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Clara Tuite

Biographic Data

ID1626469
NAMEClara Tuite
GIVEN NAMESClara
FAMILY NAMETuite
SIGNATURETUITE C
AFFILIATIONSThe University of Melbourne
ORCID0000-0002-7896-6548
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS1
WORKS AS AUTHOR12
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Byron and World Literature

    Clara Tuite•CHAPTER•Oxford Handbook of Lord Byron•2024

    This essay considers how Byron’s life, work, and reception presides over the transformation of Enlightenment ideals of cosmopolitanism and worldliness into a form of global Romanticism that anticipates Goethe’s coinage ideal of Weltliteratur. A new regime of imperial global modernity provided the broader context for the emergence of world literature, which coincides with the reordering of Europe that followed the Napoleonic Wars. In this sense, G…

  • The Cambridge Companion to Byron

    Open Access•Paul Douglas, Tom Mole et al.•BOOK•The Cambridge Companion to Byron•2023

    Deeply informed and appealingly written, this revised and updated second edition gives fresh life to the enthralling sexual, poetic and political contradictions that make Byron the first literary celebrity. Encompassing his entire oeuvre, the volume both provides an authoritative guide for students, and points to emerging new areas of research, highlighting Byron's ongoing relevance in an increasingly complex world both within academia and beyond…

  • In Byron’s Wake

    Open Access•Clara Tuite•CHAPTER•The Cambridge Companion to Byron•2023

    This chapter explores Byron’s reception through the lens of the Byronic sense of occasion. Focusing on the history of Byron’s contemporary reception, it argues that Byronic reception involves a transformed scene of reading and writing, and a transformed temporality, which is acutely attuned to a sense of occasion, stretching the moment of reception and production across a longue durée. It is a critical commonplace that Byron’s writing is about it…

  • Anita Brookner

    Clara Tuite•ARTICLE•Études anglaises•2021

  • Anita Brookner

    Clara Tuite•ARTICLE•Études anglaises•2021

    Anita Brookner est venue à la fiction tardivement, publiant son premier roman à l’âge de cinquante-trois ans, après une brillante carrière d’historienne de l’art français. Ce simple fait soulève bien des questions concernant son œuvre. Comment expliquer le rapport entre l’histoire de l’art et les romans, la non-fiction et la fiction, l’art français et la littérature anglaise ? Cet article envisage ces questions en se penchant sur le rôle majeur d…

  • Byron in Context

    Open Access•Clara Tuite•EDITOR•BOOK•Byron in Context•2019

    George Gordon, the sixth Lord Byron (1788–1824), was one of the most celebrated poets of the Romantic period, as well as a peer, politician and global celebrity, famed not only for his verse, but for his controversial lifestyle and involvement in the Greek War of Independence. In thirty-seven concise, accessible essays, by leading international scholars, this volume explores the social and intertextual relationships that informed Byron's writing;…

  • Speechless

    Clara Tuite•ARTICLE•Cultural and Social History•2019•Cited by: 1

    This essay interrogates the culture of romantic love by examining the trope of speechlessness, analysing a particularly resonant moment in this culture’s history: the ritual craze of Werther-fever that followed the publication of Johann Wolfgang von Goethe’s The Sorrows of Young Werther (1774). Spreading the words (or 'no words') through which to be speechless, Werther-fever is a foundational moment in the modern culture of romantic love that ins…

  • Lord Byron and Scandalous Celebrity

    Clara Tuite•BOOK•Lord Byron and Scandalous Celebrity•2015

  • Sanditon

    Clara Tuite•ARTICLE•Textual Practice•2012

    Written in 1817 and not published until 1925, Austen's posthumously published novel fragment, Sanditon, has always enjoyed a privileged relation to temporal discontinuity. My essay re-examines the question of Austen and history by engaging Sanditon in relation to a historicity of participant-witnessing and productive anachronism. I take as my starting point a particularly rich example of one of those oblique, sparing, and, consequently, ironicall…

  • Late Disturbances

    Clara Tuite•ARTICLE•Women s History Review•2011

    This article examines Maria Edgeworth's parodic essay on the ‘Irish bull’ (a form of blunder or linguistic absurdity associated with the Irish), as a form of counter-Whig history. It argues that Edgeworth satirically refunctions the genre of the Irish bull by interrogating its presumptive status as an essentially Irish form of speech and exposing it instead as an English imperial genre. Engaging the Essay against the contexts of the 1798 United I…

  • Introduction

    Mary Spongberg, Clara Tuite•ARTICLE•Women s History Review•2011

  • Domestic retrenchment and imperial expansion

    Clara Tuite•CHAPTER•Postcolonial Jane Austen•2010

  • A Companion to Jane Austen

    Claudia L Johnson, Clara Tuite•EDITOR•BOOK•Companion to Jane Austen•2009

  • Companion to Jane Austen

    Clara Tuite, Claudia L Johnson•BOOK•Companion to Jane Austen•2009

  • Speechless

    Clara Tuite•ARTICLE•Cultural and Social History•2019•Cited by: 1

    This essay interrogates the culture of romantic love by examining the trope of speechlessness, analysing a particularly resonant moment in this culture’s history: the ritual craze of Werther-fever that followed the publication of Johann Wolfgang von Goethe’s The Sorrows of Young Werther (1774). Spreading the words (or 'no words') through which to be speechless, Werther-fever is a foundational moment in the modern culture of romantic love that ins…

  • A Companion to Jane Austen

    Claudia L Johnson, Clara Tuite•EDITOR•BOOK•Companion to Jane Austen•2009

  • Companion to Jane Austen

    Clara Tuite, Claudia L Johnson•BOOK•Companion to Jane Austen•2009

  • Domestic retrenchment and imperial expansion

    Clara Tuite•CHAPTER•Postcolonial Jane Austen•2010

  • Late Disturbances

    Clara Tuite•ARTICLE•Women s History Review•2011

    This article examines Maria Edgeworth's parodic essay on the ‘Irish bull’ (a form of blunder or linguistic absurdity associated with the Irish), as a form of counter-Whig history. It argues that Edgeworth satirically refunctions the genre of the Irish bull by interrogating its presumptive status as an essentially Irish form of speech and exposing it instead as an English imperial genre. Engaging the Essay against the contexts of the 1798 United I…

  • Introduction

    Mary Spongberg, Clara Tuite•ARTICLE•Women s History Review•2011

  • Sanditon

    Clara Tuite•ARTICLE•Textual Practice•2012

    Written in 1817 and not published until 1925, Austen's posthumously published novel fragment, Sanditon, has always enjoyed a privileged relation to temporal discontinuity. My essay re-examines the question of Austen and history by engaging Sanditon in relation to a historicity of participant-witnessing and productive anachronism. I take as my starting point a particularly rich example of one of those oblique, sparing, and, consequently, ironicall…

  • Lord Byron and Scandalous Celebrity

    Clara Tuite•BOOK•Lord Byron and Scandalous Celebrity•2015

  • Byron in Context

    Open Access•Clara Tuite•EDITOR•BOOK•Byron in Context•2019

    George Gordon, the sixth Lord Byron (1788–1824), was one of the most celebrated poets of the Romantic period, as well as a peer, politician and global celebrity, famed not only for his verse, but for his controversial lifestyle and involvement in the Greek War of Independence. In thirty-seven concise, accessible essays, by leading international scholars, this volume explores the social and intertextual relationships that informed Byron's writing;…

  • Speechless

    Clara Tuite•ARTICLE•Cultural and Social History•2019•Cited by: 1

    This essay interrogates the culture of romantic love by examining the trope of speechlessness, analysing a particularly resonant moment in this culture’s history: the ritual craze of Werther-fever that followed the publication of Johann Wolfgang von Goethe’s The Sorrows of Young Werther (1774). Spreading the words (or 'no words') through which to be speechless, Werther-fever is a foundational moment in the modern culture of romantic love that ins…

  • Anita Brookner

    Clara Tuite•ARTICLE•Études anglaises•2021

  • Anita Brookner

    Clara Tuite•ARTICLE•Études anglaises•2021

    Anita Brookner est venue à la fiction tardivement, publiant son premier roman à l’âge de cinquante-trois ans, après une brillante carrière d’historienne de l’art français. Ce simple fait soulève bien des questions concernant son œuvre. Comment expliquer le rapport entre l’histoire de l’art et les romans, la non-fiction et la fiction, l’art français et la littérature anglaise ? Cet article envisage ces questions en se penchant sur le rôle majeur d…

  • The Cambridge Companion to Byron

    Open Access•Paul Douglas, Tom Mole et al.•BOOK•The Cambridge Companion to Byron•2023

    Deeply informed and appealingly written, this revised and updated second edition gives fresh life to the enthralling sexual, poetic and political contradictions that make Byron the first literary celebrity. Encompassing his entire oeuvre, the volume both provides an authoritative guide for students, and points to emerging new areas of research, highlighting Byron's ongoing relevance in an increasingly complex world both within academia and beyond…

  • In Byron’s Wake

    Open Access•Clara Tuite•CHAPTER•The Cambridge Companion to Byron•2023

    This chapter explores Byron’s reception through the lens of the Byronic sense of occasion. Focusing on the history of Byron’s contemporary reception, it argues that Byronic reception involves a transformed scene of reading and writing, and a transformed temporality, which is acutely attuned to a sense of occasion, stretching the moment of reception and production across a longue durée. It is a critical commonplace that Byron’s writing is about it…

  • Byron and World Literature

    Clara Tuite•CHAPTER•Oxford Handbook of Lord Byron•2024

    This essay considers how Byron’s life, work, and reception presides over the transformation of Enlightenment ideals of cosmopolitanism and worldliness into a form of global Romanticism that anticipates Goethe’s coinage ideal of Weltliteratur. A new regime of imperial global modernity provided the broader context for the emergence of world literature, which coincides with the reordering of Europe that followed the Napoleonic Wars. In this sense, G…

Art (10 works) · History (10 works) · Literature (7 works) · Literature: history, themes, analysis (6 works) · Philippine History and Culture (4 works) · Philosophy (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · Aesthetics (3 works) · Law (3 works) · Linguistics (3 works)

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