Dolores Tierney
Biographic Data
| ID | 162673 |
|---|---|
| NAME | Dolores Tierney |
| GIVEN NAMES | Dolores |
| FAMILY NAME | Tierney |
| SIGNATURE | TIERNEY D |
| AFFILIATIONS | University of Sussex |
| ORCID | 0000-0002-6793-3652 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Reconsiderando el cine de culto: Los teatros hispanos y el público latinx en Nueva York 1969-1970
X
In Memory of Ana M. López
The Cinema of Sara Gómez: Reframing Revolution , by Susan Lord & María Caridad Cumaná (eds.) with Víctor Fowler Calzada
Finding Emilio Fernández: Mexican Extras and Latinx Representation in Early Sound Era Hollywood
Emilio Fernández is well known as one of the biggest directors of classical Mexican cinema in the 1940s, who made a string of critical successes that attracted global critical attention and acclaim, including María Candelaria (1943 María Candelaria. 1943. Directed by Emilio Fernández. Clasa Films Mundiales. [Google Scholar]), Flor Silvestre (1943 Flor Silvestre. 1943. Directed by Emilio Fernández. Clasa Films Mundiales. [Google Scholar]), and Las…
Contemporary Peruvian Cinema: History, Identity and Violence on Screen
"Contemporary Peruvian Cinema: History, Identity and Violence on Screen." Hispanic Research Journal, 21(1), pp. 91–92
El vampiro y el sexo / The Vampire and Sex (René Cardona, 1969): El Santo, sexploitation films and politics in Mexico 1968
Taking a cue from Eric Schaefer and Linda Williams, whose work underlines the value of studying sex/adult films and sex in films as a significant part of cultural and social histories, this article explores the production and subsequent disavowal of El vampiro y el sexo/The Vampire and Sex, a Mexican erotic film and alternate version of popular horror/wrestling hybrid Santo en el Tesoro de Drácula/Santo and Dracula’s Treasure made ‘only for expor…
The Transnational Fantasies of Guillermo del Toro
Offering a multifaceted approach to the Mexican-born director Guillermo del Toro, this volume examines his wide-ranging oeuvre and traces the connections between his Spanish language and English langu
Latsploitation, Exploitation Cinemas, and Latin America
Introduction: Made In Latin America Victoria Ruetalo and Dolores Tierney 1. Outside the Industry: The Case of Juan Orol Ana Lopez Exploitation Beyond Borders 2. The Reception of Latin American Exploitation Cinema in Spanish Subcultures Antonio Lazaro Reboll 3. Luis Llosa, Corman-Produced Films and Peruvian National Cinema Jeffrey Middents 4. I wonder who the Read Cannibals are? Latin America and colonialism in European exploitation cinema Andrew …
José Mojica Marins and the cultural politics of marginality in third world film criticism
This article seeks to revise and question the cultural politics through which Third World film criticism has historically constructed Latin American continental and national film canons. To this end it reassesses the highly politicized notion of an imperfect, marginal or alternative cinema promoted in the 1960s by filmmakers like the Brazilian Glauber Rocha and the Cuban Julio Garca Espinosa by looking at the contemporaneous exploitation cinema o…
José Mojica Marins and the cultural politics of marginality in third world film criticism
This article seeks to revise and question the cultural politics through which Third World film criticism has historically constructed Latin American continental and national film canons. To this end it reassesses the highly politicized notion of an imperfect, marginal or alternative cinema promoted in the 1960s by filmmakers like the Brazilian Glauber Rocha and the Cuban Julio Garca Espinosa by looking at the contemporaneous exploitation cinema o…
El vampiro y el sexo / The Vampire and Sex (René Cardona, 1969): El Santo, sexploitation films and politics in Mexico 1968
Taking a cue from Eric Schaefer and Linda Williams, whose work underlines the value of studying sex/adult films and sex in films as a significant part of cultural and social histories, this article explores the production and subsequent disavowal of El vampiro y el sexo/The Vampire and Sex, a Mexican erotic film and alternate version of popular horror/wrestling hybrid Santo en el Tesoro de Drácula/Santo and Dracula’s Treasure made ‘only for expor…
José Mojica Marins and the cultural politics of marginality in third world film criticism
This article seeks to revise and question the cultural politics through which Third World film criticism has historically constructed Latin American continental and national film canons. To this end it reassesses the highly politicized notion of an imperfect, marginal or alternative cinema promoted in the 1960s by filmmakers like the Brazilian Glauber Rocha and the Cuban Julio Garca Espinosa by looking at the contemporaneous exploitation cinema o…
Latsploitation, Exploitation Cinemas, and Latin America
Introduction: Made In Latin America Victoria Ruetalo and Dolores Tierney 1. Outside the Industry: The Case of Juan Orol Ana Lopez Exploitation Beyond Borders 2. The Reception of Latin American Exploitation Cinema in Spanish Subcultures Antonio Lazaro Reboll 3. Luis Llosa, Corman-Produced Films and Peruvian National Cinema Jeffrey Middents 4. I wonder who the Read Cannibals are? Latin America and colonialism in European exploitation cinema Andrew …
The Transnational Fantasies of Guillermo del Toro
Offering a multifaceted approach to the Mexican-born director Guillermo del Toro, this volume examines his wide-ranging oeuvre and traces the connections between his Spanish language and English langu
El vampiro y el sexo / The Vampire and Sex (René Cardona, 1969): El Santo, sexploitation films and politics in Mexico 1968
Taking a cue from Eric Schaefer and Linda Williams, whose work underlines the value of studying sex/adult films and sex in films as a significant part of cultural and social histories, this article explores the production and subsequent disavowal of El vampiro y el sexo/The Vampire and Sex, a Mexican erotic film and alternate version of popular horror/wrestling hybrid Santo en el Tesoro de Drácula/Santo and Dracula’s Treasure made ‘only for expor…
Contemporary Peruvian Cinema: History, Identity and Violence on Screen
"Contemporary Peruvian Cinema: History, Identity and Violence on Screen." Hispanic Research Journal, 21(1), pp. 91–92
Finding Emilio Fernández: Mexican Extras and Latinx Representation in Early Sound Era Hollywood
Emilio Fernández is well known as one of the biggest directors of classical Mexican cinema in the 1940s, who made a string of critical successes that attracted global critical attention and acclaim, including María Candelaria (1943 María Candelaria. 1943. Directed by Emilio Fernández. Clasa Films Mundiales. [Google Scholar]), Flor Silvestre (1943 Flor Silvestre. 1943. Directed by Emilio Fernández. Clasa Films Mundiales. [Google Scholar]), and Las…
The Cinema of Sara Gómez: Reframing Revolution , by Susan Lord & María Caridad Cumaná (eds.) with Víctor Fowler Calzada
Reconsiderando el cine de culto: Los teatros hispanos y el público latinx en Nueva York 1969-1970
X
In Memory of Ana M. López
Art (8 works) · Art history (5 works) · Cinema and Media Studies (5 works) · Cinema History and Criticism (5 works) · Humanities (4 works) · Law (4 works) · Movie theater (4 works) · Political science (4 works) · History (3 works) · Law (3 works)