicas de Charles S. Peirce. Creemos que la estrategia adoptada en este estudio, que llamamos Sign-Design, puede ser generalizada como un método de investigación en el campo de la semiótica. Se trata del abordaje sistemático de aspectos espe…
Acerca del concepto de memoria gráfica
En Brasil, desde principios del siglo XXI, la expresión memoria gráfica ha sido usada, cada vez con más frecuencia, para denominar una línea de estudios que busca comprender la importancia y el valor de los artefactos visuales, en particular, los impresos efímeros, para la creación de un sentido de identidad local a través del diseño. Tales artefactos han sido invisibilizados por mucho tiempo por las corrientes dominantes sobre lo que sería el di…
On Peirce's diagrammatic models for ten classes of signs
The classifications of signs are among the most important topics of Peirce's theory of signs. The 10 classes of signs were developed from 1903 and represent an important refinement of the fundamental division of signs into icons, indexes, and symbols. In this paper we present two diagrammatic models for 10 classes, proposed by Peirce, and an interpretation of the reasoning behind their development, based on the analysis of preparatory versions of…
Os diagramas de C. S. Peirce para as dez classes de signos
Uma seção da Gramática Especulativa de C.S.Peirce - Dez classes de signos - recebeu, a partir de 1903, um importante tratamento diagramático. Neste artigo, são apresentados e discutidos dois diagramas desenvolvidos por Peirce para as dez classes, incluindo esboços desses modelos
Letters and cities
When wandering around a city such as São Paulo, we are surrounded by letters, numbers and symbols. These elements form part of an environment full of signs in many shapes and sizes that compete for our attention. Our perception of these elements contributes towards our spatial guidance and sense of place. The idea of `reading' the city, or urban environment, was introduced by Kevin Lynch, for whom reading the urban structure follows on from recog…
Images, diagrams, and metaphors
In his 1903 Syllabus, Charles S. Peirce makes a distinction between icons and iconic signs, or hypoicons, and briefly introduces a division of the latter into images, diagrams, and metaphors. Peirce scholars have tried to make better sense of those concepts by understanding iconic signs in the context of the ten classes of signs described in the same Syllabus. We will argue, however, that the three kinds of hypoicons can better be understood in t…
Cubes and 3N3
Made available in DSpace on 2014-11-10T17:03:51Z (GMT). No. of bitstreams: 1 WOS000224870100002.pdf: 533411 bytes, checksum: f7b27b85cf460872304a5e578c926567 (MD5) Previous issue date: 2004
On diagrams for Peirces 10, 28, and 66 classes of signs
Notes for a dynamic diagram of Charles Peirce’s classifications of signs
L'A. soutient la double these selon laquelle les classes de signes et leur classification, selon Peirce, doivent etre considerees comme dynamiques, d'une part, et peuvent etre representees a partir d'un diagramme, d'autre part. La representation en diagramme que l'A. propose ici s'appuie sur une discussion critique des travaux anterieurs engages dans cette perspective. Une representation dynamique et visuelle de la classification des signes const…
Images, diagrams, and metaphors
In his 1903 Syllabus, Charles S. Peirce makes a distinction between icons and iconic signs, or hypoicons, and briefly introduces a division of the latter into images, diagrams, and metaphors. Peirce scholars have tried to make better sense of those concepts by understanding iconic signs in the context of the ten classes of signs described in the same Syllabus. We will argue, however, that the three kinds of hypoicons can better be understood in t…
On diagrams for Peirces 10, 28, and 66 classes of signs
Notes for a dynamic diagram of Charles Peirce’s classifications of signs
L'A. soutient la double these selon laquelle les classes de signes et leur classification, selon Peirce, doivent etre considerees comme dynamiques, d'une part, et peuvent etre representees a partir d'un diagramme, d'autre part. La representation en diagramme que l'A. propose ici s'appuie sur une discussion critique des travaux anterieurs engages dans cette perspective. Une representation dynamique et visuelle de la classification des signes const…
Cubes and 3N3
Made available in DSpace on 2014-11-10T17:03:51Z (GMT). No. of bitstreams: 1 WOS000224870100002.pdf: 533411 bytes, checksum: f7b27b85cf460872304a5e578c926567 (MD5) Previous issue date: 2004
Sign-design; nuevas estrategias para modelar procesos y estructuras sígnicas
En este artículo vamos a presentar los resultados parciales de un estudio que actualmente estamos desarrollando en el ámbito de la semiótica peirceana, más específicamente en el campo de las clasificaciones sígnicas de Charles S. Peirce. Creemos que la estrategia adoptada en este estudio, que llamamos Sign-Design, puede ser generalizada como un método de investigación en el campo de la semiótica. Se trata del abordaje sistemático de aspectos espe…
On Peirce's diagrammatic models for ten classes of signs
The classifications of signs are among the most important topics of Peirce's theory of signs. The 10 classes of signs were developed from 1903 and represent an important refinement of the fundamental division of signs into icons, indexes, and symbols. In this paper we present two diagrammatic models for 10 classes, proposed by Peirce, and an interpretation of the reasoning behind their development, based on the analysis of preparatory versions of…
Letters and cities
When wandering around a city such as São Paulo, we are surrounded by letters, numbers and symbols. These elements form part of an environment full of signs in many shapes and sizes that compete for our attention. Our perception of these elements contributes towards our spatial guidance and sense of place. The idea of `reading' the city, or urban environment, was introduced by Kevin Lynch, for whom reading the urban structure follows on from recog…
Notes for a dynamic diagram of Charles Peirce’s classifications of signs
L'A. soutient la double these selon laquelle les classes de signes et leur classification, selon Peirce, doivent etre considerees comme dynamiques, d'une part, et peuvent etre representees a partir d'un diagramme, d'autre part. La representation en diagramme que l'A. propose ici s'appuie sur une discussion critique des travaux anterieurs engages dans cette perspective. Une representation dynamique et visuelle de la classification des signes const…
On diagrams for Peirces 10, 28, and 66 classes of signs
Cubes and 3N3
Made available in DSpace on 2014-11-10T17:03:51Z (GMT). No. of bitstreams: 1 WOS000224870100002.pdf: 533411 bytes, checksum: f7b27b85cf460872304a5e578c926567 (MD5) Previous issue date: 2004
Images, diagrams, and metaphors
In his 1903 Syllabus, Charles S. Peirce makes a distinction between icons and iconic signs, or hypoicons, and briefly introduces a division of the latter into images, diagrams, and metaphors. Peirce scholars have tried to make better sense of those concepts by understanding iconic signs in the context of the ten classes of signs described in the same Syllabus. We will argue, however, that the three kinds of hypoicons can better be understood in t…
Letters and cities
When wandering around a city such as São Paulo, we are surrounded by letters, numbers and symbols. These elements form part of an environment full of signs in many shapes and sizes that compete for our attention. Our perception of these elements contributes towards our spatial guidance and sense of place. The idea of `reading' the city, or urban environment, was introduced by Kevin Lynch, for whom reading the urban structure follows on from recog…
Os diagramas de C. S. Peirce para as dez classes de signos
Uma seção da Gramática Especulativa de C.S.Peirce - Dez classes de signos - recebeu, a partir de 1903, um importante tratamento diagramático. Neste artigo, são apresentados e discutidos dois diagramas desenvolvidos por Peirce para as dez classes, incluindo esboços desses modelos
On Peirce's diagrammatic models for ten classes of signs
The classifications of signs are among the most important topics of Peirce's theory of signs. The 10 classes of signs were developed from 1903 and represent an important refinement of the fundamental division of signs into icons, indexes, and symbols. In this paper we present two diagrammatic models for 10 classes, proposed by Peirce, and an interpretation of the reasoning behind their development, based on the analysis of preparatory versions of…
Acerca del concepto de memoria gráfica
En Brasil, desde principios del siglo XXI, la expresión memoria gráfica ha sido usada, cada vez con más frecuencia, para denominar una línea de estudios que busca comprender la importancia y el valor de los artefactos visuales, en particular, los impresos efímeros, para la creación de un sentido de identidad local a través del diseño. Tales artefactos han sido invisibilizados por mucho tiempo por las corrientes dominantes sobre lo que sería el di…
Cruzando los límites entre los lenguajes visuales, visibles y verbales
La convocatoria para este número especial de la revista La Tadeo Dearte tuvo como objetivo estimular un debate sobre los significados y los límites entre los lenguajes visuales, visibles y verbales. Para ello, se invitó a los autores a contribuir en la composición de un gran marco de reflexión en el cual elementos del lenguaje visual y visible procedentes de los campos del diseño, la arquitectura y las artes fueran comparados, contrastados o ente…
Lihdumneeks
This article analyses a pioneering Latvian newspaper published in São Paulo between 1907 and 1909. The focus of the analysis are the typefaces and the adaptations needed for printing Latvian using antiqua1 rather than blackletter type2, most commonly used in Latvia in that period. The adaptations made demonstrate the effort of the editor Jūlijs Malvess and the Brazilian printers of German descent, Hennies Irmãos (Hennies Brothers), to make the co…
Sign-design; nuevas estrategias para modelar procesos y estructuras sígnicas
En este artículo vamos a presentar los resultados parciales de un estudio que actualmente estamos desarrollando en el ámbito de la semiótica peirceana, más específicamente en el campo de las clasificaciones sígnicas de Charles S. Peirce. Creemos que la estrategia adoptada en este estudio, que llamamos Sign-Design, puede ser generalizada como un método de investigación en el campo de la semiótica. Se trata del abordaje sistemático de aspectos espe…
Queer Scrapscape
This essay sheds light on Brazilian artist Hudinilson Jr.'s Cadernos de referências (c. 1981-2013), a series of dense and layered scrapbooks. Through an analysis of layouts and media, the investigation highlights the extensive design and cultural implications that the practice triggers. The focus lies primarily on formal recurrences and narrative strategies identified on double page spreads, revealing how they condense the artist's queer poetics.…
A dinâmica espacial das oficinas tipográficas paulistanas nos séculos XIX e XX
The city of São Paulo underwent various social, economic and political changes that had an impact on the material delineation of urban space between the 19th and 20th centuries. The possibilities of analysing material culture in the commercial relationships that involved printing companies and the urban space were explored in a detailed and precise survey on the location of letterpress printing shops. From the data gathered in this survey the loc…
Philosophy (9 works) · Linguistics (7 works) · Pragmatism in Philosophy and Education (7 works) · Art (6 works) · Semiotics (6 works) · Epistemology (4 works) · Humanities (4 works) · Psychology (4 works) · Computer Science (3 works) · Semiotics and Representation Studies (3 works)