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Caroline Wilson-Barnao

Biographic Data

ID161533
NAMECaroline Wilson-Barnao
GIVEN NAMESCaroline
FAMILY NAMEWilson-Barnao
SIGNATUREWILSON-BARNAO C
AFFILIATIONSThe University of Queensland
ORCID0000-0003-1062-5525
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS16
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Art rocks

    Open Access•Caroline Wilson-Barnao, Natalie Collie•ARTICLE•International Journal of Cultural…•2024•References: 9

    Using the analysis of online activity, autoethnographic reflection, and a participant survey, this article examines Australian rock-decorating groups on Facebook and the role of social media in everyday practices of decorating, hiding, and finding rocks. These groups use the platform to celebrate and share their creativity, generate digital connections between strangers, and in so doing bring about a distinctive hybrid of online and offline space…

  • Redefining crisis in museums

    Open Access•Caroline Wilson-Barnao, Craig Middleton et al.•ARTICLE•Curator The Museum Journal•2023

    COVID‐19 has highlighted the need for museums to develop policies and practices that allow them to be more responsive to audiences' during a crisis, in many cases pushing them to explore new technologies and approaches. Based on an analysis of the National Museum of Australia and its digital engagement throughout the 2019/2020 bushfire season and the COVID‐19 pandemic, this paper identifies a lack of literature to support the need for digital cha…

  • Women's Bodies and the Evolution of Anti-rape Technologies

    Open Access•Caroline Wilson-Barnao, Alex Bevan et al.•ARTICLE•Body & Society•2021•Cited by: 1•References: 34

    In this article, we explore smart deterrents and their historical precedents marketed to women and girls for the purpose of preventing harassment, sexual abuse and violence. Rape deterrents, as we define them, encompass customs, architectures, fashions, surveillant infrastructures, apps and devices conceived to manage and protect the body. Online searches reveal an array of technologies, and we engage with their prevention narratives and cultural…

  • The droning of intimacy

    Caroline Wilson-Barnao, Natalie Collie•ARTICLE•Continuum•2018•Cited by: 7•References: 4

    This article examines the emergence of digital technologies of intimacy such as Wifi-enabled vibrators. We argue that the emergence of intimate digital technologies constitutes a distinct acceleration towards more invasive forms of commercial surveillance and the commodification of the private body and intimate affect. This argument is supported by an analysis of product design and marketing, in addition to key informant interviews with members o…

  • The Logic of Platforms

    Caroline Wilson-Barnao•ARTICLE•Critical Arts•2018•References: 23

    A central part of the museum, art gallery and library fulfilling their missions is the provision of broad public access to collections. As a reflection of this remit there is now a range of smartphone-like devices that work in conjunction with digital platforms to provide visitors with rich information about cultural artefacts. Drawing on interviews with 39 cultural workers, industry blogs and contemporary case-study examples, this article reflec…

  • How algorithmic cultural recommendation influence the marketing of cultural collections

    Caroline Wilson-Barnao•ARTICLE•Consumption Markets & Culture•2017•Cited by: 7•References: 27

    Museums make their collections available online to keep pace with developments in how people access and share information. While museums have traditionally understood the notion of public access as part of their institutional remit, in this paper I draw on policy documents and qualitative interviews with Australasian cultural professionals, to examine how the discourse of access might account for the museum’s transformation from a community space…

  • The personalization of publicity in the museum

    Caroline Wilson-Barnao•ARTICLE•Continuum•2016•Cited by: 1•References: 7

    This paper canvases the relationship between new technology and museums, art galleries and libraries in the context of a so-called participatory culture. It draws on interviews, observations, intercept surveys and ethnographies of a range of cultural institutions in Australasia to examine how the online migration of public space impacts on engagement with these bodies. The aim is to explore the ways in which museums are transforming their practic…

  • The droning of intimacy

    Caroline Wilson-Barnao, Natalie Collie•ARTICLE•Continuum•2018•Cited by: 7•References: 4

    This article examines the emergence of digital technologies of intimacy such as Wifi-enabled vibrators. We argue that the emergence of intimate digital technologies constitutes a distinct acceleration towards more invasive forms of commercial surveillance and the commodification of the private body and intimate affect. This argument is supported by an analysis of product design and marketing, in addition to key informant interviews with members o…

  • How algorithmic cultural recommendation influence the marketing of cultural collections

    Caroline Wilson-Barnao•ARTICLE•Consumption Markets & Culture•2017•Cited by: 7•References: 27

    Museums make their collections available online to keep pace with developments in how people access and share information. While museums have traditionally understood the notion of public access as part of their institutional remit, in this paper I draw on policy documents and qualitative interviews with Australasian cultural professionals, to examine how the discourse of access might account for the museum’s transformation from a community space…

  • Women's Bodies and the Evolution of Anti-rape Technologies

    Open Access•Caroline Wilson-Barnao, Alex Bevan et al.•ARTICLE•Body & Society•2021•Cited by: 1•References: 34

    In this article, we explore smart deterrents and their historical precedents marketed to women and girls for the purpose of preventing harassment, sexual abuse and violence. Rape deterrents, as we define them, encompass customs, architectures, fashions, surveillant infrastructures, apps and devices conceived to manage and protect the body. Online searches reveal an array of technologies, and we engage with their prevention narratives and cultural…

  • The personalization of publicity in the museum

    Caroline Wilson-Barnao•ARTICLE•Continuum•2016•Cited by: 1•References: 7

    This paper canvases the relationship between new technology and museums, art galleries and libraries in the context of a so-called participatory culture. It draws on interviews, observations, intercept surveys and ethnographies of a range of cultural institutions in Australasia to examine how the online migration of public space impacts on engagement with these bodies. The aim is to explore the ways in which museums are transforming their practic…

  • The personalization of publicity in the museum

    Caroline Wilson-Barnao•ARTICLE•Continuum•2016•Cited by: 1•References: 7

    This paper canvases the relationship between new technology and museums, art galleries and libraries in the context of a so-called participatory culture. It draws on interviews, observations, intercept surveys and ethnographies of a range of cultural institutions in Australasia to examine how the online migration of public space impacts on engagement with these bodies. The aim is to explore the ways in which museums are transforming their practic…

  • How algorithmic cultural recommendation influence the marketing of cultural collections

    Caroline Wilson-Barnao•ARTICLE•Consumption Markets & Culture•2017•Cited by: 7•References: 27

    Museums make their collections available online to keep pace with developments in how people access and share information. While museums have traditionally understood the notion of public access as part of their institutional remit, in this paper I draw on policy documents and qualitative interviews with Australasian cultural professionals, to examine how the discourse of access might account for the museum’s transformation from a community space…

  • The droning of intimacy

    Caroline Wilson-Barnao, Natalie Collie•ARTICLE•Continuum•2018•Cited by: 7•References: 4

    This article examines the emergence of digital technologies of intimacy such as Wifi-enabled vibrators. We argue that the emergence of intimate digital technologies constitutes a distinct acceleration towards more invasive forms of commercial surveillance and the commodification of the private body and intimate affect. This argument is supported by an analysis of product design and marketing, in addition to key informant interviews with members o…

  • The Logic of Platforms

    Caroline Wilson-Barnao•ARTICLE•Critical Arts•2018•References: 23

    A central part of the museum, art gallery and library fulfilling their missions is the provision of broad public access to collections. As a reflection of this remit there is now a range of smartphone-like devices that work in conjunction with digital platforms to provide visitors with rich information about cultural artefacts. Drawing on interviews with 39 cultural workers, industry blogs and contemporary case-study examples, this article reflec…

  • Women's Bodies and the Evolution of Anti-rape Technologies

    Open Access•Caroline Wilson-Barnao, Alex Bevan et al.•ARTICLE•Body & Society•2021•Cited by: 1•References: 34

    In this article, we explore smart deterrents and their historical precedents marketed to women and girls for the purpose of preventing harassment, sexual abuse and violence. Rape deterrents, as we define them, encompass customs, architectures, fashions, surveillant infrastructures, apps and devices conceived to manage and protect the body. Online searches reveal an array of technologies, and we engage with their prevention narratives and cultural…

  • Redefining crisis in museums

    Open Access•Caroline Wilson-Barnao, Craig Middleton et al.•ARTICLE•Curator The Museum Journal•2023

    COVID‐19 has highlighted the need for museums to develop policies and practices that allow them to be more responsive to audiences' during a crisis, in many cases pushing them to explore new technologies and approaches. Based on an analysis of the National Museum of Australia and its digital engagement throughout the 2019/2020 bushfire season and the COVID‐19 pandemic, this paper identifies a lack of literature to support the need for digital cha…

  • Art rocks

    Open Access•Caroline Wilson-Barnao, Natalie Collie•ARTICLE•International Journal of Cultural…•2024•References: 9

    Using the analysis of online activity, autoethnographic reflection, and a participant survey, this article examines Australian rock-decorating groups on Facebook and the role of social media in everyday practices of decorating, hiding, and finding rocks. These groups use the platform to celebrate and share their creativity, generate digital connections between strangers, and in so doing bring about a distinctive hybrid of online and offline space…

Sociology (7 works) · Computer Science (6 works) · Museums and Cultural Heritage (5 works) · Political science (5 works) · Engineering (4 works) · Media studies (4 works) · Art (3 works) · Communication (3 works) · Cultural Industries and Urban Development (3 works) · Internet privacy (3 works)

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