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Harriet Archer

Biographic Data

ID1626480
NAMEHarriet Archer
GIVEN NAMESHarriet
FAMILY NAMEArcher
SIGNATUREARCHER H
AFFILIATIONSNewcastle University
ORCID0000-0002-5544-582X
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Gorboduc on Fire

    Open Access•Harriet Archer•ARTICLE•Exemplaria•2022•References: 14

    This article rereads Norton and Sackville’s Inns of Court tragedy Gorboduc (1562) in the light of its neglected preoccupation with fire. It posits the 1561 lightning strike on St Paul’s as a critical context for the play’s emphasis on fire as a motor of providential justice, through the repeated evocation of the myth of Phaethon, and locates its use of fire in performance at the intersection between political intervention and carnival festivity. …

  • A Mirror for Magistrates in Context

    Harriet Archer, Amelia Hadfield et al.•ARTICLE•Renaissance and Reformation•2018

    Archer, Harriet, and Andrew Hadfield, eds. A Mirror for Magistrates in Context: Literature, History and Politics in Early Modern England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Piety and Conflict in the Early Reformation), on Érudit

  • Unperfect Histories

    Harriet Archer•BOOK•Unperfect Histories•2017

    The Mirror for Magistrates , the collection of de casibus complaint poems in the voices of medieval rulers and rebels compiled by William Baldwin in the 1550s, was central to the development of imaginative literature in the sixteenth and early seventeenth centuries. Additions by John Higgins, Thomas Blenerhasset, and Richard Niccols between 1574 and 1610 extended the Mirror ’s scope, shifted its focus, and prolonged its popularity; in particular,…

  • John Higgins’s First Part of the Mirror for Magistrates (1574–5)

    Harriet Archer•BOOK•Unperfect Histories•2017

    Chapter 2 introduces John Higgins’s first contribution to the corpus, and considers the ways in which his Mirror prequel works with Baldwin’s interest in textual transmission to retell the story of Britain’s legendary foundation. Contrasting the learned humanism of Higgins’s paratextual statements of intent with the dream vision in which his history is embedded, the chapter explores the anxieties attendant on Elizabethan historians of the English…

  • A Mirror for Magistrates in Context

    Open Access•Harriet Archer, Andrew Hadfield•EDITOR•BOOK•Mirror for Magistrates in Context•2016

    This is the first essay collection on A Mirror for Magistrates, the most popular work of English literature in the age of Shakespeare. The Mirror is here analysed by major scholars, who discuss its meaning and significance, and assess the extent of its influence as a series of tragic stories showing powerful princes and governors brought low by fate and enemy action. Scholars debate the challenging and radical nature of the Mirror's politics, its…

  • Mirror for Magistrates in Context

    Andrew Hadfield, Harriet Archer•BOOK•Mirror for Magistrates in Context•2016

  • Romancing the Self in Early Modern Englishwomen's Life WritingJulie A. Eckerle

    Harriet Archer•ARTICLE•Women s History Review•2015

    Interest in early modern reading practices, in particular the use of carefully devised reading regimens by individuals and groups, continues to expand, often with emphasis on first-person testimoni

No prominent works on this page.

  • Romancing the Self in Early Modern Englishwomen's Life WritingJulie A. Eckerle

    Harriet Archer•ARTICLE•Women s History Review•2015

    Interest in early modern reading practices, in particular the use of carefully devised reading regimens by individuals and groups, continues to expand, often with emphasis on first-person testimoni

  • A Mirror for Magistrates in Context

    Open Access•Harriet Archer, Andrew Hadfield•EDITOR•BOOK•Mirror for Magistrates in Context•2016

    This is the first essay collection on A Mirror for Magistrates, the most popular work of English literature in the age of Shakespeare. The Mirror is here analysed by major scholars, who discuss its meaning and significance, and assess the extent of its influence as a series of tragic stories showing powerful princes and governors brought low by fate and enemy action. Scholars debate the challenging and radical nature of the Mirror's politics, its…

  • Mirror for Magistrates in Context

    Andrew Hadfield, Harriet Archer•BOOK•Mirror for Magistrates in Context•2016

  • Unperfect Histories

    Harriet Archer•BOOK•Unperfect Histories•2017

    The Mirror for Magistrates , the collection of de casibus complaint poems in the voices of medieval rulers and rebels compiled by William Baldwin in the 1550s, was central to the development of imaginative literature in the sixteenth and early seventeenth centuries. Additions by John Higgins, Thomas Blenerhasset, and Richard Niccols between 1574 and 1610 extended the Mirror ’s scope, shifted its focus, and prolonged its popularity; in particular,…

  • John Higgins’s First Part of the Mirror for Magistrates (1574–5)

    Harriet Archer•BOOK•Unperfect Histories•2017

    Chapter 2 introduces John Higgins’s first contribution to the corpus, and considers the ways in which his Mirror prequel works with Baldwin’s interest in textual transmission to retell the story of Britain’s legendary foundation. Contrasting the learned humanism of Higgins’s paratextual statements of intent with the dream vision in which his history is embedded, the chapter explores the anxieties attendant on Elizabethan historians of the English…

  • A Mirror for Magistrates in Context

    Harriet Archer, Amelia Hadfield et al.•ARTICLE•Renaissance and Reformation•2018

    Archer, Harriet, and Andrew Hadfield, eds. A Mirror for Magistrates in Context: Literature, History and Politics in Early Modern England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Piety and Conflict in the Early Reformation), on Érudit

  • Gorboduc on Fire

    Open Access•Harriet Archer•ARTICLE•Exemplaria•2022•References: 14

    This article rereads Norton and Sackville’s Inns of Court tragedy Gorboduc (1562) in the light of its neglected preoccupation with fire. It posits the 1561 lightning strike on St Paul’s as a critical context for the play’s emphasis on fire as a motor of providential justice, through the repeated evocation of the myth of Phaethon, and locates its use of fire in performance at the intersection between political intervention and carnival festivity. …

Philosophy (5 works) · Art (4 works) · History (4 works) · Literature (4 works) · Aesthetics (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · 1500-1700 (2 works)

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