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Jennifer Milioto Matsue

Biographic Data

ID162486
NAMEJennifer Milioto Matsue
GIVEN NAMESJennifer Milioto
FAMILY NAMEMatsue
SIGNATUREMATSUE J M
AFFILIATIONSUnion College
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS15
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2019
H-INDEX2
  • The Revolution Will Not Be Televised

    Jennifer Milioto Matsue•ARTICLE•Ethnomusicology•2019

    Book Review| January 01 2019 The Revolution Will Not Be Televised: Protest Music after Fukushima The Revolution Will Not Be Televised: Protest Music after Fukushima. Noriko Manabe. 2015. New York: Oxford University Press. xvii, 433 pp., photographs, figures, tables, musical examples, notes, bibliography, selected interviews, index, companion website. Cloth, $105.00; paper, $29.95. Jennifer Milioto Matsue Jennifer Milioto Matsue Union College Sear…

  • Made in Japan

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2018

    Reviewed by: Made in Japan: Studies in Popular Musiced. by Tōru Mitsui Jennifer Milioto Matsue (bio) Made in Japan: Studies in Popular Music. Edited by Tōru Mitsui. Routledge Global Popular Music Series, edited by Franco Fabbri and Goffredo Plastino. New York: Routledge, 2014. xv + 254 pp., 41 figures, 28 musical examples, 19 tables, selected bibliography on Japanese popular music, notes on contributors, and index. ISBN: 978-0-415-63757-2 (Hardco…

  • Vamping the Stage

    Frederick Lau, Tan Sooi Beng et al.•BOOK•Vamping the Stage•2017

  • Drumming to One's Own Beat

    Jennifer Milioto Matsue•ARTICLE•Ethnomusicology•2016

    Taiko groups throughout the world are perceived as performing an established style of ensemble drumming grounded in an imagined Japanese tradition (Bender 2012; De Ferranti 2006). Since its inception, however, taiko has been a cosmopolitan musical movement in constant flux, combining diverse sources in innovative ways (Pachter 2013). Review of scholarly debates on genre, Japanese music, and the flexibility of taiko, reference to globally renowned…

  • Focus

    Jennifer Milioto Matsue, Jennifer Matsue•BOOK•Focus•2015•Cited by: 1

    Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the…

  • Stars to the State and Beyond

    Open Access•Jennifer Milioto Matsue•ARTICLE•The Journal of Asian Studies•2013•Cited by: 12•References: 30

    Popular music is a dynamic portal through which to gain a greater understanding of a vast array of social phenomena within Asia. In particular, the power of pop to actively shape conceptions of self and inform the ways in which we interact with others at the individual, communal, and even national and transnational levels has taken center stage, but understanding just how these identities are formed through the performance of popular music is qui…

  • Hanoi Eclipse

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2012

    Reviewed by: Hanoi Eclipse: The Music of Dai Lam Linh Jennifer Milioto Matsue (bio) Hanoi Eclipse: The Music of Dai Lam Linh. Barley Norton. Watertown, MA: Documentary Educational Resources, 2010. DVD with Film Study Guide (55 minutes, 54 seconds). Accessed December 10, 2011. www.der.org/films/hanoi-eclipse.html. Barley Norton’s recent documentary Hanoi Eclipse: The Music of Dai Lam Linh offers an intimate view of the making of a recording by the…

  • Making Music in Japan's Underground

    Jennifer Milioto Matsue, Jennifer Matsue•BOOK•Making Music in Japans…•2008

    Introduction: Ethnography of a Scene 1. The Underground Tokyo Hardcore Scene 2. Trains, 20,000volt, Tower Records, and the Illicit Intimacy of the Spaces of Play 3. Schoolboys, Aspiring Stars, Underground Girls, and the Multiple Identities of the People who Play 4. More than the Musical in the Performance of Hardcore. Conclusion: Meaning and the Power of Performance. Epilogue: Koenji, the sacred place for underground music

  • Introduction

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2008•Cited by: 2

  • Visionary Tones

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2006

    Reviewed by: Visionary Tones: Traditional and Contemporary Kinko Style Shakuhachi Music by Christopher Yohmei Blasdel Jennifer Milioto Matsue (bio) Visionary Tones: Traditional and Contemporary Kinko Style Shakuhachi Music by Christopher Yohmei Blasdel. Bright One Records BOCH-0001, 2004. Two compact discs with 14 pages of liner notes (in Japanese and English) by Christopher Yohmei Blasdel. The Japanese shakuhachi presently leads a dual existence…

  • Nomai Dance Drama

    Jennifer Milioto Matsue, Susan Miyo Asai et al.•ARTICLE•Yearbook for Traditional Music•2001

  • Stars to the State and Beyond

    Open Access•Jennifer Milioto Matsue•ARTICLE•The Journal of Asian Studies•2013•Cited by: 12•References: 30

    Popular music is a dynamic portal through which to gain a greater understanding of a vast array of social phenomena within Asia. In particular, the power of pop to actively shape conceptions of self and inform the ways in which we interact with others at the individual, communal, and even national and transnational levels has taken center stage, but understanding just how these identities are formed through the performance of popular music is qui…

  • Introduction

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2008•Cited by: 2

  • Focus

    Jennifer Milioto Matsue, Jennifer Matsue•BOOK•Focus•2015•Cited by: 1

    Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the…

  • Nomai Dance Drama

    Jennifer Milioto Matsue, Susan Miyo Asai et al.•ARTICLE•Yearbook for Traditional Music•2001

  • Visionary Tones

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2006

    Reviewed by: Visionary Tones: Traditional and Contemporary Kinko Style Shakuhachi Music by Christopher Yohmei Blasdel Jennifer Milioto Matsue (bio) Visionary Tones: Traditional and Contemporary Kinko Style Shakuhachi Music by Christopher Yohmei Blasdel. Bright One Records BOCH-0001, 2004. Two compact discs with 14 pages of liner notes (in Japanese and English) by Christopher Yohmei Blasdel. The Japanese shakuhachi presently leads a dual existence…

  • Making Music in Japan's Underground

    Jennifer Milioto Matsue, Jennifer Matsue•BOOK•Making Music in Japans…•2008

    Introduction: Ethnography of a Scene 1. The Underground Tokyo Hardcore Scene 2. Trains, 20,000volt, Tower Records, and the Illicit Intimacy of the Spaces of Play 3. Schoolboys, Aspiring Stars, Underground Girls, and the Multiple Identities of the People who Play 4. More than the Musical in the Performance of Hardcore. Conclusion: Meaning and the Power of Performance. Epilogue: Koenji, the sacred place for underground music

  • Introduction

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2008•Cited by: 2

  • Hanoi Eclipse

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2012

    Reviewed by: Hanoi Eclipse: The Music of Dai Lam Linh Jennifer Milioto Matsue (bio) Hanoi Eclipse: The Music of Dai Lam Linh. Barley Norton. Watertown, MA: Documentary Educational Resources, 2010. DVD with Film Study Guide (55 minutes, 54 seconds). Accessed December 10, 2011. www.der.org/films/hanoi-eclipse.html. Barley Norton’s recent documentary Hanoi Eclipse: The Music of Dai Lam Linh offers an intimate view of the making of a recording by the…

  • Stars to the State and Beyond

    Open Access•Jennifer Milioto Matsue•ARTICLE•The Journal of Asian Studies•2013•Cited by: 12•References: 30

    Popular music is a dynamic portal through which to gain a greater understanding of a vast array of social phenomena within Asia. In particular, the power of pop to actively shape conceptions of self and inform the ways in which we interact with others at the individual, communal, and even national and transnational levels has taken center stage, but understanding just how these identities are formed through the performance of popular music is qui…

  • Focus

    Jennifer Milioto Matsue, Jennifer Matsue•BOOK•Focus•2015•Cited by: 1

    Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the…

  • Drumming to One's Own Beat

    Jennifer Milioto Matsue•ARTICLE•Ethnomusicology•2016

    Taiko groups throughout the world are perceived as performing an established style of ensemble drumming grounded in an imagined Japanese tradition (Bender 2012; De Ferranti 2006). Since its inception, however, taiko has been a cosmopolitan musical movement in constant flux, combining diverse sources in innovative ways (Pachter 2013). Review of scholarly debates on genre, Japanese music, and the flexibility of taiko, reference to globally renowned…

  • Vamping the Stage

    Frederick Lau, Tan Sooi Beng et al.•BOOK•Vamping the Stage•2017

  • Made in Japan

    Jennifer Milioto Matsue•ARTICLE•Asian Music•2018

    Reviewed by: Made in Japan: Studies in Popular Musiced. by Tōru Mitsui Jennifer Milioto Matsue (bio) Made in Japan: Studies in Popular Music. Edited by Tōru Mitsui. Routledge Global Popular Music Series, edited by Franco Fabbri and Goffredo Plastino. New York: Routledge, 2014. xv + 254 pp., 41 figures, 28 musical examples, 19 tables, selected bibliography on Japanese popular music, notes on contributors, and index. ISBN: 978-0-415-63757-2 (Hardco…

  • The Revolution Will Not Be Televised

    Jennifer Milioto Matsue•ARTICLE•Ethnomusicology•2019

    Book Review| January 01 2019 The Revolution Will Not Be Televised: Protest Music after Fukushima The Revolution Will Not Be Televised: Protest Music after Fukushima. Noriko Manabe. 2015. New York: Oxford University Press. xvii, 433 pp., photographs, figures, tables, musical examples, notes, bibliography, selected interviews, index, companion website. Cloth, $105.00; paper, $29.95. Jennifer Milioto Matsue Jennifer Milioto Matsue Union College Sear…

Art (9 works) · History (8 works) · Literature (7 works) · Asian Culture and Media Studies (6 works) · Musical (6 works) · Japanese History and Culture (5 works) · Popular music (5 works) · Sociology (5 works) · Visual arts (5 works) · Aesthetics (4 works)

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