Lauren Ninoshvili
Biographic Data
| ID | 161243 |
|---|---|
| NAME | Lauren Ninoshvili |
| GIVEN NAMES | Lauren |
| FAMILY NAME | Ninoshvili |
| SIGNATURE | NINOSHVILI L |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Wailing in the Cities
In the spring of 2011, only three of the nineteen ministers in Georgia's government and nine of the 140 members of parliament were female, while women held less
The Historical Certainty of the Interpretively Uncertain
Throughout the last century, Georgian artists and intellectuals have appropriated the form of archaic, primitive, and otherwise referentially ambiguous words as material sound or shape, and/or as signifiers of a new symbolic order. Intellectual searches for meaning in the semantically ambiguous have emerged concomitantly with narratives of cultural loss, and found their largest audiences at moments of radical social, political, and economic trans…
The Poetics of Pop Polyphony
Drawing on the linguistic-anthropological literature on language-in-music and the ethnomusicological and cultural studies literature on communication in world music, in this article I explore the dialectics of sameness and difference as they play out at the interstices of the Georgian language and transnationally oriented Georgian “world music.” My study draws on seven years of ethnographic engagement with musicians and audiences in Georgia prope…
The Historical Certainty of the Interpretively Uncertain
Throughout the last century, Georgian artists and intellectuals have appropriated the form of archaic, primitive, and otherwise referentially ambiguous words as material sound or shape, and/or as signifiers of a new symbolic order. Intellectual searches for meaning in the semantically ambiguous have emerged concomitantly with narratives of cultural loss, and found their largest audiences at moments of radical social, political, and economic trans…
Wailing in the Cities
In the spring of 2011, only three of the nineteen ministers in Georgia's government and nine of the 140 members of parliament were female, while women held less
The Poetics of Pop Polyphony
Drawing on the linguistic-anthropological literature on language-in-music and the ethnomusicological and cultural studies literature on communication in world music, in this article I explore the dialectics of sameness and difference as they play out at the interstices of the Georgian language and transnationally oriented Georgian “world music.” My study draws on seven years of ethnographic engagement with musicians and audiences in Georgia prope…
The Historical Certainty of the Interpretively Uncertain
Throughout the last century, Georgian artists and intellectuals have appropriated the form of archaic, primitive, and otherwise referentially ambiguous words as material sound or shape, and/or as signifiers of a new symbolic order. Intellectual searches for meaning in the semantically ambiguous have emerged concomitantly with narratives of cultural loss, and found their largest audiences at moments of radical social, political, and economic trans…
Wailing in the Cities
In the spring of 2011, only three of the nineteen ministers in Georgia's government and nine of the 140 members of parliament were female, while women held less
Georgian (3 works) · Art (2 works) · Epistemology (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 works) · Ambiguity (1 works)