Maureen Turim
Biographic Data
| ID | 1627257 |
|---|---|
| NAME | Maureen Turim |
| GIVEN NAMES | Maureen |
| FAMILY NAME | Turim |
| SIGNATURE | TURIM M |
| AFFILIATIONS | Binghamton University |
| ORCID | 0000-0001-8258-6997 |
| VERIFIED | Yes |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Next to Chantal Akerman
Chantal Akerman’s 2004 art installation Marcher à côté de ses lacets dans un frigidaire vide (Walking Next to One’s Shoelaces in an Empty Fridge) explores Akerman’s multigenerational family history as Jewish survivors of the Shoah. The installation is spatially configured so that the two parts poetically echo each other—one focuses on her writing displayed sculpturally, and the other on an interview with her mother about her grandmother’s diary—a…
Cukor’s Tragicomedies of Marriage
Marina Abramovic's Performance
Maureen Turim is professor of English and film studies at the University of Florida. She is author of Abstraction in Avant-Garde Films (Ann Arbor: UMI Research Press, 1985), Flashbacks in Film: Memory and History (New York: Routledge, 1989), and The Films of Oshima Nagisa: Images of a Japanese Iconoclast (Berkeley: University of California Press, 1998). She has also published over seventy essays in anthologies and journals on a wide range of theo…
The Films of Oshima Nagisa
The Films of Oshima Nagisa
This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and polit…
The Films of Oshima Nagisa
Films of Oshima Nagisa
Conclusion
Interrogating Theories of the Global
Flashbacks in Film
French Melodrama
Melodrama marks a shift in the conception of theatrical performance in France. This redefinition of theatre apart from the classical tradition begins around 1770 and comes into full force by the turn of the nineteenth century. As we shall explore later, this shift is marked by three types of changes: transformations of form, reference, and audience. By the mid-nineteenth century the melodrama is beginning to serve as the prototype for the Romanti…
“Elective Affinities”
Other| March 01 1985 “Elective Affinities”: Larry Gottheim’s Cinematic Quaternion Maureen Turim Maureen Turim Maureen Turim is an assistant professor of cinema at SUNY Binghamton. The UMI Press has just published her study Avant-Garde Film: A Theory of Abstraction. She has written for Camera Obscura, Enclitic, Semiotics, and Wide Angle. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1985) 12 (8): 12–14. http…
What is Sexual Difference
Other| April 01 1985 What is Sexual Difference? Difference: On Representation and Sexuality Preface by Marcia Tucker; foreword by Kate Linker; essays by Craig Owens, Lisa Tickner, Jacqueline Rose, Peter Wollen, and Jane Weinstock. The New Museum of Contemporary Art (583 Broadway, New York, N.Y. 10012J/48 pp./$7.00 (sb). Maureen Turim Maureen Turim Maureen Turim is an assistant professor of cinema and interim chairperson of the women’s studies pro…
Representation and Reception 1985 Ohio University Film Conference Sessions held October 25–29, 1984
Jean-Francois Lyotard
Research Article| December 01 1984 Jean-François Lyotard: A Partial Bibliography Maureen Turim Maureen Turim Search for other works by this author on: This Site Google Camera Obscura (1984) 4 (3 (12)): 107–109. https://doi.org/10.1215/02705346-4-3_12-107 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Maureen Turim; Jean-François Lyotard: A Partial Bibliography. Camera Obscura 1 December 1984; 4 (3 (12)): 107–109. doi: ht…
Desire in Art and Politics
Research Article| December 01 1984 Desire in Art and Politics: The Theories of Jean-François Lyotard Maureen Turim Maureen Turim Search for other works by this author on: This Site Google Camera Obscura (1984) 4 (3 (12)): 89–106. https://doi.org/10.1215/02705346-4-3_12-89 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Fictive Psyches
Maureen Turim, Fictive Psyches: The Psychological Melodrama in 40s Films, boundary 2, Vol. 12/13, Vol. 12, no. 3 - Vol. 13, no. 1, On Humanism and the University I: The Discourse of Humanism (Spring - Autumn, 1984), pp. 321-331
Film Study in Paris
You've got Hollywood, why did you come to Paris to study film? This question definitely wins prize as most frequently asked by French people who find out I'm an American studying film in Paris. And each time it inevitably recurs, I smile and try to steer conversation off into another direction, perhaps taking it as a cue to ask, Ah do you like American films? Howard Hawks? Because to explain why and how not only Americans, but students from many …
The Films of Oshima Nagisa
This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and polit…
Film Study in Paris
You've got Hollywood, why did you come to Paris to study film? This question definitely wins prize as most frequently asked by French people who find out I'm an American studying film in Paris. And each time it inevitably recurs, I smile and try to steer conversation off into another direction, perhaps taking it as a cue to ask, Ah do you like American films? Howard Hawks? Because to explain why and how not only Americans, but students from many …
Jean-Francois Lyotard
Research Article| December 01 1984 Jean-François Lyotard: A Partial Bibliography Maureen Turim Maureen Turim Search for other works by this author on: This Site Google Camera Obscura (1984) 4 (3 (12)): 107–109. https://doi.org/10.1215/02705346-4-3_12-107 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Maureen Turim; Jean-François Lyotard: A Partial Bibliography. Camera Obscura 1 December 1984; 4 (3 (12)): 107–109. doi: ht…
Desire in Art and Politics
Research Article| December 01 1984 Desire in Art and Politics: The Theories of Jean-François Lyotard Maureen Turim Maureen Turim Search for other works by this author on: This Site Google Camera Obscura (1984) 4 (3 (12)): 89–106. https://doi.org/10.1215/02705346-4-3_12-89 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Fictive Psyches
Maureen Turim, Fictive Psyches: The Psychological Melodrama in 40s Films, boundary 2, Vol. 12/13, Vol. 12, no. 3 - Vol. 13, no. 1, On Humanism and the University I: The Discourse of Humanism (Spring - Autumn, 1984), pp. 321-331
“Elective Affinities”
Other| March 01 1985 “Elective Affinities”: Larry Gottheim’s Cinematic Quaternion Maureen Turim Maureen Turim Maureen Turim is an assistant professor of cinema at SUNY Binghamton. The UMI Press has just published her study Avant-Garde Film: A Theory of Abstraction. She has written for Camera Obscura, Enclitic, Semiotics, and Wide Angle. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1985) 12 (8): 12–14. http…
What is Sexual Difference
Other| April 01 1985 What is Sexual Difference? Difference: On Representation and Sexuality Preface by Marcia Tucker; foreword by Kate Linker; essays by Craig Owens, Lisa Tickner, Jacqueline Rose, Peter Wollen, and Jane Weinstock. The New Museum of Contemporary Art (583 Broadway, New York, N.Y. 10012J/48 pp./$7.00 (sb). Maureen Turim Maureen Turim Maureen Turim is an assistant professor of cinema and interim chairperson of the women’s studies pro…
Representation and Reception 1985 Ohio University Film Conference Sessions held October 25–29, 1984
French Melodrama
Melodrama marks a shift in the conception of theatrical performance in France. This redefinition of theatre apart from the classical tradition begins around 1770 and comes into full force by the turn of the nineteenth century. As we shall explore later, this shift is marked by three types of changes: transformations of form, reference, and audience. By the mid-nineteenth century the melodrama is beginning to serve as the prototype for the Romanti…
Interrogating Theories of the Global
Flashbacks in Film
The Films of Oshima Nagisa
Films of Oshima Nagisa
Conclusion
The Films of Oshima Nagisa
This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and polit…
The Films of Oshima Nagisa
Marina Abramovic's Performance
Maureen Turim is professor of English and film studies at the University of Florida. She is author of Abstraction in Avant-Garde Films (Ann Arbor: UMI Research Press, 1985), Flashbacks in Film: Memory and History (New York: Routledge, 1989), and The Films of Oshima Nagisa: Images of a Japanese Iconoclast (Berkeley: University of California Press, 1998). She has also published over seventy essays in anthologies and journals on a wide range of theo…
Cukor’s Tragicomedies of Marriage
Next to Chantal Akerman
Chantal Akerman’s 2004 art installation Marcher à côté de ses lacets dans un frigidaire vide (Walking Next to One’s Shoelaces in an Empty Fridge) explores Akerman’s multigenerational family history as Jewish survivors of the Shoah. The installation is spatially configured so that the two parts poetically echo each other—one focuses on her writing displayed sculpturally, and the other on an interview with her mother about her grandmother’s diary—a…
Art (13 works) · Cinema and Media Studies (7 works) · Art history (6 works) · Computer Science (6 works) · History (5 works) · Psychology (5 works) · Visual arts (5 works) · Citation (4 works) · Icon (4 works) · Library science (4 works)