Åsne Dahl Haugsevje
Biographic Data
| ID | 1617726 |
|---|---|
| NAME | Åsne Dahl Haugsevje |
| GIVEN NAMES | Åsne Dahl |
| FAMILY NAME | Haugsevje |
| SIGNATURE | HAUGSEVJE Å D |
| AFFILIATIONS | Telemark Research Institute |
| ORCID | 0000-0002-8727-6573 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Present absence
On digital cultural value
Sustainable creative careers through mentoring
A Blind Spot? Cultural Field Perspectives on Tourism
This study addresses a possible mismatch between political rhetoric on creative industries and tourism relations and the experiences and expectations that artists and workers in the creative industries have of their artistic work and their sector. In semi-structured interviews, we asked if and then how creatives and developers in Norway relate to the concept of tourism and whether they see tourists or the tourism industry as a target market for c…
Justifying creative work
The article explores and unfolds the conflicting narratives of the work and competences of creatives in the era of creative industries. Based on a French pragmatic approach, the analysis sheds light on a mismatch between how bureaucrats in the Norwegian business support system valuate creative work, and how creatives valuate their own work. I find that the bureaucrats mobilise a narrow and stereotyped grammar when talking of creative work, while …
Bridging, nudging and translating
The article sheds light on an often neglected group of professionals in creative industries, namely the facilitators who work on a local level in order to support and stimulate individual artists and creative microbusinesses. We discuss what characterises the practices of local facilitators, and how they act in order to ensure legitimacy within different contexts. Based on qualitative interviews and participant observation in Norwegian creative i…
Begrunnelser for lokal kreativ næring
Politiske satsinger rettet mot kunst- og kulturbedrifter, såkalt kreativ næring, som i løpet av de siste tiårene er initiert i norsk og nordisk kultur- og næringspolitikk, forstås gjerne som et tydelig uttrykk for en økonomisk orientert instrumentalisme. Men kan alle politiske strategier og retorikk som behandler kunst og kultur som næring forstås som et utslag av økonomisk instrumentalisme? Målet med artikkelen er å problematisere etablerte fors…
Justifying creative work
The article explores and unfolds the conflicting narratives of the work and competences of creatives in the era of creative industries. Based on a French pragmatic approach, the analysis sheds light on a mismatch between how bureaucrats in the Norwegian business support system valuate creative work, and how creatives valuate their own work. I find that the bureaucrats mobilise a narrow and stereotyped grammar when talking of creative work, while …
Bridging, nudging and translating
The article sheds light on an often neglected group of professionals in creative industries, namely the facilitators who work on a local level in order to support and stimulate individual artists and creative microbusinesses. We discuss what characterises the practices of local facilitators, and how they act in order to ensure legitimacy within different contexts. Based on qualitative interviews and participant observation in Norwegian creative i…
On digital cultural value
Begrunnelser for lokal kreativ næring
Politiske satsinger rettet mot kunst- og kulturbedrifter, såkalt kreativ næring, som i løpet av de siste tiårene er initiert i norsk og nordisk kultur- og næringspolitikk, forstås gjerne som et tydelig uttrykk for en økonomisk orientert instrumentalisme. Men kan alle politiske strategier og retorikk som behandler kunst og kultur som næring forstås som et utslag av økonomisk instrumentalisme? Målet med artikkelen er å problematisere etablerte fors…
Bridging, nudging and translating
The article sheds light on an often neglected group of professionals in creative industries, namely the facilitators who work on a local level in order to support and stimulate individual artists and creative microbusinesses. We discuss what characterises the practices of local facilitators, and how they act in order to ensure legitimacy within different contexts. Based on qualitative interviews and participant observation in Norwegian creative i…
A Blind Spot? Cultural Field Perspectives on Tourism
This study addresses a possible mismatch between political rhetoric on creative industries and tourism relations and the experiences and expectations that artists and workers in the creative industries have of their artistic work and their sector. In semi-structured interviews, we asked if and then how creatives and developers in Norway relate to the concept of tourism and whether they see tourists or the tourism industry as a target market for c…
Justifying creative work
The article explores and unfolds the conflicting narratives of the work and competences of creatives in the era of creative industries. Based on a French pragmatic approach, the analysis sheds light on a mismatch between how bureaucrats in the Norwegian business support system valuate creative work, and how creatives valuate their own work. I find that the bureaucrats mobilise a narrow and stereotyped grammar when talking of creative work, while …
Sustainable creative careers through mentoring
On digital cultural value
Present absence
Cultural Industries and Urban Development (5 works) · Political science (5 works) · Sociology (5 works) · Public relations (4 works) · Business (3 works) · Creative industries (3 works) · Art (2 works) · Artistic and Creative Research (2 works) · Computer Science (2 works) · Creative work (2 works)